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The Smithsonian Institution presents an annotated poster gallery featuring "Don't Sell Salt Illegally: Posters in Occupied Japan," by James Howard Fraser.
In the year 1689, a cabal of Barbary galley slaves -- including one Jack Shaftoe, aka King of the Vagabonds, aka Half-Cocked Jack -- devises a daring plan to win freedom and fortune. A great adventure ensues -- a perilous race for an enormous prize of silver ... nay, gold ... nay, legendary gold. In Europe, the exquisite and resourceful Eliza, Countess de la Zeur, is stripped of her immense personal fortune by France's most dashing privateer. Penniless and at risk from those who desire either her or her head (or both), she is caught up in a web of international intrigue, even as she desperately seeks the return of her most precious possession. Meanwhile, Newton and Leibniz continue to propound their grand theories as their infamous rivalry intensifies, stubborn alchemy does battle with the natural sciences, dastardly plots are set in motion ... and Daniel Waterhouse seeks passage to the Massachusetts colony in hopes of escaping the madness into which his world has descended. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
Exploring the gendered dimension of political conflicts, Laura Edwards links transformations in private and public life in the era following the Civil War. Ideas about men's and women's roles within households shaped the ways groups of southerners--elite and poor, whites and blacks, Democrats and Republicans--envisioned the public arena and their own places in it. By using those on the margins to define the center, Edwards demonstrates that Reconstruction was a complicated process of conflict and negotiation that lasted long beyond 1877 and involved all southerners and every aspect of life.
Six contributors discuss the state of Japanese arts during the allied occupation after the second World War. Topics include missteps by occupation censors, caution and experimentation on the part of nine artists of the era, the preservation of cultural property, and the conflicted roles of women and
Dr. Taylor presents an original theory of the dynamics of confusion in governments and in the lives of ordinary citizens. His model postulates a vicious cycle in which the causes of confusion evoke coping tactics which often worsen those causes. One of the most destructive coping tactics, “Find-an-Enemy-and-Lose-Your-Confusion” spawns conflict and increases the lies and other information pathology already circulating. “Exports” from this vicious cycle include environmental depredation, political oppression, war and death. Using his model, he illuminates the binds entrapping Robert McNamara and Lyndon Johnson as they expanded the Vietnam War in 1965. He then extends the theory using fuzzy cognitive maps (FCMs), and submits the model to the ultimate test: forecasting in “real time” certain events in the 1999 NATO-Serbia War and its aftermath. He published these predictions on his web site during and after that war. This project represents the first use of FCMs to forecast political-military events in real time. The concluding chapters test whether a knowledge of confusion dynamics will increase empathy between opponents, and whether the model is useful for planning humanitarian efforts by betterment organizations.
Second Takes presents the history of English language cinema by focusing on cinematic remakes and on how cinema has been replaced by new forms of "media." Remakes, with their innate plurality, offer the most substance for concentrated cultural analysis of how movies reflect and shape American culture. Analyzing the archetypes that recur in this culture reveals how movies are an increasingly dangerous surrogate for the actual. Close readings are presented of such works as popular favorites as Cronenberg's Crash, Disney's The Parent Trap, Ferrara's Bad Lieutenant, Hitchcock's Psycho, Kubrick's A Clockwork Orange, Lynch's Twin Peaks (the film) and Welles' The Magnificent Ambersons, while unearthing pictures ripe for rediscovery such as One More Tomorrow, Strange Illusion and Andy Warhol's Vinyl. Instructors considering this book for use in a course may request an examination copy here.