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The Crucifixion in Music studies the musical representation of words and the concepts and contexts to which words refer, examining the way the treatment of a literary text, namely the Crucifixus, coalesces into a recognizable musical tradition that individual composers follow, develop, modify, or ignore.
The Crucifixion and Resurrection of Christ are central events in our salvation. Yet few Christians have a good grasp of the first-century historical and religious context in which the Crucifixion took place, nor of its true significance for the people of that time-and hence for our time as well. Biblical scholar and attorney Dr. Jeannie Constantinou puts modern readers in the center of the events of Christ's Passion, bringing the best of modern scholarship to bear while keeping her interpretation faithful in every particular to the Orthodox Tradition.
The crucifixion of Christ has been richly portrayed by countless artists for hundreds of years, but it was European Renaissance styles and painters such as Kurz, Benjamin West and John Valentine Haidt that first informed American artists of the possibilities for depicting the crucifixion. This work features artists living and working in America from the mid-18th to the 21st century who depicted the crucifixion of Christ in their artwork. The 19th century saw painters like Julian Russell Story, John Singer Sargent, Vassili Verestchagin and Fred Holland break from the Renaissance tradition of the 18th century to begin a religious art revolution. The 20th century saw painters like Thomas Eakins and George Bellows continuing the traditions of the 19th until the Realist style became dominant, which lasted until the latter part of the century and the rise of Abstract Expressionism and a number of experimental styles such as Op, Pop, and Super-realism.
A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.
The world's most famous hymn book has been completely revised and now offers the broadest ever range of traditional hymns and modern compositions, from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. Its 847 items have been specially selected for their singability, theological richness and relevance. Organ edition. 2 volume set.
The first book to examine the controversial Qur'anic phrase which divides Christianity and Islam. According to the majority of modern Muslims and Christians, the Qur'an denies the crucifixion of Jesus, and with it, one of the most sacred beliefs of Christianity. However, it is only mentioned in one verse - 'They did not kill him and they did not crucify him, rather, it only appeared so to them' - and contrary to popular belief, its translation has been the subject of fierce debate among Muslims for centuries. This innovative work is the first book devoted to the issue, delving deeply into largely ignored Arabic sources, which suggest that the origins of the conventional translation may lie within the Christian Church. Arranged along historical lines, and covering various Muslim schools of thought, from Sunni to Sufi, "The Crucifixion and the Qur'an" unravels the crucial dispute that separates the World's two principal faiths.
This beautiful book offers reflections of a medical doctor on the physical and mental anguish Jesus endured in the hours leading up to His death. Enrich your meditation on Christ's passion using prayers and hymns paired with moving commentary and masterpieces of art from artists including Michelangelo, Rubens, Dali, and Siqueiros.
Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.
Though Edwards spent most of his life working in local churches, and saw himself primarily as a pastor, his own views on the theology of the church have never been explored in depth. This book presents Edwards's views on ecclesiology by tracking the development of his convictions during the course of his tumultuous career. Drawing on Reformation foundations and the Puritan background of his ministry, Edwards refreshes our understanding of the church by connecting it to a nuanced interpretation of revival, allowing a dynamic view of the place of church in history and new thinking about its institutional structure. Indeed in Edwards's writing the church has an exalted status as the bride of Christ, joined to him forever. Building on the recent completion of the works of Jonathan Edwards, and material newly published online, this book, the first ever on Edwards's ecclesiology, demonstrates his commitment to corporate Christian experience shaped by theological convictions and his aspirations towards the visibility and unity of the Christian church. In a final section, Bezzant discusses topics relating to ecclesiology (such as hymnody, discipline, and polity), that occupied Edwards throughout his ministry. Edwards preached a Gospel concerned with God's purposes for the world, so it is the growth of the church, not merely the conversion of individuals, that is the necessary fruit of his preaching. The church in the West is rediscovering the importance of ecclesiology as it emerges from its Christendom constraints. Edwards's struggle to understand the church and its place within God's cosmic design is a case study that helps us to appreciate the church in the modern world.