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The Congo Free State was under the personal rule of King Leopold II of the Belgians from 1885 to 1908. The accolades that attended its founding were soon contested by accusations of brutality, oppression, and murderous misrule, but the controversy, by itself, proved insufficient to prompt changes. Starting in 1896, concerned men and women used public opinion to influence government policy in Britain and the United States to create space for reforming forces in Belgium itself to pry the Congo from Leopold’s grasp and implement reforms. Examining key factors in the successes and failures of a pivotal movement that aided the colonized people of the Congo and broadened the idea of human rights, British Humanitarianism and the Congo Reform Movement provides a valuable update to scholarship on the history of humanitarianism in Africa. The Congo Reform movement built on the institutional experience of overseas humanitarianism, the energy of evangelical political involvement, and innovations in racial, imperial, and nationalist discourse to create political energy. Often portrayed as the efforts of a few key people, especially E.D. Morel, this book demonstrates that the movement increasingly manifested itself as an institutionalized and transnational campaign with support from key government officials that ultimately made a material difference to the lives of the people of the Congo.
Dear, dear, when the soft-hearts get hold of thing like that missionary's contribution they completely lose their tranquility they speak profanely and reproach Heaven for allowing such a find to live. Meaning me . They think it irregular. They go shuddering around, brooding over the reduction of that Congo population from 25,000,000 to 15,000,000 in the twenty years of my administration; then they burst out and call me the King with Ten Million Murders on his Soul. They call me a 'record'. - From King Leopold's Soliloquy
With an introduction by award-winning novelist Barbara Kingsolver In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce the population by half. . While he did all this, he carefully constructed an image of himself as a deeply feeling humanitarian. Winner of the Duff Cooper Prize in 1999, King Leopold’s Ghost is the true and haunting account of this man’s brutal regime and its lasting effect on a ruined nation. It is also the inspiring and deeply moving account of a handful of missionaries and other idealists who travelled to Africa and unwittingly found themselves in the middle of a gruesome holocaust. Instead of turning away, these brave few chose to stand up against Leopold. Adam Hochschild brings life to this largely untold story and, crucially, casts blame on those responsible for this atrocity.
Reproduction of the original: The Casement Report by Roger Casement
This book investigates the historical evolution of 'humanitarian photography' - the mobilization of photography in the service of humanitarian initiatives across state boundaries.
The abolition of slavery across large parts of the world was one of the most significant transformations in the nineteenth century, shaping economies, societies, and political institutions. This book shows how the international context was essential in shaping the abolition of slavery.
In his 1903 hit "Congo Love Song," James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song's title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium's brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, "Congo Love Song" emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. In this book, Ira Dworkin examines black Americans' long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, he brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Dworkin offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.
A fascinating study that explores the power of the racially identified hand as a narrative symbol in Victorian literature and culture.