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A recluse has been shot right between the eyes as he stood looking out of his bedroom window. His neighbor, a schoolteacher who is a pistol shot champion, admits she discovered the body and failed to report it. Is she really guilty of murder?
A recluse has been shot right between the eyes while standing at his bedroom window. His neighbor, a schoolteacher and pistol shot champion, admits she discovered the body and failed to report it. Is she guilty of murder? Grijpstra and de Gier will travel to whorehouses, through a shady electronics market and into the house of a very flashy potential suspect to find out.
In the twelfth book in an acclaimed series, retired Amsterdam policeman Henk Grijpstra gets a frantic telephone call from his old partner, Rinus de Gier, who thinks he may have killed his girlfriend. He is being blackmailed and can’t remember if he did it; he was just too drunk. But if he did, where is the corpse? Would his old partner please fly over to the US at once? Urged on by their former superior officer, the commissaris, Grijpstra grudgingly travels to Maine to rescue his partner and to confront his own demons as well as de Gier’s.
Douwe Scherjoen was a well-to-do livestock dealer from the remote Dutch province of Friesland. Then his corpse was found, half-charred by flames, floating in a dory in Amsterdam's harbor. No one knows why he was in the nation's capital, far from the bucolic pleasures of his native village of Dingjum. But since Grijpstra is Friesian by birth and can understand the dialect, he and his partner de Gier are dispatched to find the killer—or at least the motive for the crime. And they discover that while no one, not even his wife, liked the victim, the culprit is the unlikeliest suspect of all.
The second entry of the Bertie, Prince of Wales mystery series, featuring future King Edward VII, Albert Edward, as an amateur sleuth solving suspicious murders in Victorian England. Bertie, Prince of Wales, is delighted to be invited by Lady Amelia, a recently widowed young woman, to Desborough Hall for a week-long shooting party. The eleven other motley guests include a poet, a chaplain, and an Amazon explorer. The party promises a week of shooting, socializing, and feasting, but these expectations are soon shattered as one of the guests collapses face first into her dessert and dies before the night is out. At first, this death is believed to be an accident, and the party continues with their hunting plans for the week. But when another guest turns up dead the very next day, Bertie realizes that the deaths cannot be coincidence.
Mr. Fortune is suspected of murdering his wife. Grijpstra and de Gier begin a search that leads to the unidentified corpse of a man stuffed into the trunk of a stolen Mercedes. But where is the body of Mrs. Fortune? Tracking a killer without a corpse and a corpse without a killer, the Amsterdam cops finally arrive at the bonechilling truth.
During a random break-in, three heroin addicts discover the corpse of banker Martin Ijsbreker. They arrange his death to look like a suicide and flee with his valuables, but are found dead of an overdose the next day. The investigating officer dismissed their deaths as an accident, but the commissaris suspects that his cousin and childhood nemesis, Willem Fernandus, murdered Ijsbreker to protect his own shares in the dead man’s bank. When the two finally confront each other as adversaries, someone will die.
From Tony Hillerman's Navajo Southwest to Martin Cruz Smith's Moscow, an exotic, vividly described locale is one of the great pleasures of many murder mysteries. Indeed, the sense of place, no less than the compelling character of the detective, is often what keeps authors writing and readers reading a particular series of mystery novels. This book investigates how "police procedural" murder mysteries have been used to convey a sense of place. Gary Hausladen delves into the work of more than thirty authors, including Tony Hillerman, Martin Cruz Smith, James Lee Burke, David Lindsey, P. D. James, and many others. Arranging the authors by their region of choice, he discusses police procedurals set in America, the United Kingdom and Ireland, Europe, Moscow, Asia, and selected locales in other parts of the world, as well as in historical places ranging from the Roman Empire to turn-of-the-century Cairo.
Containing three of Goethe's major prose works, this volume explores a range of themes: unfulfilled love, infidelity, divorce, tragic love, fantasy, and moral rebirth. One of Goethe's best known works, The Sorrows of Young Werther, explores the extremes of the subjective experience through the novel's depiction of a sensitive young man caught up in a love impossible to fulfill. In Elective Affinities, a novel of tragic love, Goethe employs all the requisites of sentimental romance to give a deeply ironic perspective to the idea of love. As the title indicates, Novella examines the possibilities inherent in this genre.