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From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume. “An absorbing portrait of Baldwin’s time—and of him.” —New York Review of Books James Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society. Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”
From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume. “An absorbing portrait of Baldwin’s time—and of him.” —New York Review of Books James Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society. Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”
Even as theologians and others have become more critical of classic theories of atonement, Brondos maintains, biblical scholars have continued to understand Paul's soteriology based on the language and categories of a thousand years later. In this vital volume he draws the theological consequences of the "new perspective" on Paul for our understanding of the meaning and efficacy of Jesus'' death. Paul, says Brondos, understood Jesus' death primarily as the consequence of his mission of serving as God's instrument to bring about the awaited redemption of Israel, in which Gentiles throughout the world would also be included. For Paul, Jesus' death is salvific, not because it satisfies some necessary condition for human salvation as most doctrines of the atonement have traditionally maintained, nor because it effects some change in the situation of human beings or the world in general, but because God responded to Jesus' faithfulness unto death by raising him, ensuring that all the divine promises of salvation would be fulfilled through him. Jesus' death forms part of an overarching story culminating in the redemption of Israel and the world; it is this story, and in particular what precedes and follows Jesus' death on the cross, which makes that death redemptive for Paul.
This story-oriented recovery book unfolds the back-story of redemption in Exodus to show how Jesus redeems us from the slavery of abuse and addiction and restores us to our created purpose, the worship of God.
Why did Jesus die? And in what ways did his crucifixion offer redemption to the world? Those questions, which lie at the heart of Christian faith, remain a pressing concern for theological reflection. What sets this work apart is that the authors -- a Palestinian theologian from Bethlehem and a New Testament scholar from the United States -- explore the meaning of the cross in light of both first and twenty-first century Palestinian contexts. Together, their insights coalesce around themes that expose the divine power of the cross both for Jesus' first followers and for contemporary readers alike.
If I were to ask you about the history of redemption, you would most likely begin by thinking back to the cross and what was accomplished there by Christ From there, you would then move forward. However, in God's mind or from His perspective it began before the foundation of the world. Ephesians 1:4 says, "...even as he chose us in him before the foundation of the world, that we should be holy and blameless before him in love..." Before Genesis 1, God had the plan of redemption already formulated. This means that God planned this in eternity past. Before "in the beginning," God existed and planned our redemption. So when God was all that there was, the history of redemption began. That may be hard for us to fathom because we cannot think in terms of eternity. Unlike God, we are constrained by time. The fact remains that God planned our redemption through His Son Jesus Christ before the world was even created. It was not a second option; it was the original plan from the start. We may not understand it all, but we can gain glimpses of it throughout the revealed Word of God, which is itself a "story of redemption that spans from creation to re-creation" (i.e., Genesis 1-2 to Revelation 21-22). Some of you may already be jumping ahead of me and asking, "Why would God create the world if He knew that one day He would have to redeem it? Could He not foresee what would go wrong and prevent that from happening so that creation would remain 'good' and not need to be redeemed?" Those questions are very important. In our study of the history of redemption, these questions will only be dealt with briefly, and they will have to wait until later. There is no need to get ahead of ourselves just yet. But to satisfy the question for the time being, I will give you the main reason, which will be the only reason addressed in this particular study, that God chose to create a world that He knew would fall into sin and need to be redeemed from it. It is for His glory, and I hope as we progress in our study that you will see how that statement is definitely true. The study of the history of redemption has interested me for a long time now. I have preached on the subject as an overview and taught on it in detail. But I wanted more. I wanted to go even more in depth on this subject, and that is what I intend to do here. Before we begin, I want to explain what we will be doing. We are not going to cover every aspect of redemption in Scripture, because that would cover the whole Bible. For instance, the Book of Hosea is full of rich illustrations of redemption, but we will not cover it in this study. So this is not an all-inclusive look at redemption; it is a study of the highlights. It would take a volume much larger than this, probably multiple volumes, to truly give the history of redemption the study it deserves. We will start with the creation account. Since God's plan came to fruition before the foundation of the world, then it makes sense that we start at the creation event in our study of the history of redemption. We will end with Christ, who is the completion of God's plan for redemption. I hope you enjoy this study, and I pray that God uses it to draw you closer to Him.
Contending that preachers have become silent on a major doctrinal theme of the Christian faith--the meaning of the crucifixion and the cross as a theological symbol--Sally A. Brown describes the nature and causes of this phenomenon and provides a strategy for reclaiming "cross talk" in the pulpit. Brown proposes a metaphorical and pastoral model for preaching about the cross. Preachers can reclaim preaching on the cross, she urges, by joining New Testament metaphors to pastoral situations rather than adapting atonement theories for the pulpit. She offers specific examples in sermons designed for particular homiletical occasions.
Owner of a small African-American bookshop, Miss Cozy has an unique gift: Customers who walk through her door rarely leave without a book that speaks directly to their life. But when Josephine--"Fina"--and Ross arrive in search of an obscure, unpublished manuscript written by a slave woman, Miss Cozy knows that all her visions have been leading her to this magical day. Yet Miss Cozy has no intention of selling the manuscript--no matter the price. So she offers Fina and Ross an alternative. They can read it together at the store. It was not what they hoped for, but their interest in the extraordinary love story is about as strong as their uncanny attraction for one another . . . one they both sense runs much deeper than a kiss. In the course of a few days, Fina and Ross realize that this powerful book has special meaning for the two of them--and that the path to their shared future may be linked to something that happened more than a century ago. . . .
Simone Weil's supernaturalist interpretations of tragedy challenge not only the philosophical skepticism but also the religious rationalism characteristic of the modern age. This book boldly points out a supernaturalist alternative to contemporary, post-structuralist literary theory. This study of classical tragic drama offers a sacralizing impetus to secular discussions of literature. The book's Platonic premises and its grounding in the transcendental outlook of the religious traditions furnish a sacred illumination. Religious mystery and the cross of Christ both overshadow and deepen philosophical approaches to literary criticism, including theories of tragedy. Simone Weil's conception of tragic art, rooted in a mystical Christian metaphysics, offers original insight into the nature of tragedy. In contradiction of the prevailing secular outlook, Weil regards classical tragedy as a sacred art form. Tragic masterpieces evoke not the chaotic or irrational, as modernist interpreters hold, but rather a good which is absolute
Incorporating seven years of photography and research, Krista Schlyer portrays life along the Anacostia River, a Washington, DC, waterway rich in history and biodiversity that has nonetheless lingered for years in obscurity and neglect in our nation’s capital. River of Redemption offers an experience of the river that reveals its eons of natural history, centuries of destruction, and decades of restoration efforts. The story of the Anacostia echoes the story of rivers across America. Inspired by Aldo Leopold’s classic book, A Sand County Almanac, Krista Schlyer evokes a consciousness of time and place, taking readers through the seasons in the watershed as well as through the river’s complex history and ecology. As with rivers nationwide, the ways we’ve changed the Anacostia affect the people and wildlife that inhabit its shores, from the headwaters in Maryland, past its confluence with the Potomac River, and ultimately to the Chesapeake Bay. Centuries of abuse at the hands of people who have altered the landscape and mistreated the waterway have transformed it into a polluted, toxic soup unfit for swimming or fishing. The forgotten river is both a reminder of the worst humanity can do to the natural landscape and a wellspring of memory that offers a roadmap back to health and well-being for watershed residents, human and non-human alike. Blending stunning photography with informative and poignant text, River of Redemption offers the opportunity to reinvent our role in urban ecology and to redeem our relationship with this national river and watersheds nationwide.