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Amid the turbulence of prerevolutionary Russia, the lives of two families become inextricably entwined. When Anna Burenin leaves her tiny village to work in St. Petersburg, she is thrust into the life of the spoiled Princess Katrina Fedorcenko. Soon both peasant and princess will face the prospect of their beloved Russia being torn apart.
In this engrossing narrative of the great military conflagration of the mid-eighteenth century, Fred Anderson transports us into the maelstrom of international rivalries. With the Seven Years' War, Great Britain decisively eliminated French power north of the Caribbean — and in the process destroyed an American diplomatic system in which Native Americans had long played a central, balancing role — permanently changing the political and cultural landscape of North America. Anderson skillfully reveals the clash of inherited perceptions the war created when it gave thousands of American colonists their first experience of real Englishmen and introduced them to the British cultural and class system. We see colonists who assumed that they were partners in the empire encountering British officers who regarded them as subordinates and who treated them accordingly. This laid the groundwork in shared experience for a common view of the world, of the empire, and of the men who had once been their masters. Thus, Anderson shows, the war taught George Washington and other provincials profound emotional lessons, as well as giving them practical instruction in how to be soldiers. Depicting the subsequent British efforts to reform the empire and American resistance — the riots of the Stamp Act crisis and the nearly simultaneous pan-Indian insurrection called Pontiac's Rebellion — as postwar developments rather than as an anticipation of the national independence that no one knew lay ahead (or even desired), Anderson re-creates the perspectives through which contemporaries saw events unfold while they tried to preserve imperial relationships. Interweaving stories of kings and imperial officers with those of Indians, traders, and the diverse colonial peoples, Anderson brings alive a chapter of our history that was shaped as much by individual choices and actions as by social, economic, and political forces.
A collection of critical essays that examines Arthur Miller's classic drama, "The Crucible;" and contains an historical overview of the play, chronology of the life and works of the author, and introduction by Harold Bloom.
Vols. 1-69 include more or less complete patent reports of the U. S. Patent Office for years 1825-1859. cf. Index to v. 1-120 of the Journal, p. [415]
The belief that every physical experience has a spiritual undertone reveals that everything is stage-managed in life. Long before Josiah was born, God sent a young prophet from Judah to make it know to King Jeroboam of Israel. And indeed, Josiah lived nearly 257 years later to accomplish the purpose of God. This means that God stage-managed to ensure that Josiah lived to accomplish His assigned purpose. Queen Esther stage-managed her husband, the Emperor, to get rid of Haman the Amalekite, the preserved the lives of her fellow Jews as well as made Mordecai the Prime Minister of the Persian Empire at the expense of Haman. Naomi and Ruth stage-managed Boaz to marry Ruth so that Boaz would continually provide for them. God stage-managed to ensure the Israelites left the Egyptian captivity with enormous wealth. Check out the desirability or otherwise of stage-management of events of life.
Reprint of the original, first published in 1882.
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