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WOULD THEY DESTROY EARTH IN ORDER TO SAVE IT Conquered by the Jao twenty years ago, the Earth is shackled under alien tyranny¾and threatened by the even more dangerous Ekhat, who are sending a genocidal extermination fleet to the solar system. Humanity's only chance rests with an unusual pair of allies: a young Jao prince, newly arrived to Terra to assume his duties, and a young human woman brought up amongst the Jao occupiers. But both are under pressure from the opposing forces¾a cruel Jao viceroy on one side, determined to drown all opposition in blood; a reckless human resistance on the other, perfectly prepared to shed it. Added to the mix is the fact that only by adopting some portions of human technology and using human sepoy troops can the haughty Jao hope to defeat the oncoming Ekhat attack¾and then only by fighting the battle within the Sun itself. At the publisher's request, this title is sold without DRM (Digital Rights Management).
A collection of photographs taken of abandoned railroad lines, built since 1869, landforms and ruins created by the railroads including cuts, grades, collapsed tunnels and derelict trestles.
Published to accompany the exhibition of the same name held at The National Gallery, London, 11th June-7th October 2018.
Thomas Cole (1801–1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his formation and identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole’s Journey emphasizes the artist’s travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. For the first time, it explores the artist’s most renowned paintings, The Oxbow (1836) and The Course of Empire cycle (1834–36), as the culmination of his European experiences and of his abiding passion for the American wilderness. The four essays in this lavishly illustrated catalogue examine how Cole’s first-hand knowledge of the British industrial revolution and his study of the Roman Empire positioned him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States, the ecological and economic changes then underway, and the dangers that faced the young nation. A detailed chronology of Cole’s life, focusing on his European tour, retraces the artist’s travels as documented in his journals, letters, and sketchbooks, providing new insight into his encounters and observations. With discussions of over seventy works by Cole, as well as by the artists he admired and influenced, this book allows us to view his work in relation to his European antecedents and competitors, demonstrating his major contribution to the history of Western art.
William Tryon's role in the affairs of British America during the last years of the empire, and his inability to stem the collapse of that empire, makes for a fascinating story. Royal governor of North Carolina from 1765 to 1771 and then of New York from
A taut, fast-paced thriller about the coming high-tech arms race between the United States and China In the high mountains of Tibet, rumors are spreading. People whisper of an outbreak, of thousands of dead, of bodies pushed into mass graves. It is some strange new disease ... a disease, they say, that can kill in minutes. The Chinese government says the rumors aren’t true, but no one is allowed in or out of Tibet. At the Pentagon, Admiral James Curtiss is called to an emergency meeting. Satellite images prove that a massive genocide is underway, and an American spy has made a startling discovery. This is no disease. It’s a weapons test. Chinese scientists have developed a way to kill based on a person’s genetic traits. But that is only the tip of the iceberg. The success of their new weapon proves that the Chinese are nearing “Replication”—a revolutionary breakthrough that will tip the global balance of power and change the way wars are waged. Now the US must scramble to catch up before it is too late. Admiral Curtiss gathers the nation’s top scientists, including a promising young graduate student named Eric Hill who just might hold the missing piece to the replication puzzle. Soon Hill and his colleague Jane Hunter are caught up in a deadly game of sabotage as the two nations strive to be the first to reach the coveted goal. But in their headlong race, they create something unexpected ... something the world has never seen and something more powerful than they had ever imagined. The Last Sword Maker is an exciting globe-trotting thriller with unforgettable characters that depicts a haunting vision of the future of warfare.
Ed Ruscha: Course of Empire~ISBN 3-7757-1654-8 U.S. $19.95 / Paperback, 10 x 5 in. / 64 pgs / 10 color. ~Item / Available / Art
Countdown to Doomsday The year is 2026. The US military has a new weapon in its arsenal: an intelligent life-form so versatile that it can not only create a new generation of weapons but can become a weapon itself—entering a host’s body to manipulate (or kill) them. Admiral James Curtiss is tasked with deploying the new weapons, first in Cuba, then Venezuela, then China. But the news of the military’s breakthrough has gotten out and there are menacing forces trying to steal it. What’s more, a single man has somehow harnessed the new power and has become something more than human—godlike and seemingly indestructible. He is known only as the Inventor, and he has a warning for humanity: abandon the new technology or the human race will face extinction. It’s a countdown to doomsday. But humanity’s final fate may be decided in the most unlikely of places: among the primitive tribes of the Kalahari Desert where a top secret military mission has just taken an unexpected turn.
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
Investigates the complex social processes involved in the introduction and institutionalization of Western science in colonial India.