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A new approach to studying the violin in order to become a well-rounded and creative musician Written for violin and viola students-and their teachers-this book is a hands-on, write-all-over-it, spill-coffee-on-it workbook for integrating musicianship and technique through improvisation. It will benefit beginners through advanced players, even professionals. The creative approach to musical elements and technique in this book can help improve facility and expression for written music; empower participation with musicians playing in improvisation-based approaches such as blues, country, or rock; and even provide a springboard to dive into the deep waters of jazz.
With the help of a practice CD you will be guided through dozens of left and right hand exercises and tunes designed to help you develop the feel of each style and how it can be used for improvisation.
An invaluable collection of excerpts from solo, chamber, and orchestral literature. Covers a wide range of technical problems.
Never before available in English, this classic work is a major contribution to the art and technique of violin playing and an important document in the history of performance practice. A contemporary of Kreutzer and Rode, Pierre Marie Francois de Sales Baillot provides in his treatise many insights into the style of nineteenth-century fingering, bowing, ornamentation, and expressiveness that are not apparent from the directions and markings found in scores of that time. Such information will be invaluable for performers interested in understanding the intentions of composers such as Viotti, Haydn, Mozart, Beethoven, and Mendelssohn. This complete, unabridged translation, which includes an extensive introduction by the translator, Louise Goldberg, and a foreword by Zvi Zeitlin, will be indispensable for musicologists, performers, and lovers of eighteenth- and nineteenth-century classical music.
A concert violinist details the life of a performing artist in the twenty-first century, the complexities of musical inheritance, and the communal role of artistic expression.
Free Play is about the inner sources of spontaneous creation. It is about why we create and what we learn when we do. It is about the flow of unhindered creative energy: the joy of making art in all its varied forms. An international bestseller and beloved classic, Free Play is an inspiring and provocative book, directed toward people in any field who want to contact, honor, and strengthen their own creative powers. It reveals how inspiration arises within us, how that inspiration may be blocked, derailed or obscured, and how finally it can be liberated—how we can be liberated—to speak or sing, write or paint, dance or play, with our own authentic voice. Stephen Nachmanovitch, a pioneer in free improvisation, integrates material from a wide variety of sources among the arts, sciences, and spiritual traditions of humanity, drawing on unusual quotes, amusing and illuminating anecdotes, and original metaphors. The whole enterprise of improvisation in life and art, of recovering free play and awakening creativity, is about being true to ourselves and our visions. Free Play brings us into direct, active contact with boundless creative energies that we may not even know we had.