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When James Beardmore receives a letter demanding oe100,000 he refuses to pay - even though it is his last warning. It is his son Jack who finds him dead. Can the amazing powers of Derrick Yale, combined with the methodical patience of Inspector Parr, discover the secret of the Crimson Circle? Who is its all-powerful head and who is the stranger who lies in wait? Twice in a lifetime a ruthless criminal faces the executioner.
He comes to her more dead than alive, a towering black-clad stranger riddled with bullets and rapidly losing blood. As she struggles to save him, veterinarian Tess Culver is unaware that the man calling himself Dante is no man at all, but one of the Breed, vampire warriors engaged in a desperate battle. In a single erotically charged moment Tess is plunged into his world—a shifting, shadowed place where bands of Rogue vampires stalk the night, cutting a swath of terror. Haunted by visions of a dark future, Dante lives and fights like there is no tomorrow. Tess is a complication he does not need—but now, with his brethren under attack, he must shield Tess from a growing threat that includes Dante himself. For with one reckless, irresistible kiss, she has become an inextricable part of his underworld realm…and his touch awakens her to hidden gifts, desires, and hungers she never knew she possessed. Bonded by blood, Dante and Tess must work together to thwart deadly enemies, even as they discover a passion that transcends the boundaries of life itself….
From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films, including mainstream Hollywood fare, art-house films, Blaxploitation films, and U.S. hip-hop culture-inspired Nollywood films. This new edition also explores the resurgence of the Black horror genre in the last decade, examining the success of Jordan Peele’s films Get Out (2017) and Us (2019), smaller independent films such as The House Invictus (2018), and Nia DaCosta’s sequel to Candyman (2021). Means Coleman argues that horror offers a unique representational space for Black people to challenge negative or racist portrayals, and to portray greater diversity within the concept of Blackness itself. This book is essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
Ebbry-blastin'-theng ye needs must know-oo to lay tongue liker aargh-thentic pirate, by the devil's twisted tail. Take a tour through the world of piracy with the only authoritative work on the pirate language. A comprehensive course in pirate vocabulary, pronunciation, grammar, and syntax, The Pirate Primer contains three centuries of distinctive terms and usages uttered by (and attributed to) pirates in film, TV, literature, and history. Discover more than 100 pages of threats, curses, oaths, insults, and epithets; 31 types of pirate drink; 60 different pirate terms for ''woman''; 67 kinds of pirate torture and punishment; 44 distinct definitions of ''aargh''; and more. Each entry in the Primer is accompanied by an excerpt, so you can see the words and phrases used in proper context by actual pirates. And each linguistic concept is introduced by a related anecdote or narrative account, so you can live the language while you learn it. Whether you're simply fascinated by the culture of the Brethren of the Coast or you fancy yourself a modern-day corsair, The Pirate Primer is your guide to authentic pirate speak. Should you ever stare down Davy Jones and he demands proof that you're one who flies no flag, despair not. You'll be able to talk the talk, and no mistake.
It was the forenoon of a hazy, breathless day, and Dan Phillips was trouting up one of the back creeks of the Carleton pond. It was somewhat cooler up the creek than out on the main body of water, for the tall birches and willows, crowding down to the brim, threw cool, green shadows across it and shut out the scorching glare, while a stray breeze now and then rippled down the wooded slopes, rustling the beech leaves with an airy, pleasant sound. Out in the pond the glassy water creamed and shimmered in the hot sun, unrippled by the faintest breath of air. Across the soft, pearly tints of the horizon blurred the smoke of the big factory chimneys that were owned by Mr. Walters, to whom the pond and adjacent property also belonged. Mr. Walters was a comparative stranger in Carleton, having but recently purchased the factories from the heirs of the previous owner; but he had been in charge long enough to establish a reputation for sternness and inflexibility in all his business dealings. One or two of his employees, who had been discharged by him on what they deemed insufficient grounds, helped to deepen the impression that he was an unjust and arbitrary man, merciless to all offenders, and intolerant of the slightest infringement of his cast-iron rules. Dan Phillips had been on the pond ever since sunrise. The trout had risen well in the early morning, but as the day wore on, growing hotter and hotter, they refused to bite, and for half an hour Dan had not caught one. He had a goodly string of them already, however, and he surveyed them with satisfaction as he rowed his leaky little skiff to the shore of the creek. "Pretty good catch," he soliloquized. "Best I've had this summer, so far. That big spotted one must weigh near a pound. He's a beauty. They're a good price over at the hotels now, too. I'll go home and get my dinner and go straight over with them. That'll leave me time for another try at them about sunset. Whew, how hot it is! I must take Ella May home a bunch of them blue flags. They're real handsome!" He tied his skiff under the crowding alders, gathered a big bunch of the purple flag lilies with their silky petals, and started homeward, whistling cheerily as he stepped briskly along the fern-carpeted wood path that wound up the hill under the beeches and firs. He was a freckled, sunburned lad of thirteen years. His neighbours all said that Danny was "as smart as a steel trap," and immediately added that they wondered where he got his smartness from—certainly not from his father! The elder Phillips had been denominated "shiftless and slack-twisted" by all who ever had any dealings with him in his unlucky, aimless life—one of those improvident, easygoing souls who sit contentedly down to breakfast with a very faint idea where their dinner is to come from. When he had died, no one had missed him, unless it were his patient, sad-eyed wife, who bravely faced her hard lot, and toiled unremittingly to keep a home for her two children—Dan and a girl two years younger, who was a helpless cripple, suffering from some form of spinal disease. Dan, who was old and steady for his years, had gone manfully to work to assist his mother. Though he had been disappointed in all his efforts to obtain steady employment, he was active and obliging, and earned many a small amount by odd jobs around the village, and by helping the Carleton farmers in planting and harvest. For the last two years, however, his most profitable source of summer income had been the trout pond. The former owner had allowed anyone who wished to fish in his pond, and Dan made a regular business of it, selling his trout at the big hotels over at Mosquito Lake. This, in spite of its unattractive name, was a popular summer resort, and Dan always found a ready market for his catch.
At the outset of what he called "the greatest, the gaudiest spree in history," F. Scott Fitzgerald wrote the works that brought him instant fame, mastering the glittering aphoristic prose and keen social observation that would distinguish all his writing. This Library of America volume brings together four volumes that collectively offer the fullest literary expression of one of the most fascinating eras in American life. This Side of Paradise (1920) gave Fitzgerald the early success that defined and haunted him for the rest of his career. Offering in its Princeton chapters the most enduring portrait of college life in American literature, this lyrical novel records the ardent and often confused longings of its hero's struggles to find love and to formulate a philosophy of life. Flappers and Philosophers (1920), a collection of accomplished short stories, includes such classics as "Dalyrimple Goes Wrong," "Bernice Bobs Her Hair," and "The Ice Palace." Fitzgerald continues his dissection of a self-destructive era in his second novel, The Beautiful and Damned (1922), as the self-styled aristocrat Anthony Patch and his beautiful wife, Gloria, are cut off from an inheritance and forced to endure the excruciating dwindling of their fortune. Here New York City, playground for the pleasure-loving Patches and brutal mirror of their dissipation, is portrayed more vividly than anywhere else in Fitzgerald's work. Tales of the Jazz Age (1922), his second collection of stories, includes the novella "May Day," featuring interlocking tales of debutantes, soldiers, and socialists brought together in the uncertain aftermath of World War I, and "A Diamond as Big as the Ritz," a fable in which the excesses of the Jazz Age take the hallucinatory form of a palace of unfathomable opulence hidden deep in the Montana Rockies. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.