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Ebook edition of Philip Marsden’s classic travel book, published to coincide with the centenary of the Armenian massacres.
Few writers had to confront so many of the last century's mass tragedies as Vasily Grossman. He is likely to be remembered, above all, for the terrifying clarity with which he writes about the Shoah, the Battle of Stalingrad and the Terror Famine in the Ukraine. An Armenian Sketchbook, however, shows us a very different Grossman; it is notable for its warmth, its sense of fun and for the benign humility that is always to be found in his writing. After the 'arrest' - as Grossman always put it - of Life and Fate, Grossman took on the task of editing a literal Russian translation of a lengthy Armenian novel. The novel was of little interest to him, but he was glad of an excuse to travel to Armenia. This is his account of the two months he spent there. It is by far the most personal and intimate of Grossman's works, with an air of absolute spontaneity, as though Grossman is simply chatting to the reader about his impressions of Armenia - its mountains, its ancient churches and its people.
What do 'Abu Sindi', 'Timothy Sean McCormack', 'Saro', and 'Commander Avo' all have in common? They were all aliases for Monte Melkonian. But who was Monte Melkonian? In his native California he was once a kid in cut-off jeans, playing baseball and eating snow cones. Europe denounced him as an international terrorist. His adopted homeland of Armenia decorated him as a national hero who led a force of 4000 men to victory in the Armenian enclave of Mountainous Karabagh in Azerbaijan. Why Armenia? Why adopt the cause of a remote corner of the Caucasus whose peoples had scattered throughout the world after the early twentieth century Ottoman genocides? Markar Melkonian spent seven years unravelling the mystery of his brother's road: a journey which began in his ancestors' town in Turkey and leading to a blood-splattered square in Tehran, the Kurdish mountains, the bomb-pocked streets of Beirut, and finally, to the windswept heights of Mountainous Karabagh. Monte's life embodied the agony and the follies bedevelling the end of the Cold War and the unravelling of the Soviet Union. Yet, who really was this man? A terrorist or a hero? "My Brother's Road" is not just the story of a long journey and a short life, it is an attempt to understand what happens when one man decides that terrible actions speak louder than words.
A travelogue detailing Matt Pointon's 2014 journeyings around Armenia and Nagorno-Karabagh.
In the face of the Nazi invasion of Poland in 1939, poet Zofia Ilinska (nee Bronski) and her mother, Helena Bronska, fled to England. For years they dreamed of going back to the Bronski house, which over time came to stand for everything they had lost. It was more than a half a century later that Ilinska returned to the village of her birth, asking Marsden to accompany her and entrusting to him Helena's diaries and letters. Best described as a non-fiction novel, the result is not only an account of the poet's quest for her origins but a portrait of the parallel lives of mother and daughter: coming of age, dramatic escapes, and love and loss. Annotation copyrighted by Book News, Inc., Portland, OR
"Christiane Gruber's analysis of the illustrations of the Prophet's ascension has revolutionized the interpretation of this important aspect of Islamic art history, bringing out its deep religious significance as well as its political context. This is a must-read for anyone engaged in global art history or the understanding of Islamic culture". Carl W. Ernst, William R. Kenan, Jr. Distinguished Professor of Religious Studies, The University of North Carolina at Chapel Hill.
In 2010, Philip Marsden, whom Giles Foden has called “one of our most thoughtful travel writers,” moved with his family to a rundown farmhouse in the countryside in Cornwall. From the moment he arrived, Marsden found himself fascinated by the landscape around him, and, in particular, by the traces of human history—and of the human relationship to the land—that could be seen all around him. Wanting to experience the idea more fully, he set out to walk across Cornwall, to the evocatively named Land’s End. Rising Ground is a record of that journey, but it is also so much more: a beautifully written meditation on place, nature, and human life that encompasses history, archaeology, geography, and the love of place that suffuses us when we finally find home. Firmly in a storied tradition of English nature writing that stretches from Gilbert White to Helen MacDonald, Rising Ground reveals the ways that places and peoples have interacted over time, from standing stones to footpaths, ancient habitations to modern highways. What does it mean to truly live in a place, and what does it take to understand, and honor, those who lived and died there long before we arrived? Like the best travel and nature writing, Rising Ground is written with the pace of a contemplative walk, and is rich with insight and a powerful sense of the long skein of years that links us to our ancestors. Marsden’s close, loving look at the small patch of earth around him is sure to help you see your own place—and your own home—anew.
The author recounts his adventures traveling through Turkey in search of the history of the fez, using it as a key to understanding the country's history and culture.