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In a poetic gift from beyond the grave, Les Murray left a trove of last poems. These are poems he was working on up to his death, as well as work uncovered from his scrapbooks and files. Various, intriguing and moving, this is a wonderful final collection from Australia’s greatest poet – including a title poem that calls up the spirit of continuous creation, ‘out of all that vanishes and all that will outlast us’. Continuous Creation is the perfect gift for long-time fans of Murray and new readers alike.
Originally published in 1950, this book challenged the basis of our beliefs about the relation of life to matter. Already aware that chalk, limestone and coal seams are the residues of ancient life, the author suggests that this knowledge may also be applied to the rest of matter. In that case, he argues, the origin of the world was not cosmic upheaval which broke down at last into life, but organic life itself.
Jonathan Edwards (1703-1758) is one of the most important thinkers of the Christian Tradition. Ironically, little is known about his Christology. Lesser still is that which which is known about the philosophical commitments that undergird much of thinking about the God-man. In A Treatise on Jonathan Edwards, Continuous Creation and Christology, S. Mark Hamilton shows that Edwards has much more to say about the nature of the person of Christ that is both significant and original than has been believed to this point. Hamilton's Treatise tackles Edwards' unique understanding of the God-world relationship and how that understanding bears upon his doctrine of the person of Christ. Equal-parts philosophical clarification and theological construction, and offering a number of truly original insights, Hamilton makes the convincing case that Edwards' commitment to the idea that God somehow creates the universe out of nothing every moment does not, as some have hitherto supposed, imperil his commitment to an orthodox Christology. In so doing, Hamilton puts forward a reconstruction of a controversial aspect of Edwards' Christology that will undoubtedly provoke both a deeper appreciation and closer examination of Edwards' philosophical theology.
Paul LaViolette reveals astonishing parallels between cutting edge scientific thought and early creation myths, and how these myths encode a theory of cosmology in which matter is continually growing from seeds of order that emerge spontaneously from chaos. Exposing the contradictions of the Big Bang theory, LaViolette leads us beyond the restrictive metaphors of modern science and into a new science for the 21st century.
For Christians, the issues raised by the different views on creation and evolution are challenging. Can a "young earth" be reconciled with a universe that appears to be billions of years old? Does scientific evidence point to a God who designed the universe and life in all its complexity? Three Views on Creation and Evolution deals with these and similar concerns as it looks at three dominant schools of Christian thought. Proponents of young earth creationism, old earth creationism, and theistic evolution each present their different views, tell why the controversy is important, and describe the interplay between their understandings of science and theology. Each view is critiqued by various scholars, and the entire discussion is summarized by Phillip E. Johnson and Richard H. Bube. The Counterpoints series provides a forum for comparison and critique of different views on issues important to Christians. Counterpoints books address two categories: Church Life and Bible and Theology. Complete your library with other books in the Counterpoints series.
Lucretius' account of the origin of life, the origin of species, and human prehistory is the longest and most detailed account extant from the ancient world. It gives an anti-teleological mechanistic theory of zoogony and the origin of species that does away with the need for any divine aidor design in the process, and accordingly it has been seen as a forerunner of Darwin's theory of evolution. This commentary locates Lucretius in both the ancient and modern contexts, and treats Lucretius' ideas as very much alive rather than as historical concepts. The recent revival of creationismmakes this study particularly relevant to contemporary debate, and indeed, many of the central questions posed by creationists are those Lucretius attempts to answer.
The acclaimed Italian philosopher interrogates the concept of creation in art, religion, and economics in this collection of five essays. Creation and the giving of orders are closely entwined in Western culture, where God commands the world into existence and later issues the injunctions known as the Ten Commandments. The arche, or origin, is always also a command, and a beginning is always the first principle that governs and decrees. This is as true for theology, where God not only creates the world but governs and continues to govern through continuous creation, as it is for the philosophical and political tradition according to which beginning and creation, command and will, together form a strategic apparatus without which our society would fall apart. The five essays collected here aim to deactivate this apparatus through a patient archaeological inquiry into the concepts of work, creation, and command. Giorgio Agamben explores every nuance of the arche in search of an an-archic exit strategy. By the book’s final chapter, anarchy appears as the secret center of power, brought to light so as to make possible a philosophical thought that might overthrow both the principle and its command.
The title expresses the book's intention: not to go on distinguishing between God and the world, so as then to surrender the world, as godless, to its scientific 'disenchantment' and its technical exploitation by human beings, but instead to discover God in all the beings he has created and to find his life-giving Spirit in the community of creation that they share. This viewwhich has also been called panentheistic (in contrast to pantheistic)requires us to bring reverence for the life of every living thing into the adoration of God. And this means expanding the worship and service of God to include service for God's creation.
A bighearted selection from the inimitable Australian poet's diverse ten-book body of work Les Murray is one of the great poets of the English language, past, present, and future. Learning Human contains the poems he considers his best: 137 poems written since 1965, presented here in roughly chronological order, and including a dozen poems published for the first time in this book. Murray has distinguished between what he calls the "Narrowspeak" of ordinary affairs, of money and social position, of interest and calculation, and the "Wholespeak" of life in its fullness, of real religion, and of poetry. Poetry, he proposes, is the most human of activities, partaking of reason, the dream, and the dance all at once -- "the whole simultaneous gamut of reasoning, envisioning, feeling, and vibrating we go through when we are really taken up with some matter, and out of which we may act on it. We are not just thinking about whatever it may be, but savouring it and experiencing it and wrestling with it in the ghostly sympathy of our muscles. We are alive at full stretch towards it." He explains: "Poetry models the fullness of life, and also gives its objects presence. Like prayer, it pulls all the motions of our life and being into a concentrated true attentiveness to which God might speak." The poems gathered here give us a poet who is altogether alive and at full stretch toward experience. Learning Human, an ideal introduction to Les Murray's poetry, suggests the variety, the intensity, and the generosity of this great poet's work so far.