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"The Narrative of Arthur Gordon Pym of Nantucket", a story by Edgar Allan Poe, recounts the adventure of Pym, who embarks clandestinely on a whaler. After a mutiny and various adversities, including cannibalism and natural disasters, the story culminates in a mysterious and inconclusive encounter at the South Pole.
The Critical History of Edgar Allan Poe's The Narrative of Arthur Gordon Pym: A Dialogue with Unreason traces the complex, scattered criticism of Poe's most anomalous work, as it has steadily grown in prominence to a central position in the study of Poe and American literature. The winding route the criticism of Pym has charted, as convoluted as the narrative itself, has been a history of disagreement at almost every level at which critics and scholars read texts--including the nature and genre of the work, the seriousness or levity of the author's intent, and its stature as a work of genius, hackwork, or something in between. The unique set of thematic and narrative problems the work poses has eluded every hermeneutic structure brought against it so far, consistently undermining the very reading strategies it seems to invite. The only comprehensive critical history and bibliography of Pym, this study fills a large hole Poe scholars have long felt, as it analyzes the ways in which critics and critical camps have attempted to confront, rationalize, contain, or evade its novel and disturbing features. In the process, the criticism is correlated with the popular reception and the international response. Because literary history has entangled no author with his work more than Poe, ultimately this book is as much a study of Poe as of Pym. At every point, therefore, this study embeds the critical response to Pym in the history of Poe studies in general, as well as in the larger context of American literary theory and history. Includes bibliography and index.
"The interpreter's dream-text," as one critic called Edgar Allan Poe's The Narrative of Arthur Gordon Pym has prompted critical approaches almost as varied as the experiences it chronicles. This is the first book to deal exclusively with Pym, Poe's longest fictional work and in many ways his most ambitious. Here leading Poe scholars provide solutions and interpretations for many challenging enigmas in this mysterious novel. The product of a decade of research and planning, Poe's "Pym" offers a factual basis for some of the most fantastic elements in the novel and uncovers surprising connections between Poe's text and exploration literature, nautical lore, Arthurian narrative, nineteenth-century journalism, Moby Dick, and other writings. Representing a rich cross-section of current modes of literary study--from source study to psychoanalytic criticism to new historicism--these sixteen essays probe issues such as literary influence, the limits of language, racism, the holocaust, prolonged mourning, and the structure of the human mind. Poe's "Pym" will be an invaluable resource for students of both contemporary criticism and nineteenth-century American culture. Contributors. John Barth, Susan F. Beegel, J. Lasley Dameron, Grace Farrell, Alexander Hammond, David H. Hirsch, John T. Irwin, J. Gerald Kennedy, David Ketterer, Joan Tyler Mead, Joseph J. Moldenhauer, Carol Peirce, Burton R. Pollin, Alexander G. Rose III, John Carlos Rowe, G. R. Thompson, Bruce I. Weiner
“THE SHARPEST AND MOST UNUSUAL STORY I READ LAST YEAR . . . [Mat] Johnson’s satirical vision roves as freely as Kurt Vonnegut’s and is colored with the same sort of passionate humanitarianism.”—Maud Newton, New York Times Magazine NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • Vanity Fair • Houston Chronicle • The Seattle Times • Salon • National Post • The A.V. Club Recently canned professor of American literature Chris Jaynes has just made a startling discovery: the manuscript of a crude slave narrative that confirms the reality of Edgar Allan Poe’s strange and only novel, The Narrative of Arthur Gordon Pym of Nantucket. Determined to seek out Tsalal, the remote island of pure and utter blackness that Poe describes, Jaynes convenes an all-black crew of six to follow Pym’s trail to the South Pole, armed with little but the firsthand account from which Poe derived his seafaring tale, a bag of bones, and a stash of Little Debbie snack cakes. Thus begins an epic journey by an unlikely band of adventurers under the permafrost of Antarctica, beneath the surface of American history, and behind one of literature’s great mysteries. “Outrageously entertaining, [Pym] brilliantly re-imagines and extends Edgar Allan Poe’s enigmatic and unsettling Narrative of Arthur Gordon Pym of Nantucket. . . . Part social satire, part meditation on race in America, part metafiction and, just as important, a rollicking fantasy adventure . . . reminiscent of Philip Roth in its seemingly effortless blend of the serious, comic and fantastic.”—Michael Dirda, The Washington Post “Blisteringly funny.”—Laura Miller, Salon “Relentlessly entertaining.”—The New York Times Book Review “Imagine Kurt Vonnegut having a beer with Ralph Ellison and Jules Verne.”—Vanity Fair “Screamingly funny . . . Reading Pym is like opening a big can of whoop-ass and then marveling—gleefully—at all the mayhem that ensues.”—Houston Chronicle
