Walter F. Adeney
Published: 2014-02-06
Total Pages: 132
Get eBook
The Song of Solomon is a puzzle to the commentator. Quite apart from the wilderness of mystical interpretations with which it has been overgrown in the course of the ages, its literary form and motive are subjects of endless controversy. There are indications that it is a continuous poem; and yet it is characterised by startling kaleidoscopic changes that seem to break it up into incongruous fragments. If it is a single work the various sections of it succeed one another in the most abrupt manner, without any connecting links or explanatory clauses. The simplest way out of the difficulty presented by the many curious turns and changes of the poem is to deny it any structural unity, and treat it as a string of independent lyrics. That is to cut the knot in a rather disappointing fashion. Nevertheless the suggestion to do so met with some favour when it was put forth at the close of the last century by Herder, a writer who seemed better able to enter into the spirit of Hebrew poetry than any of his contemporaries. While accepting the traditional view of the authorship of the book, this critic described its contents as "Solomon's songs of love, the oldest and sweetest of the East;" and Goethe in the world of letters, as well as biblical students, endorsed his judgment. Subsequently it fell into disfavour, and scholars who differed among themselves with respect to their own theories, agreed in rejecting this particular hypothesis. But quite recently it has reappeared in an altered form. The book, it is now suggested, is just a chance collection of folk songs from northern Palestine, an anthology of rustic love-poems.
