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Creativity is all around us. Not in art galleries. But on the train, at work, in the street outside, and in schools, hospitals and restaurants. Creative vision exists wherever people are. In this entertaining collection of real-life stories, Dave Trott applies his crystal clear lens to define what genuine creative vision looks like. It is problem solving, clarity of thought, seeing what others do not see, and removing complexity to make things as simple as you can. The timeless lessons revealed here can be applied in advertising, business and throughout everyday life. By seeing things differently, you can think differently, and change the world around you. Dave Trott shows you how.
With both training and preparation, a street photographer needs to make rapid decisions; there may only be a fraction of a second to immortalize a moment in time that has never happened before and will never happen again. This is where Street Photography: Creative Vision Behind the Lens comes in. Follow Valérie Jardin on an inspiring photo walk around the world. After an overview of the practical and technical aspects of street photography, Valérie takes you along on a personal photographic journey as she hits the streets of her favorite urban haunts. She shows you the art of storytelling through her photographs, from envisioning the image to actually capturing it in the camera. Learn about the technical and compositional choices she makes and the thought process that spurred the click of the shutter. Perfect for both the new photographer excited to capture the world around them and for the experienced street photographer wishing to improve their techniques and images, Street Photography requires no special equipment, just a passion for seeing and capturing the extraordinary in the ordinary.
Annotation Designed to encourage creativity and experimentation among photographers and fine artists, this refreshing guide offers an atypical approach to traditional photographic methods. Through a varied array of exercises, techniques, and experiments, readers are challenged to break free from convention and incorporate visual risk into their creative method and output. Sample topics include working with deliberate reticulation, employing pin-hole photography and other special film products, de-focusing, montage, mixing digital and film, magnification, scratching, and innovative presentation styles. Principles such as "don't think, just shoot" add a unique and essential perspective. The activities featured require only a basic understanding of the medium and have been selected to enhance the creative process for anyone interested in the visual arts.
The Creative City: Vision and Execution, edited by James E. Doyle and Biljana Mickov, challenges the popular understanding of the Creative City, by bridging the gap between the Creative City as concept and the Creative City as practice and, in so doing, provides a contemporary template for policy makers, city planners, and citizens alike. The book will offer researchers and pragmatists a series of real-life examples of successful cultural and creative practice throughout Europe, reflecting on the analysis and thinking that forms our contemporary understanding of the creative city. It will examine and explain the changes to the concept of the ’creative city’, explore its connectivity to the cultural sector as well as other sectors and practices across Europe and will serve to illustrate the perspectives of Cultural Managers, Educators, Professionals and Researchers from the creative sector in Dublin and Europe. This book will present the reader, and the cultural sector at large, with a new reality based on the quality of contemporary creative practice. Doyle and Mickov address cultural trends such as sustainability and social networking and how they value-impact our attitudes towards culture and the creative city By recognizing that we live in a time of rapid change, which affects all systems, financial models, resources, the economy and technology, we also recognize that the creative process is at the heart of our responses to these changes.
CREATIVE VISION and INNER REALITY is a translation of "Easing the Beginner's Way: the Essential Points of Creation and Completion," written in verse at the age of twenty-seven by the amazing nineteenth century realized master and profound scholar Jamgon Kongtrul Lodro Thaye. Born in 1813 in Kham in eastern Tibet, Kongtrul offered this advice based on his own experiential understanding of these two basic methods in Tibetan Buddhist tantric meditation. The aspiring practitioner's way is eased by clear and extremely practical explanations of firstly, the phase of "creation," referring to the gradual imaginative process of recreating, with the aid of mantra and mudra, one's self as the deity and the environment as the mandala, while maintaining the awareness of the lack of real existence of these and all appearances; and secondly, the phase of "completion," referring to the dissolution of the visualization until the mind rests in its natural condition, the inseparability of bliss and emptiness, a state accomplished by, among other methods, concentration on one's so-called vajra body and its channels, winds, and vital essences. Thus, in the first phase of this aspect of Vajrayana teaching the goal is imagined, and in the second it is directly experienced. In reality those who have some familiarity with Mahamudra and Dzogchen, the two systems that represent the ultimate sense and final goal of all teachings, will find in the text a subtle guide to deeper knowledge. This volume contains a second text, Jamgon Kongtrul's "Advice to Lhawang Trashi," in which the neophyte meditator is instructed in an inspiring and direct manner on how to recognize the landmarks and pitfalls that may be encountered along the path. An Introduction and substantive notes by the translator are included in this useful and beautiful book. The translator Elio Guarisco is a founding member of the International Shang Shung Institute of Tibetan Studies whose goal is to preserve and deepen the knowledge and understanding of Tibetan cultural traditions and has translated many works by the Institute's founder, guide, and inspiration, Chogyal Namkhai Norbu.
This book is an exploration of the way in which Head's writing is her idiosyncratic response to her personal life. Her desire to portray and yet subvert oppression- political, racist, and sexist- that she encountered in South Africa and Botswana, led to a Romanticism born of her need to create an antithesis to what she perceived to be the reality around her. Her eagerness to discover a haven in her adopted rural Botswana led to a Utopia of her own making, a literary resolution imagined, not actual. A mental breakdown led to the creation of her greatest novel, A Question of Power, one which examines the depths of evil, but allows also for the dawning of the heights of goodness. The appendix contains many heretofore unpublished letters that help to explain the personal compulsion that provided for Head's creativity.
Creative and social entrepreneurs are at the forefront of building a new economy and shaping our future by being highly visionary and following their path persistently. Visions are the driving force for social innovation. But, without a strategy on how to achieve our vision, the vision stays a vision and consequently will have zero impact. Therefore, visions need strategies. Vice versa, strategies need to be based on visions in order to be powerful. Business development without following a visionary strategy leaves the future to chance. In times where complexity and the pace of change is constantly rising this does not work anymore. This book helps to understand the connection between strategy and vision, strategy and creativity. It follows an approach to strategy as a meaningful, playful, experimental and therefore creative way to design a sustainable and impactful future. Included are a selection of effective tools and methods on how to develop a strategic thinking.
What is creativity? While our traditional view of creative work might lead us to think of artists as solitary visionaries, the creative process is profoundly influenced by social interactions even when artists work alone. Sociologist Hannah Wohl draws on more than one hundred interviews and two years of ethnographic research in the New York contemporary art market to develop a rich sociological perspective of creativity. From inside the studio, we see how artists experiment with new ideas and decide which works to abandon, destroy, put into storage, or exhibit. Wohl then transports readers into the art world, where we discover how artists’ understandings of their work are shaped through interactions in studio visits, galleries, international art fairs, and collectors’ homes. Bound by Creativity reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions. Ultimately, we come to appreciate how judgment is integral to the creative process, both resulting in the creation of original works while also limiting an artist’s ability to break new ground. Exploring creativity through the lens of judgment sheds new light on the production of cultural objects, markets, and prestige.
By the time he was twenty-two, Dan Eldon had led a relief mission across Africa; worked as a graphic designer in New York; studied (intermittently) at four colleges; travelled through Europe, Africa, Japan, and the United States; founded a charity for Mozambiquan refugees; directed a film; written a book; started up his own photography business; and become a photojournalist for Reuters news agency, covering the famine and civil war in Somalia. There, in 1993, he was killed in an eruption of mob violence while on assignment. In a world of rules and regularity, Eldon was a renegade, a risk-taker, and an adventurer. His is no ordinary journal; it is an astonishing collage of photos, drawings, words, maps, and clippings that reveals his strange and vivid life. The Journey is the Destination is at once the vision of an artist in his prime and the unrestrained outpourings of a young man just beginning to live.