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"Detective Ruth Hunter’s ongoing quest for her missing partner has taken a dramatic twist as she continues to live her life away from London in Snowdonia. When a popular rugby coach is brutally murdered, and a young woman vanishes, Ruth must examine the secret lives of a local community in shock. As Ruth, and her sidekick DS Nick Evans, begin to uncover a confusing mesh of dark deception, she realises that the answer might lie in the victim’s own clandestine life. However, every time Ruth thinks she has the killer in her sights the case turns to implicate another suspect." --
A murdered millionaire. A violent drug operation. Can a detective with a haunted past stop the next assassination? Detective Inspector Ruth Hunter is still struggling to deal with her stress. So when the body of a businessman washes up on a secluded North Wales shore, the former London cop is anxious to prove she can lead the local investigative team and nail the killer. But as she digs into the dead millionaire's business affairs, DI Hunter discovers a disturbing link to an infamous Liverpudlian drug lord... Tracking down clues alongside a hot-headed partner, she worries his private vendetta could seriously jeopardize bringing the gangster to justice. And between botched raids, tight-lipped suspects, and a slew of cold case murders, she's sure the criminal mastermind must have corrupt players in his pocket... Can Hunter take down the mobster before he orders a highly personal hit? The Harlech Beach Killings is the second book in the suspenseful Ruth Hunter Crime Thriller series. If you like chilling police procedurals, true-to-life characters, and psychological twists, then you'll love Simon McCleave's page-turning thrill ride. A murdered millionaire. A violent drug operation. Can a detective with a haunted past stop the next assassination?
A twisted serial killer. A deadly game of cat and mouse. Can DI Ruth Hunter catch a crazed psychopath who seems intent on destroying her life? DI Ruth Hunter hopes that settling in Snowdonia with will melt away the grief of a missing partner. Burying herself in her work, she senses that her current missing persons case isn't all that it seems. When a man's body turns up torn to pieces, Ruth realises that she is now tracking a deadly serial killer. Working with her fiercely patriotic Welsh partner, DI Hunter soon has a prime suspect in her sights - although he seems to always be one step ahead of them. When the killer begins to claim a personal connection to her, Ruth fears a grisly end to her and her family. 'The Dee Valley Killings' is the third book in the acclaimed DI Ruth Hunter Crime Thriller series. If you like dark, psychologically complex characters and a gripping rollercoaster of a plot, then this book is for you.
' This incredible book is very, very important'. Damien Dempsey In November 2008, Tomás Mac Conmara sat with a 105 five-year-old woman at a nursing home in Clare. While gently moving through her memories, he asked the east Clare native; 'Do you remember the time that four lads were killed on the Bridge of Killaloe?'. Almost immediately, the woman's countenance changed to deep outward sadness. Her recollection took him back to 17th November 1920, when news of the brutal death of four men, who became known as the Scariff Martyrs, was revealed to the local community. Late the previous night, on the bridge of Killaloe they were shot by British Forces, who claimed they had attempted to escape. Locals insisted they were murdered. A story remembered for 100 years is now fully told. This incident presents a remarkable confluence of dimensions. The young rebels committed to a cause. Their betrayal by a spy, their torture and evident refusal to betray comrades, the loneliness and liminal nature of their site of death on a bridge. The withholding of their dead bodies and their collective burial. All these dimensions bequeath a moment which carries an enduring quality that has reverberated across the generations and continues to strike a deep chord within the local landscape of memory in East Clare and beyond.
Now updated with new material that brings the killer's picture into clearer focus. In the fall of 1888, all of London was held in the grip of unspeakable terror. An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End. Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim. And then the Ripper’s violent spree seemingly ended as abruptly as it had begun. He had struck out of nowhere and then vanished from the scene. Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel. But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death. Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer. In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history. Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert. It has been said of Cornwell that no one depicts the human capability for evil better than she. Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate. She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press. Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created. New information and startling revelations detailed in Portrait of a Killer include: - How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...
