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Eric Draven has returned from the dead, driven only by hate and the need to wreak revenge on those who killed him and raped and then killed his beloved Shelly.
The definitive edition of the classic graphic novel—including never-before-seen material and a new introduction by the author. When James O’Barr poured the pain and anguish of a personal tragedy into the drawings that comprise The Crow, his intensely cathartic story of Eric—who returns from the dead to avenge his and his fiancée’s murder at the hands of a street gang—resonated with readers around the world. Now, the illustrated tale that became the “thrilling” (Los Angeles Daily News) and “spectacular” (Chicago Tribune) screen triumph is re-released in an expanded version the author originally intended, complete at last with: —Thirty pages of never-before-seen artwork, including a new closing segment, “Sparklehorse,” and the touching new scene, “An August Noel” —A new Introduction by James O’Barr —Lost sequences restored using the artist’s original technique This is The Crow like you’ve never seen it before—the powerful journey of an avenging angel and a celebration of true love...as fierce, intelligent, and unforgettable as when it was first conceived. Suggested for mature readers.
The Crow is the ultimate cult movie, with a dedicated worldwide following, and two sequels, plus a fourth currently in production. Now, ten years after the original film’s release, the full story of this seemingly cursed production can finally be told... In The Crow’s last days of filming, its star Brandon Lee (son of Bruce Lee) was killed in a strange on-set accident, while filming his character’s death scene. Bridget Baiss describes the chain of events which led from O’Barr’s creation of the graphic novel, up to this fateful day, and beyond, to the film’s final, triumphant release. The definitive account of The Crow’s production and the phenomenon it became, packed with scores of interviews with the film’s cast and crew.
As this enthralling epic nears its climax, the young heroine’s brother discovers his own hidden gift — and the role he must play in battling the Dark. Hem is a weary orphan whose struggle for survival ends when he is reunited with his lost sister, Maerad. But Maerad has a destiny to fulfill, and Hem is sent to the golden city of Turbansk, where he learns the ways of the Bards and befriends a mysterious white crow. When the forces of the Dark threaten, Hem flees with his protector, Saliman, and an orphan girl named Zelika to join the Light’s resistance forces. It is there that Hem has a vision and learns that he, too, has a part to play in Maerad’s quest to solve the Riddle of the Treesong. As The Crow continues the epic tale begun with The Naming and The Riddle, Alison Croggon creates a world of astounding beauty overshadowed by a terrifying darkness, a world where Maerad and Hem must prepare to wage their final battle for the Light.
The International Sensation It begins in a Stockholm city park where the abused body of a young boy is discovered. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of an immigrant child. But with the discovery of the mutilated corpses of two more children, it becomes clear that a serial killer is at large. Superintendent Kihlberg turns to therapist Sofia Zetterlund for her expertise in the psychopathology of those who kill, and the lives of the two women become quickly intertwined—professionally and personally. As they draw closer to each other and to the truth about the killings, what surfaces is the undeniable fact that these murders are only the most obvious evidence of an insidious evil woven deep into Swedish society.
Offers insight into crows' ability to make tools and respond to environmental challenges, explaining how they engage in human-like behaviors, from giving gifts and seeking revenge to playing and experiencing dreams.
'One of the best opening lines of any novel' Guardian 'It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.' Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances... Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman
A man and a woman are tragically kileld in a gang-related incident, and the man seeks out and haunts those who did it.
Magick is the birthright of every child in Arkadia. Power defines a person's name, their skill, their destiny. Brin Menderson is different. Even the simplest spells do nothing for him and he is starting to fear that he might not have magick at all.Little does he know that there are those in the kingdom who would see an end to peace and order; an end to the golden age of magick. They believe in a prophecy, an ancient rhyme about a child foretold to end the kings rule and bring dragons back to the starless sky. Brin is about to learn that having no magick might just make him the most important person in all the land. Heralds the coming of a strong new voice in Australian fantasy. A compellingly readable tale. His hero may not have magick but McKenzie does. - Justin Woolley, author of A Town Called Dust