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This study demonstrates how smooth voice leading in music can be effectively modeled using concepts from abstract algebra. Minute voice-leading displacements are explained as iterations of the basic operation, the single-semitone transformation (SST). The SST is a type of transformation in which only a single voice in a chord is transposed by a semitone. Unlike previous music theoretic studies, the SST model does not rely on twelve-tone operations on sets to determine voice-leading paths. SST-succession classes can then be defined; they allow SSTs to be generalized as parsimonious voice-leading relations between pair-ordered set classes. Voice leading between chords of different “sizes” can be obtained through split and fuse operations. Once a mathematical basis for smooth voice-leading is formalized, 3D graphical representations in the form of lattices of parsimoniously related chord types can be developed. The study compares the single-voice transformational model to transformational theories of atonal voice leading and to recent work in the emergent field of neo-Riemannian theory. The final chapter examines music from tonal, atonal, and “post-atonal” stylistic periods by Chopin, Scriabin, Webern, Paul Lansky, and John Adams, showing the new voice-leading model’s versatility as an analytical tool.
London in the Blitz - the story of The Wayward Wife continues in this compelling saga of love and war. Susan Cahill enjoys her job at the BBC - until a bomb destroys the building and brings unwelcome responsibilities and an autocratic new boss, Walter Boscombe. He has no time for ambitious young women from Shadwell and seems determined to break Susan's spirit - and her heart. Breda Hooper, Susan's widowed sister-in-law, and her small son are rescued from the East End's shattered docklands by Danny, Susan's estranged husband. Settled in a shabby caravan in the Vale of Evesham, Breda soon finds herself entangled in village affairs in more ways than one, with only her quick wits, her new friends and the ever dependable Danny to keep her out of trouble. For Susan and Breda, jeopardy comes not from the skies but in the terrible price each must pay for falling in love with men who are not all that they seem to be and who, even in the midst of all out war, will change their lives forever.
In 1907, in a quiet English village, Theodora Bosanquet answered Henry James’s call for someone to transcribe his edits and additions to his formidable body of work. The aging James had agreed to revise his novels and tales into the twenty-four-volume New York Edition. Enter Bosanquet, a budding writer who would record the dictated revisions and the prefaces that would become a lynchpin of his legacy. Embracing the role of amanuensis and creative counterpoint cautiously at first, Bosanquet kept a daily diary over the nine years that she worked with James, as their extraordinary partnership evolved. Bosanquet became the first audience for James’s compositions and his closest literary associate—and their relationship ultimately resulted in James’s famed “deathbed dictations.” At the same time, the homosexuality of each was an unspoken but important influence on their mutual support and companionship. Susan Herron Sibbet’s posthumous novel gifts us with the voice of a young woman writer drawn into the intimate circle of an aging master, and is a moving addition to previous literary treatments of James and Bosanquet, even as it hews closer to fact than other works do. The Constant Listener is itself the work of an accomplished poet, and will speak to fans of James, historical fiction, and themes of art, love, sexuality, and identity.
Former Munich police detective Willi Geismeier is drawn out of hiding to find a deranged serial killer. Former Munch detective Willi Geimeiser is a wanted man. He sacrificed his career and put his life on the line by exposing a high-ranking Nazi official as a murderer, and is now in hiding in a cabin deep in the Bavarian forest. But when his friend, Lola, is savagely attacked, Willi returns to Munich in disguise and under a new identity - Karl Juncker - determined to find the perpetrator. Meanwhile, the discovery of the body of a woman in the River Isar leads Willi's old colleague and friend, Detective Hans Bergemann, to uncover similar disturbing murders stretching back years. A serial killer who preys on young women is running loose on Munich's streets. Could they be responsible for the attack on Lola, and can Willi catch a deranged murderer before the Gestapo catches him?
This handbook plays a fundamental role in sustainable progress in speech research and development. With an accessible format and with accompanying DVD-Rom, it targets three categories of readers: graduate students, professors and active researchers in academia, and engineers in industry who need to understand or implement some specific algorithms for their speech-related products. It is a superb source of application-oriented, authoritative and comprehensive information about these technologies, this work combines the established knowledge derived from research in such fast evolving disciplines as Signal Processing and Communications, Acoustics, Computer Science and Linguistics.