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Author of such classics of 20th-century popular American literature as Tobacco Road (1932) and God's Little Acre (1933), Erskine Caldwell was something of a celebrity nearly all his life. But he was also a serious writer, one whose merits are as considerable as they remain underexplored. In the 1930s, he startled the literary world with his frank portrayals of the poor whites of the South. Beginning in the early 1940s, critics grew suspicious that he had exhausted his originality and his talent. In the late 1960s, some scholars began an effort, which continues intermittently today, to reconsider Caldwell's achievement. This collection of reviews, critical essays, and book excerpts provides a chronological portrait of the often contradictory and unfailingly colorful critical response to Caldwell from 1931 to the present. The 57 pieces collected in this volume were chosen to represent all sides and perspectives in the evolving critical opinion of Caldwell's work. The items are grouped in sections representing three chronological periods that encompass the prevailing critical moods concerning his writings: the 1930s, when readers of many persuasions found him promising and held out great hopes for his development; 1940 to 1968, when increasing critical scrutiny led to his dismissal as a writer of significance; and 1969 to the present, when there have been several substantial efforts to reconsider Caldwell's achievement. An introductory essay argues that Caldwell remains largely absent from our critical consciousness today because of a prevailing willingness among academics to rely on largely negative received opinions about his books in place of primary experience with them. The introduction is followed by a chronology, and the volume concludes with an extensive selected bibliography.
Erskine Caldwell has been compared to literary giants like Faulkner and Hemingway, yet he has also been reviled as peddler of pop trash. Was he a genius, or just a shooting star whose brilliance faded long before he stopped writing? Caldwell began his career in the late 1920s and gained fame for revealing the gritty backwoods South in novels such as his seminal Tobacco Road. He wrote prolifically, sometimes as much as a book a year. As the editor of this book maintains, perhaps anyone who wrote so much would inevitably stumble. These 12 essays explore a variety of issues. They discuss Caldwell as humorist, social commentator, modernist, and revolutionary novelist. They examine his themes and tropes (political images, social injustice, the environment, ideological struggles) and his use of artistic devices (short stories, cubist strategies, repetition). A generous bibliography includes not only books on Caldwell but also chapters and forewords, journal articles, essays, news items and obituaries. The reader is encouraged to look at Caldwell with fresh eyes, to press beyond his controversial image, and to compare his works, especially his early ones, to those of any of the top names in literature.
Author of such classics of 20th-century popular American literature as Tobacco Road (1932) and God's Little Acre (1933), Erskine Caldwell was something of a celebrity nearly all his life. But he was also a serious writer, one whose merits are as considerable as they remain underexplored. In the 1930s, he startled the literary world with his frank portrayals of the poor whites of the South. Beginning in the early 1940s, critics grew suspicious that he had exhausted his originality and his talent. In the late 1960s, some scholars began an effort, which continues intermittently today, to reconsider Caldwell's achievement. This collection of reviews, critical essays, and book excerpts provides a chronological portrait of the often contradictory and unfailingly colorful critical response to Caldwell from 1931 to the present. The 57 pieces collected in this volume were chosen to represent all sides and perspectives in the evolving critical opinion of Caldwell's work. The items are grouped in sections representing three chronological periods that encompass the prevailing critical moods concerning his writings: the 1930s, when readers of many persuasions found him promising and held out great hopes for his development; 1940 to 1968, when increasing critical scrutiny led to his dismissal as a writer of significance; and 1969 to the present, when there have been several substantial efforts to reconsider Caldwell's achievement. An introductory essay argues that Caldwell remains largely absent from our critical consciousness today because of a prevailing willingness among academics to rely on largely negative received opinions about his books in place of primary experience with them. The introduction is followed by a chronology, and the volume concludes with an extensive selected bibliography.
