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Cowboys take cattle from Montana to Vladivostok, and Cossacks join them to drive the cattle across Siberia.
Paul Sanderson, a thoroughgoing young Victorian gentleman, is having a high old time with a regiment of Don Cossacks, fighting, raping, pillaging and burning in the time-honored manner, when he is recalled to England to inherit a dukedom. Soon he is on his travels again, this time to the Territory of New Mexico where the old Duke had bought but never taken up the Three Barbs ranch. Unfortunately, Paul is not the only person who is interested in that particular piece of real estate, and he soon learns that a land-hungry railroad tycoon wants to have him killed to possess it. What happens when Paul meets the daughter of his would-be assassin on a wolf-infested mountain, starts a chain of horrific events that will keep the reader on the edge of his chair right up to the startling climax. About the Author Lester Taube was born of Russian and Lithuanian immigrants in Trenton, New Jersey. He began soldiering in a horse artillery regiment while in his teens, where in four years he rose from the grade of private to the exalted rank of private first class. During World War II, he became an infantry platoon leader and participated in operations in the Bismarck Archipelago, was attached to the 3rd Marines for action on Iwo Jima, and finally combat on Okinawa, the last battle of the war. After leaving the army and recuperating from wounds and malaria, he became general manager of a 400 employee electronic company in California, manager of a 450 employee paper stock company in Pennsylvania, and finally opened a logging and pulpwood cutting operation in Canada. Called back to duty during the Korea Police Action, he served as an advisor to the Turkish army, then as an intelligence officer and company commander in Korea. During the Vietnam period, he was stationed in France and Germany as a general staff officer working in intelligence and war plans. Prior to retirement as a full colonel, he moved to a small village in the mountains of North Tyrol, Austria, and kept a boat for five years on the Cote d'Azur, France. He began writing novels while in France, and after producing four books, which were published in a number of countries, and selling two for motion pictures, he stopped - "as there was heavy soldiering to do and children to raise." Returning to the U.S. after 13 years overseas, he worked as an economic development specialist for the State of New Jersey helping companies move to New Jersey or expand therein. He has four children, all born in different countries.
In the spring of 1880, a group of American cowboys joined by a band of cossacks trek across the siberian wilderness to deliver cattle to a starving town.
Buffalo Bill's Wild West presents a fascinating analysis of the first famous American to erase the boundary between real history and entertainment Canada, and Europe. Crowds cheered as cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure. Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition. But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study--richly illustrated--in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.
What to read next is every book lover's greatest dilemma. Nancy Pearl comes to the rescue with this wide-ranging and fun guide to the best reading new and old. Pearl, who inspired legions of litterateurs with "What If All (name the city) Read the Same Book," has devised reading lists that cater to every mood, occasion, and personality. These annotated lists cover such topics as mother-daughter relationships, science for nonscientists, mysteries of all stripes, African-American fiction from a female point of view, must-reads for kids, books on bicycling, "chick-lit," and many more. Pearl's enthusiasm and taste shine throughout.
Frederic Remington and the West sheds new light on the remarkably complicated and much misunderstood career of Frederic Remington. This study of the complex relationship between Remington and the American West focuses on the artist’s imagination and how it expressed itself. Ben Merchant Vorpahl takes into account all the dimensions of Remington’s extensive work—from journalism to fiction, sculpture, and painting. He traces the events of Remington’s life and makes extensive use of literary and art criticism and nineteenth-century American social cultural and military history in interpreting his work. Vorpahl reveals Remington as a talented, sensitive, and sometimes neurotic American whose work reflects with peculiar force the excitement and distress of the period between the Civil War and the Spanish-American War. Remington was not a “western” artist in the conventional sense; neither was he a historian: he lacked the historian’s breadth of vision and discipline, expressing himself not through analysis but through synthesis. Vorpahl shows that, even while Remington catered to the sometimes maudlin, sometimes jingoistic tastes of his public and his editors, his resourceful imagination was at work devising a far more demanding and worthwhile design—a composite work, executed in prose, pictures, and bronze. This body of work, as the author demonstrates, demands to be regarded as an interrelated whole. Here guilt, shame, and personal failure are honestly articulated, and death itself is confronted as the artist’s chief subject. Because Remington was so prolific a painter, sculptor, illustrator, and writer, and because his subjects, techniques, and media were so apparently diverse, the deeper continuity of his work had not previously been recognized. This study is a major contribution to our understanding of an important American artist. In addition, Vorpahl illuminates the interplay between history, artistic consciousness, and the development of America’s sense of itself during Remington’s lifetime.
Beautiful full color litho cover, stagecoach under attack from Indians, cameo portrait of W.F. Cody.
A 20th Century cowboy and the scrapes he gets into. He is Tap McCoy who narrates his many fights and binges, his rodeos and various jobs, one of which is gunfighter for tourists.
The best-selling memoir Confessions of a Kamikaze Cowboy tells the fascinating story of actor Dirk Benedict’s journey from the big sky country of Montana to the hustle and hype of Hollywood. It also describes his odyssey of self-discovery and growth as he changes from struggling actor to celebrity, from meat eater to vegetarian, from cancer victim to cancer victor. Brilliantly written—insightful, witty, and always challenging—Confessions of a Kamikaze Cowboy may change the way you perceive actors, and even make you reconsider the truths in your own life.
Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.