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He'd been ready to move on, to marry a woman who'd provide him with heirs. But a year of separation hasn't slaked rancher Clayton Worth's raging desire for his soon-to-be ex-wife. And Trish is as unpredictable as ever. Her mysterious reluctance to have kids was what drove them apart. Now Trish is back in Red Ridge, mother to a baby girl. The irony is maddening. Trish urgently needs to finalize their divorce before Clayton's irresistible charm can melt her resolve. Because his touch awakens a consuming hunger that hasn't died. They'd thought it was all over between them…but their hearts have other ideas.
A cowboy gets a baby surprise from USA TODAY bestselling author Maureen Child All former marine Jake Hunter wants is peace and quiet. But when his business-minded mother sends her assistant Cassidy Moore from Boston to see him about a long-standing family dispute, chaos ensues. Their attraction rages out of control as a snowstorm strands them on his Montana ranch. Flash-forward fourteen months: Cassie can't bring herself to tell Jake she's had his child. But when his mother interferes again, Cassie rushes back to Jake...just in time for another blizzard--and for the Christmas spirit to open one reclusive cowboy's heart.
Broken Cowboy… Trent Anderson's rodeo days are over. Thanks to the car accident that killed his best friend, he will never get on a horse again. But physical therapist Alana McClintock isn't listening to his protestations. She just won't let up—getting under his skin, waking parts of him he thought would sleep forever. He can sense she feels something for him, too. Alana knows Trent's injuries aren't as extensive as he thinks, and with some hard work she's convinced he will ride again. But the problem is convincing Trent. As Alana works with the wounded cowboy, she is drawn to him in a way that is anything but professional. She's determined to help him, though—even if it means he'll walk away from her.
CODE OF THE WEST "BRENNA NEEDSA A HUSBAND," Jed McCall's nephew Tuck told him. Pregnant and alone, Brenna Jamison was back—trying single-handedly to run her father's ranch. "WE NEED A WIFE," Tuck said. If footloose cowboy Jed McCall didn't do something drastic, he would lose custody of the boy. But marriage? "WHY NOT?" asked Tuck. There were reasons that only Jed knew. And marrying Brenna—becoming a father to her child—would be like jumping from the frying pan into the fire. CODE OF THE WEST: Meet the hardworking, hard-loving men of the West! Proud, strong men who live—and love—by the CODE OF THE WEST.
Don’t Fence Me In. When Wyoming cowboy Robert Tanner promised to help out the new owner of the Three Bar C, he didn’t expect to have to teach a city girl schoolteacher how to run a ranch. Worse, Maggie MacLeod was a beautiful feisty redhead with flashing eyes and kissable lips — a woman who could tempt a saint. Tanner was far from a saint. He didn’t do permanent, he didn’t do relationships. The smart thing would be to leave. But a man was only as good as his word. Trouble was, the longer he stayed, the more Maggie got under his skin…
"Everyone knows a rancher in possession of a large spread needs a wife." Lacy Williams is a USA Today bestselling author of the acclaimed Wyoming Legacy and Cowboy Fairytales series. About Cowboy Pride: First impressions count. Liza Bennett has two missions in life: keep the family's shop afloat, and ensure her shy sister finds love. Sparks fly when she meets rancher Rob Darcy at a town dance, but when she overhears him insult her, she vows to put the man out of her mind. Rob Darcy is instantly attracted to the vivacious Liza but a lack of social graces and the promise he's keeping ruin his chances of winning her. Once jilted, Janie Bennett is appropriately gun-shy of falling in love again. But she doesn't seem to be able to help herself when she meets charming Nathan Bingley. Bingley desperately wants a wife and family of his own. Can he trust that Janie returns his feelings? When Janie is injured in a spring storm, she and Liza are sequestered on Nathan's ranch. Hearts and emotions get tangled, but will first impressions prove true, or false? Cowboy Pride is a Wild West version of Pride and Prejudice with dual love stories.
The gospel of Jesus has not always been good news for Native Americans. But despite the far-reaching effects of colonialism, some Natives have forged culturally authentic ways to follow Jesus. In his final work, Richard Twiss surveys the complicated history of Christian missions among Indigenous peoples and voices a hopeful vision of contextual Native Christian faith.
She needs a favor. He needs a bride. Langston Carr is back in her hometown Marietta as the temporary event planner for the Graff Hotel. The first event on the calendar is the society wedding that should have been her big day with her loving groom, so when rodeo cowboy Bowen Ballantyne swaggers into the hotel, all hard-bodied and chivalrous, she thanks him the way any single woman needing to salve her pride would—she kisses him. Bull rider Bowen Ballantyne thrives on competition, but this time his cowboy cousins have taken their one-upmanship challenge too far. He needs to find a bride by the end of the Copper Mountain Rodeo. Bowen’s never backed down from anything, so when former barrel racer Langston Carr, his tormentor from their teen years, propositions him, Bowen rockets up the heat. A game of pretend between rivals…what could go wrong?
Why do the earliest representations of cowboy-figures symbolizing the highest ideals of manhood in American culture exclude male-female desire while promoting homosocial and homoerotic bonds? Evidence from the best-known Western writers and artists of the post-Civil War period - Owen Wister, Mark Twain, Frederic Remington, George Catlin - as well as now-forgotten writers, illustrators, and photographers, suggest that in the period before the word 'homosexual' and its synonyms were invented, same-sex intimacy and erotic admiration were key aspects of a masculine code. These males-only clubs of journalists, cowboys, miners, Indian vaqueros defined themselves by excluding femininity and the cloying ills of domesticity, while embracing what Roosevelt called 'strenuous living' with other bachelors in the relative 'purity' of wilderness conditions. Queer Cowboys recovers this forgotten culture of exclusively masculine, sometimes erotic, and often intimate camaraderie in fiction, photographs, illustrations, song lyrics, historical ephemera, and theatrical performances.