Decades after Edgar Allan Poe's longest and weirdest tale, The Narrative of Arthur Gordon Pym, was published—the protagonist disappearing into the misty, mystifying Antarctic seas; his fate unknown—Jules Verne took up the challenge to answer what had happened to him. In The Sphinx of the Ice Realm, he penned the most amazing journey of his fabled career: a voyage across the bottom of the world! An astonishing mix of manhunt, sea story, scientific speculation, and polar nightmare, Verne's epic fantasy novel appears here for the first time as a new and complete translation by noted Verne expert Frederick Paul Walter. The book is a treat for any fan of science fiction and fantasy, and includes many fascinating notes for students and scholars alike. In addition, the book features a complete, reader-friendly rendition of the original Poe tale that sparked Verne's uniquely imaginative response.
Edgar Allan Poe's "The Black Cat" is a short story that explores themes of guilt and perversity. The narrator, haunted by cruelty to his black cat and acts of domestic violence, is consumed by paranoia and madness. His attempt to conceal a crime leads to his own disgrace.
Finalist for the Los Angeles Times Book Prize | Finalist for the 2022 Edgar Award Winner of the 2021 Quinn Award An innovative biography of Edgar Allan Poe—highlighting his fascination and feuds with science. Decade after decade, Edgar Allan Poe remains one of the most popular American writers. He is beloved around the world for his pioneering detective fiction, tales of horror, and haunting, atmospheric verse. But what if there was another side to the man who wrote “The Raven” and “The Fall of the House of Usher”? In The Reason for the Darkness of the Night, John Tresch offers a bold new biography of a writer whose short, tortured life continues to fascinate. Shining a spotlight on an era when the lines separating entertainment, speculation, and scientific inquiry were blurred, Tresch reveals Poe’s obsession with science and lifelong ambition to advance and question human knowledge. Even as he composed dazzling works of fiction, he remained an avid and often combative commentator on new discoveries, publishing and hustling in literary scenes that also hosted the era’s most prominent scientists, semi-scientists, and pseudo-intellectual rogues. As one newspaper put it, “Mr. Poe is not merely a man of science—not merely a poet—not merely a man of letters. He is all combined; and perhaps he is something more.” Taking us through his early training in mathematics and engineering at West Point and the tumultuous years that followed, Tresch shows that Poe lived, thought, and suffered surrounded by science—and that many of his most renowned and imaginative works can best be understood in its company. He cast doubt on perceived certainties even as he hungered for knowledge, and at the end of his life delivered a mind-bending lecture on the origins of the universe that would win the admiration of twentieth-century physicists. Pursuing extraordinary conjectures and a unique aesthetic vision, he remained a figure of explosive contradiction: he gleefully exposed the hoaxes of the era’s scientific fraudsters even as he perpetrated hoaxes himself. Tracing Poe’s hard and brilliant journey, The Reason for the Darkness of the Night is an essential new portrait of a writer whose life is synonymous with mystery and imagination—and an entertaining, erudite tour of the world of American science just as it was beginning to come into its own.
H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.
Poe Poe Poe Poe Poe Poe Poe is the exploration by a distinguished American poet and critic of his own lifelong fascination with the work of Edgar Allan Poe. Examining Poe’s achievement as poet, as aesthetician, as inventor of the modern detective and science fiction genres, and as master of the psychological tale of terror, Hoffman revels in his subject. The result is a comprehensive, arresting interpretation of the oeuvre and a compassionate, personal portrait of its creator.
Rife with textual analysis, historical context, and insights about the power of fiction, Peck hacks away literature's deadwood to discover the vital heart of the contemporary novel.