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The Soviet Union is often presented as a largely isolated and idiosyncratic state. Soviet Internationalism after Stalin challenges this view by telling the story of Soviet and Latin American intellectuals, students, political figures and artists, and their encounters with the 'other' from the 1950s through the 1980s. In this first multi-archival study of Soviet relations with Latin America, Tobias Rupprecht reveals that, for people in the Second and Third Worlds, the Cold War meant not only confrontation with an ideological enemy but also increased interconnectedness with distant world regions. He shows that the Soviet Union looked quite different from a southern rather than a Western point of view and also charts the impact of the new internationalism on the Soviet Union itself in terms of popular perceptions of the USSR's place in the world and its political, scientific, intellectual and cultural reintegration into the global community.
This collection of essays examines women in the Khrushchev era, using both newly-accessible archival material and a re-reading of published sources. Exploring diverse subjects including housing, space flight, women workers, cinema, religion and consumption, the volume places the analysis of specific events or issues within a broader discussion of economic, political, ideological and international developments to provide a full analysis of the era.
This title comes from the Political Extremism and Radicalism digital archive series which provides access to primary sources for academic research and teaching purposes. Please be aware that users may find some of the content within this resource to be offensive.
In the tumultuous first decade of the Cuban Revolution, Fidel Castro and other leaders saturated the media with altruistic images of themselves in a campaign to win the hearts of Cuba's six million citizens. In Visions of Power in Cuba, Lillian Gue
Twenty vintage favorites, including Put your head on my shoulder, You are my destiny, Diana, etc.
"The Coming Slavery" by Herbert Spencer. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
"I used to have a recurring dream, it went like tihis: I'm spying on some activity in the window when, suddenly, the subject becomes aware of my presence and looks up. We lock eyes..." Merry Alpern
Che Guevara’s widow remembers a great revolutionary romance tragically cut short by Che’s assassination in Bolivia. When Aleida March first met Che Guevara, she was a twenty-year-old combatant from the provinces of Cuba, he an already legendary revolutionary and larger-than-life leader. And yet there was another, more human side to Che, one Aleida was given special access to, first as his trusted compañera and later as the love of his life. With great immediacy and poignancy, Aleida recounts the story of their epic romance—their fitful courtship against the backdrop of the Cuban revolutionary war, their marriage at the war’s end and the birth of their four children, up through Che’s tragic assassination in Bolivia less than ten years later. Featuring excerpts from their letters, nearly one hundred never-before-seen photographs from their private collection, and a moving short story Che wrote for Aleida, here is an intimate look at the man behind the legend and the tenacious, courageous woman who knew him best—a story of passionate love, wrenching sacrifice, and unwavering heroism.
Begleitband zur weltweit grössten Einzelausstellung des politischen Konzeptkünstlers Ai Weiwei in Berlin. Der eindrucksvolle und bestens bebilderte Band behandelt unter anderem die Ai Weiweis ästhetischen Widerstand, seinen Umgang mit der Tradition und seinen Blick auf die europäische Moderne.