DIVDIVIn this travelogue and memoir, groundbreaking novelist Erskine Caldwell looks back at a life lived in the troubled South /divDIV /divDIVFive decades removed from his own Southern childhood, novelist Erskine Caldwell sets out on a journey to find an old friend—a friend lost to him through the culture of segregation. As Caldwell follows a trail through Georgia, South Carolina, and much of the Deep South in search of his black childhood friend Bisco, his interviews with white and black Americans expose a range of attitudes that are tragic, if not surprising./divDIV /divDIVPublished first in the mid-1960s just as the South was undergoing a radical transformation by freedom marches and sit-ins, In Search of Bisco offers a heartfelt account of the civil rights movement by one of the region’s fiercest critics and most prominent sons./divDIV /divDIVThis ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library./div/div
WINNER OF THE NATIONAL BOOK AWARD AND THE PRIX DU MEILLEUR LIVRE ÉTRANGER The Centaur is a modern retelling of the legend of Chiron, the noblest and wisest of the centaurs, who, painfully wounded yet unable to die, gave up his immortality on behalf of Prometheus. In the retelling, Olympus becomes small-town Olinger High School; Chiron is George Caldwell, a science teacher there; and Prometheus is Caldwell’s fifteen-year-old son, Peter. Brilliantly conflating the author’s remembered past with tales from Greek mythology, John Updike translates Chiron’s agonized search for relief into the incidents and accidents of three winter days spent in rural Pennsylvania in 1947. The result, said the judges of the National Book Award, is “a courageous and brilliant account of a conflict in gifts between an inarticulate American father and his highly articulate son.”
Peculiar Whiteness: Racial Anxiety and Poor Whites in Southern Literature, 1900–1965 argues for deeper consideration of the complexities surrounding the disparate treatment of poor whites throughout southern literature and attests to how broad such experiences have been. While the history of prejudice against this group is not the same as the legacy of violence perpetrated against people of color in America, individuals regarded as “white trash” have suffered a dehumanizing process in the writings of various white authors. Poor white characters are frequently maligned as grotesque and anxiety inducing, especially when they are aligned in close proximity to blacks or to people with disabilities. Thus, as a symbol, much has been asked of poor whites, and various iterations of the label (e.g., “white trash,” tenant farmers, or even people with a little less money than average) have been subject to a broad spectrum of judgment, pity, compassion, fear, and anxiety. Peculiar Whiteness engages key issues in contemporary critical race studies, whiteness studies, and southern studies, both literary and historical. Through discussions of authors including Charles Chesnutt, Thomas Dixon, Sutton Griggs, Erskine Caldwell, Lillian Smith, William Faulkner, and Flannery O’Connor, we see how whites in a position of power work to maintain their status, often by finding ways to recategorize and marginalize people who might not otherwise have seemed to fall under the auspices or boundaries of “white trash.”
The Bonfire of the Vanities defined an era--and established Tom Wolfe as our prime fictional chronicler of America at its most outrageous and alive. With A Man in Full, the time the setting is Atlanta, Georgia--a racially mixed late-century boomtown full of fresh wealth, avid speculators, and worldly-wise politicians. Big men. Big money. Big games. Big libidos. Big trouble. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta real-estate entrepreneur turned conglomerate king, whose expansionist ambitions and outsize ego have at last hit up against reality. Charlie has a 28,000-acre quail-shooting plantation, a young and demanding second wife--and a half-empty office tower with a staggering load of debt. When star running back Fareek Fanon--the pride of one of Atlanta's grimmest slums--is accused of raping an Atlanta blueblood's daughter, the city's delicate racial balance is shattered overnight. Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real-estate syndicates, cast-off first wives of the corporate elite, the racially charged politics of college sports--Wolfe shows us the disparate worlds of contemporary America with all the verve, wit, and insight that have made him our most phenomenal, most admired contemporary novelist. A Man in Full is a 1998 National Book Award Finalist for Fiction.
Most critics have considered Caldwell to be only a minor southern writer, often associating him with his worst writing. Yet Saul Bellow suggested he deserved the Nobel Prize, and William Faulkner once characterized him as one of the five best writers of his time, alongside himself, Thomas Wolfe, Ernest Hemingway, and John Dos Passos.
A cultural history of the 1930s explores the anxiety, despair, and optimism of the period, exploring how the period culture provided a dynamic lift to the country's morale.