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Drawing on an immense body of literature and research, Brian Jenkins analyses the forces that shaped mid-nineteenth century Irish nationalism in Ireland and North America as well as the role of the Roman Catholic Church. He outlines the relationship between newly arrived Irish Catholic immigrants and their hosts and the pivotal role of the church in maintaining a sense of exile, particularly among those who had fled the famine. Jenkins also explores the essential "Irishness" of the revolutionary movement and the reasons why it did not emerge in the two other "nations" of the United Kingdom, Scotland and Wales.
An innovative collection of essays applying a "new musicology" approach to the relationship between nationalist ideologies and the development of European music.
Containing contributions from leading names in British politics, this review continues to publish front-rank research on parties, elections and voting behaviour in Britain.
Does Scotland have a problem with racism? With its 'civic nationalism' and 'welcoming' attitude towards migrants and refugees, Scotland is understood to be relatively free of structural and institutional racism. As the contributors to this book show, such generalisations fail to withstand serious investigation. Their research into the historical record and contemporary reality tells a very different story. Opening up a debate on a subject that has been shut down for too long, No Problem Here gathers together the views of academics, activists and anti-racism campaigners who argue that it is vital that the issue of racism be brought into the centre of public discourse. Scotland's role in maintaining and extending slavery across the British Empire is finally beginning to receive the attention it deserves. Yet there is much more that needs to be said about racism in Scotland today.
Traces the development of the ideology of modern Scottish nationalism from the 1960s to the independence referendum in 2014.
Scotland in Theory offers new ways of reading Scottish texts and culture within the context of an altered political framework and a changing sense of national identity. With the re-establishment of a Parliament in Edinburgh, issues of nationality and nationalism can be looked at afresh. It is timely now to revisit representations of Scottish culture in cinematography and literature, and also to examine aspects of gender, sexuality and ideology that have shaped how Scots have come to understand themselves. Established and younger critics use a variety of theoretical approaches here to catch an authentic sense of a post-modern Scotland in the process of change. Literature and the arts provide radical ways of knowing what Scotland, in theory, could become. The collection will be of interest to teachers and students of Scottish and English literature, literary theory, cultural and media analysis, and the history of ideas. Contributors include Eleanor Bell, Kasia Boddy, Cairns Craig, Thomas Docherty, Christopher Harvie, Ellen Raïssa-Jackson, Willy Maley, Gavin Miller, Tom Nairn, Sarah Neely, Laurence Nicoll, Berthold Schoene, Anne McManus Scriven, A.J.P. Thomson, Ronald Turnbull, Christopher Whyte.