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Until now, no dictionary has ever attempted to record the fascinating and often raunchy inventory of English sexual euphemisms. Jordan Tate has confronted this task with gusto and the results are nothing short of gratifying. The Contemporary Dictionary of Sexual Euphemisms is a hilarious, unabashed, at times shocking compilation of every sexual euphemism you've ever heard--and many more you haven't. Would you be offended if someone called you a "back door burglar"? Ever heard of a "five against one"? Would you rather do the "Little Dutch Boy" or the "Little Red Riding Hood"? Along with both a literal and a sexual definition of each euphemism, this dictionary also has photographs, and, of course, an example of each term used in a sentence--all in an effort to irreverently entertain and inform. A perfect guilty pleasure for anyone who ever got a thrill looking up dirty words in the dictionary as a kid, the Contemporary Dictionary is also a must-have reference tool for those just plain too shy to ask what a "pearl necklace" really is.
With more than 7,000 definitions, this book provides a definitive guide to the use of slang today. It deals with drugs, sport and contemporary society, as well as favourite slang topics such as sex and bodily functions. In this fully updated fourth edition of the highly acclaimed Dictionary of Contemporary Slang, language and culture expert Tony Thorne explores the ever-changing underworld of the English language, bringing back intriguing examples of eccentricity and irreverence from the linguistic front-line. "Thorne is a kind of slang detective, going down the streets where other lexicographers fear to tread." Daily Telegraph
How did die become kick the bucket, underwear become unmentionables, and having an affair become hiking the Appalachian trail? Originally used to avoid blasphemy, honor taboos, and make nice, euphemisms have become embedded in the fabric of our language. Euphemania traces the origins of euphemisms from a tool of the church to a form of gentility to today's instrument of commercial, political, and postmodern doublespeak. As much social commentary as a book for word lovers, Euphemania is a lively and thought-provoking look at the power of words and our power over them.
This is a study of the language of evasion, hypocrisy, prudery and deceit. It dissects the human tendency to prefer vague, roundabout expressions rather than use words which are precise and disagreeably true.
For all that we love and admire Shakespeare, he is not that easy to grasp. He may have written in Elizabethan English, but when we read him, we can't help but understand his words, metaphors, and syntax in relation to our own. Until now, explaining the powers and pleasures of the Bard's language has always meant returning it to its original linguistic and rhetorical contexts. Countless excellent studies situate his unusual gift for words in relation to the resources of the English of his day. They may mention the presumptions of modern readers, but their goal is to correct and invalidate any false impressions. Shakesplish is the first book devoted to our experience as modern readers of Early Modern English. Drawing on translation theory and linguistics, Paula Blank argues that for us, Shakespeare's language is a hybrid English composed of errors in comprehension—and that such errors enable, rather than hinder, some of the pleasures we take in his language. Investigating how and why it strikes us, by turns, as beautiful, funny, sexy, or smart, she shows how, far from being the fossilized remains of an older idiom, Shakespeare's English is also our own.
The rich repertoire of sexual slang in this compendium offers fascinating clues to the sexual humor and taboos, perceptions and cultural biases, mores and sexual roles of English-speaking people in times past and present. It offers abundant evidence that language gives voice to the major concerns and preoccupations of the people who speak it. This book features more than 4,000 words, phrases, and quips that have or have had a sexual connotation; hundreds of quotations demonstrating how terms have been used by sources ranging from Chaucer, Shakespeare, and Blake to pop icons such as Lenny Bruce, Bette Midler and Madonna; terms in current use as well as archaic terms and how and when they were first used; 500 years of sexual slang from the United States, Canada, Britain, Australia, and South Africa; and full etymologies, explanations, and variations in usage from country to country and era to era.--[book jacket].
LIke other languages, Latin contained certain words its speakers considered obscene as well as a rich stock of sexual euphemism and metaphor. Our sources for this information range from surviving graffiti to literary works with a marked sexual content. Yet despite its manifest literary and linguistic interest, the sexual vocabulary of Latin has remained uninvestigated by scholars. J. A. Adams's pioneering and unique reference work collects for the first time evidence of Latin obscenities and sexual euphemisms drawn from both literary and nonliterary sources from the early Republic to about he fouth century A.D. Separate chaptes treat each of the sexual pasrts of the body and the terminology used to describe sexual acts. General topics include the influence of Greek language on Latin, changes in the Latin vocabulary over time (including the evolution of sexual words into general terms of abuse), and lexical differences among various literary genres.
Through reference to over six hundred scenes from film and television—as well as a diverse and cross-disciplinary academic bibliography—Masturbation in Pop Culture investigates the role that masturbation serves within narratives while simultaneously mirroring our complicated relationship with the practice in real life and sparking discussions about a broad range of hot-button sexual subjects. From sitcoms to horror movies, teen comedies to erotic thrillers, autoeroticism is easily detected on screen. The portrayal, however, is not a simple one. Just as in real life a paradox exists where most of us masturbate and accept it as normal and natural, there simultaneously exists a silence about it; that we do it, but we don’t talk about it; that we enjoy it but we laugh about it. The screen reflects this conflicted relationship. It is there—hundreds and hundreds of times—but it is routinely whispered about, mocked and presented as a punchline, and is inevitably portrayed as controversial at the very least. Masturbation in Pop Culture investigates the embarrassment and squeamishness, sexiness and inappropriateness of masturbation, showcasing and analyzing how our complex off screen relationship is mirrored in film and television.
A Thematic Dictionary of Contemporary Chinese is a unique resource for intermediate to advanced students of Chinese. The dictionary presents 9,000 words organized thematically in 300 different subject areas. These themes cover the vocabulary necessary for daily use and for conducting meaningful conversations with native Chinese speakers on a variety of topics, from politics to business, and from hobbies to education. Each vocabulary item is annotated with the most frequent collocations allowing learners to improve their fluency by storing new vocabulary in larger linguistic units. Cultural and linguistic tips enable learners to grasp the vocabulary more effectively and increase their awareness of Chinese culture embedded in the language. Review exercises are provided throughout to ensure learners have ample opportunity to practice the new material. This is a great resource for both independent study and classroom use and will be of interest to students and teachers of Chinese alike. For further understanding of Chinese expressions, students are encouraged to read 500 Common Chinese Proverbs and Colloquial Expressions and 500 Common Chinese Idioms.