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Unveil the captivating mystery of Nataraja, the Hindu deity depicted as the Cosmic Dancer. This comprehensive exploration delves into the rich history and symbolism behind this iconic form. Discover how Nataraja's dance embodies the cyclical nature of existence, the interplay between creation and destruction, and the path towards liberation. Decipher the meaning behind the ring of flames, the instruments he holds, and the mudras (hand gestures) that speak a language of divine energy. Witness how interpretations of Nataraja have evolved throughout time, and explore his enduring legacy in art, dance, and cultural understanding across the globe. Gain a deeper appreciation for Hinduism's philosophy and its core concepts through the symbolism of the cosmic dance.
Artists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of works from The Met collection appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.
Nataraja (also known as Nataraj) is the dancing form of Shiva according to Hindu mythology. He's known as the King of Dance or Lord of Dance because when he's in this form he does his cosmic dance to destroy the universe to prepare Brahma to create the universe anew. This journal features: 108 lined pages (54 sheets) 6 x 9 inches 60 pound (90 gsm) white-colored paper Perfect bound glossy softcover (10 pt stock) Ten percent of the proceeds from the sale of this book goes towards enabling youth in developing countries to access better educational opportunities. This money is being donated to Build to Learn, an initiative started by The Mindful Word.
In Hindu mythology, the children of Gods and Goddesses—their domesticity—represent the perfect balance of spiritual pursuits and material aspirations that make life worthwhile. While myth brings beliefs, mythology brings customs. Reading and learning about the domestic life of gods is meant to guide us to lead more meaningful as well as spiritually fulfilling lives. In The Domestic Life of Gods, Devdutt Pattanaik examines instances of mythology that depict gods living 'human' lives and what that signifies. Read on.
Nature and Identity in Cross-Cultural Perspective presents 20 essays which explore diverse cultural interpretations of the earth's surface. Contrasted with each other and with the potentially cosmopolitan culture of science, these detailed studies of ways in which different cultures conceptualise nature appear in the context of global environmental change. Understanding across cultural lines has never been more important. This book shows how individual cultures see their own histories as offering protection for nature, while often viewing others as lacking such ethical restraints. Through such writing a discourse of understanding and common action becomes possible. The authors come from the places they discuss, and offer passionate as well as scholarly visions of nature within their cultural homes. Audience: This volume is of interest to academics and professionals working in the fields of cultural geography, environmental history, environmental studies, history of environmental ideas, environmental education, landscape and literature, nature and culture. It can be used for courses in the above-mentioned areas and seminars in comparative literature. It can also be used as a complimentary text to provide cultural context to literary readings, and for seminars on cultural aspects of the environment.
In 1913, photos of The Nataraja bronze from the Chennai Museum inspired Auguste Rodin's text The Dance of Shiva. Written at the end of his life, this vision of Shiva, Lord of actor/dancers, revealed the underlying links between Rodin's dance sculptures (1910), the Cambodian dancer drawings, and his private collection of antique Venus and Buddha sculptures and wood carvings from India. In this book, historians, artists and poets both French and Indian, bring us a new international vision of Rodin's work.
This is a full account of Siva's Dance of Bliss, which has become a popular symbol in the West for Hinduism and Eastern Mysticism. Siva is one of the two main gods of Hinduism, and his worshippers comprise half of all Hindus. Siva's Dance of Bliss is based on a remarkable Sanskrit poem written by Umapati Sivacarya, Saiva theologian and temple priest in Cidambaram, South India, in the fourteenth century. Starting with the bronze image of Nataraja, King of Dancers, thereafter the Cidambaram temple, its myth and its priests are viewed in the light of the poem. Umapati's Saiva theology is discussed in relation to his life and also in relation to Vedanta and yoga. The iconography and mythology of the Goddess and of other forms of Siva provide necessary perspective. Art from Cidambaram and neighbouring sites illuminates the text.
Aesthetic and esoteric interpretation of the cosmic dance of Shiva, Hindu deity.
In this simple yet important book, Noah Rasheta takes profound Buddhist concepts and makes them easy to understand for anyone trying to become a better whatever-they-already-are.