Edinburgh has Rebus.The Highlands have Logan.Now Yorkshire has Grimm ...Welcome to Wensleydale, where the cheese is famous, the scenery beautiful, and the locals have murder on their minds ...Detective Chief Inspector Harry Grimm is forced to take leave from Bristol's Major Investigations Team when his boss, tired of Harry chasing the ghost of his murderous father, sends him north on secondment.Used to city life and high stress, Harry fears his life will now be spent handing out speeding tickets, finding lost sheep, and directing tourists. But when a local teenager runs away, Harry finds himself pulled into an investigation much worse than anyone could have ever expected.The nicer the place, the darker the secrets. Wensleydale is beautiful, everyone is friendly and welcoming, and people just don't get murdered ... do they?A classic fish-out-of-water crime mystery set in the stunning and evocative scenery of Wensleydale in North Yorkshire.Grimm up North is the terrific debut crime novel from award-winning author David J. Gatward. Perfect for fans of L. J. Ross, J. D. Kirk, Simon McCleave, Alex Smith, J. M. Dalgliesh, J. E. Mayhew, and J. R. Ellis.
Endore's classic werewolf novel - now back in paperback for the first time in over forty years - helped define a genre and set a new standard in horror fiction The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley's Frankenstein, Bram Stoker's Dracula, and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. Endore's classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore's werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.
In this new book, Bauman examines how we have moved away from a 'heavy' and 'solid', hardware-focused modernity to a 'light' and 'liquid', software-based modernity. This passage, he argues, has brought profound change to all aspects of the human condition. The new remoteness and un-reachability of global systemic structure coupled with the unstructured and under-defined, fluid state of the immediate setting of life-politics and human togetherness, call for the rethinking of the concepts and cognitive frames used to narrate human individual experience and their joint history. This book is dedicated to this task. Bauman selects five of the basic concepts which have served to make sense of shared human life - emancipation, individuality, time/space, work and community - and traces their successive incarnations and changes of meaning. Liquid Modernity concludes the analysis undertaken in Bauman's two previous books Globalization: The Human Consequences and In Search of Politics. Together these volumes form a brilliant analysis of the changing conditions of social and political life by one of the most original thinkers writing today.
We live in a visual age. Images and visual artefacts shape international events and our understanding of them. Photographs, film and television influence how we view and approach phenomena as diverse as war, diplomacy, financial crises and election campaigns. Other visual fields, from art and cartoons to maps, monuments and videogames, frame how politics is perceived and enacted. Drones, satellites and surveillance cameras watch us around the clock and deliver images that are then put to political use. Add to this that new technologies now allow for a rapid distribution of still and moving images around the world. Digital media platforms, such as Twitter, YouTube, Facebook and Instagram, play an important role across the political spectrum, from terrorist recruitment drives to social justice campaigns. This book offers the first comprehensive engagement with visual global politics. Written by leading experts in numerous scholarly disciplines and presented in accessible and engaging language, Visual Global Politics is a one-stop source for students, scholars and practitioners interested in understanding the crucial and persistent role of images in today’s world.
The term 'natural disaster' is often used to refer to natural events such as earthquakes, hurricanes or floods. However, the phrase 'natural disaster' suggests an uncritical acceptance of a deeply engrained ideological and cultural myth. At Risk questions this myth and argues that extreme natural events are not disasters until a vulnerable group of people is exposed. The updated new edition confronts a further ten years of ever more expensive and deadly disasters and discusses disaster not as an aberration, but as a signal failure of mainstream 'development'. Two analytical models are provided as tools for understanding vulnerability. One links remote and distant 'root causes' to 'unsafe conditions' in a 'progression of vulnerability'. The other uses the concepts of 'access' and 'livelihood' to understand why some households are more vulnerable than others. Examining key natural events and incorporating strategies to create a safer world, this revised edition is an important resource for those involved in the fields of environment and development studies.