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In White Innocence Gloria Wekker explores a central paradox of Dutch culture: the passionate denial of racial discrimination and colonial violence coexisting alongside aggressive racism and xenophobia. Accessing a cultural archive built over 400 years of Dutch colonial rule, Wekker fundamentally challenges Dutch racial exceptionalism by undermining the dominant narrative of the Netherlands as a "gentle" and "ethical" nation. Wekker analyzes the Dutch media's portrayal of black women and men, the failure to grasp race in the Dutch academy, contemporary conservative politics (including gay politicians espousing anti-immigrant rhetoric), and the controversy surrounding the folkloric character Black Pete, showing how the denial of racism and the expression of innocence safeguards white privilege. Wekker uncovers the postcolonial legacy of race and its role in shaping the white Dutch self, presenting the contested, persistent legacy of racism in the country.
A celebration of the innovative, artisanal, and sustainable living exemplified by contemporary Dutch interiors. With a carefully curated collection of interiors, including historic canal houses, restored farms, and green homes, belonging to interior designers, product designers, architects, and artists, this book showcases creative and resourceful living. These properties have been created or renovated and brought into the twenty-first century with typical Dutch style and sensibility—environmentally friendly, imaginative uses of space filled with color and charm and never to be taken too seriously. Each home in the book reflects the personality and spirit of the people who inhabit it. From furniture designer Valentin Loellman’s handcrafted interiors in a traditional worker’s cottage on the Maas river to fiber artist Claudy Jongstra’s farmhouse in Friesland where indigo dye plants grow in the biodynamic garden, Coming Home illustrates fun ideas and easy ways to incorporate individual style into your surroundings. Whether it’s the traditional “lowlands” aesthetic of combining old and new, faded and inviting, into a casual chic or a quirky reinvention of a space that reveals a touch of eccentricity, this book illustrates why the Netherlands is truly loved by so many and can be an inspiration to us all.
Grandmaster Viktor Moskalenko shakes up the lines of yet another chess opening! For those who have the Dutch Defense in their repertoire or play against it, this brings an explosive mixture of danger and opportunity. Danger if you stick to your old ways, opportunity if you are ready to take up Moskalenko’s new weapons or his refutations of old ones. Moskalenko covers the Anti-Dutch, Leningrad, Stonewall and Classical variations. He guides you through this ground-breaking opening book with the enthusiasm, the ease and the humor that characterize his style. For ‘The Diamond Dutch’ goes what chess star Vassily Ivanchuk said about Moskalenko’s previous work ‘The Perfect Pirc-Modern’: “This book will undoubtedly help you to master not just the Pirc and Modern Defences, but also to systematize and perfect your understanding of the key points of other openings.” ,
A contextual reassessment of Swift's political writing concentrating on A Tale of a Tub and Gulliver's Travels.
Being Dutch in the Indies portrays Dutch colonial territories in Asia not as mere societies under foreign occupation but rather as a Creole empire. Most of colonial society, up to the highest levels, consisted of people of mixed Dutch and Asian descent who were born in the Indies and considered it their home, but were legally Dutch.
This study examines Defoe’s three-volume Robinson Crusoe series in the light of the ‘banter’ style he developed as a pamphleteer. That heavily ironic style had brought him renown but also put him in the pillory. The present study explores for the first time Defoe’s complaint that readers and pirate abridgers misread his tale of the would-be trader Robinson Crusoe. Using Discourse Analysis and Relevance Theory to examine the early abridgements of Volume I and Defoe’s subsequent two volumes, this study argues that Defoe’s greatest success is also a peculiar failure.
Smash the Pillars explores the efforts by scholars and activists to decolonize Dutch history and memory and resist the physical, epistemological, and psychological violence imposed by the Dutch state, its institutions, and dominant narratives.