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"The Red and the Black" is a reflective novel about the rise of poor, intellectually gifted people to High Society. Set in 19th century France it portrays the era after the exile of Napoleon to St. Helena. the influential, sharp epigrams in striking prose, leave reader almost as intrigued by the author's talent as the surprising twists that occur in the arduous love life.
Camille had only been heading to her grandma’s house because Gran couldn’t figure out her cable again, but along the way, she stumbled across the city’s notorious graffiti artist. And now that she knows who the face behind the spray-paint can is, she can’t seem to listen to her friends’ sage advice and follow the safe path, leaving well enough alone. She’s determined to coax Black Crimson into agreeing to an exclusive interview so she can become the famous newspaper journalist she’s always wanted to be. But in this contemporary twist to the Little Red Riding Hood fable, our red-headed heroine learns just how dangerous talking to strangers can be...to her heart.
It has all the hallmarks of a best-selling fictional thriller:
Scarlett and Crimson are expecting this week to be just like every other week at V. Price Memorial Middle School. But, to their surprise and delight, this Monday they learn that the new kid in town - Pepper White - just snubbed the Leetz (the clique of popular, know-it-all girls that rules the school) at lunch! They also discover that Pepper has some seriously DARQ potential. As if that wasn't treat enough, the girls find out that the community recreation center is sponsoring a Battle of the Bands contest, and the top three bands from the whole district will compete live on Halloween night - the perfect opportunity to showcase their new, yet-to-be-named band! Tween girls will immediately take to Scarlett and Crimson in this first series installment as the girls launch their website, DarqSpace, partner up with Pepper to record an awesome demo, and show the Leetz that popularity doesn't always win over the crowd.
Exiled, hunted and reviled, the Thousand Sons Legion are adrift – as is their primarch, Magnus. But with his power and personality fracturing, drastic action is needed by the Legion if they are to avoid losing their gene-father forever. After the razing of Prospero, Magnus the Red spirited the Thousand Sons away to the aptly un-named Planet of the Sorcerers, deep within the Eye of Terra. Removed from the concerns of the galaxy at large and regarding the Warmaster’s unfolding Heresy with cold detachment, he has dedicated his hollow existence to the preservation of all the knowledge once held in the great libraries of Tizca, should mankind ever seek such enlightenment again. But his sons can see the change in their primarch – he is a broken soul, whose mind and memories are slipping away into the tumult of the warp. Only by returning to the scenes of his greatest triumphs and tragedies can they hope to restore him, and allow the Crimson King to be crowned anew by the Ruinous Powers.
This metaliterary end-of-the-world novel is “scary, funny and genre-bending . . . wonderfully strange . . . yet completely universal and true” (Jill Soloway, creator of Transparent). Desperate to quell her addiction to drugs and alcohol, disastrous romance, and nineties San Francisco, Michelle heads south to LA But soon it’s officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird. While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a meta-textual exploration to complement her vows to embrace maturity and responsibility. But as she tries to make queer love and art without succumbing to self-destructive impulses, the boundaries between storytelling and everyday living begin to blur, and Michelle wonders how much she’ll have to compromise her artistic process if she’s going to properly ride out doomsday.
In Black Scholar, Wayne J. Urban chronicles the distinguished life and career of the historian, teacher, and university administrator Horace Mann Bond. Urban illuminates not only the man and his accomplishments but also the many issues that confronted him and his colleagues in black education during the middle decades of the twentieth century. After covering the major events of Bond's youth, Urban follows him from his student years at Lincoln University and the University of Chicago through his work for the Julius Rosenwald Fund to his subsequent administrative leadership at several black institutions, including Fort Valley State College, Lincoln University, and Atlanta University. Among the many details Urban discusses are Bond's prodigious early output of scholarly books and articles, his enduring concern about the biases of intelligence testing, his work on preparing the NAACP's court brief for the Brown v. Board of Educationi case, and his career-long interest in what he felt were the affinities between modern-day Africans and African Americans--the one struggling to break free from colonialism, the other from segregation.
After Nikki Chase--a smart, ambitious, attractive black economics professor--stumbles over her friend Ella's body during a blackout, she finds herself plunged into the investigation and uncovering some of Harvard's most deeply buried secrets.
Yearning to escape her life of prostitution in 1870s London, Sugar finds her fate entangled in the complicated family life of patron William, an egotistical perfume magnate.