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A cult modern classic, Tropic of Capricorn is as daring, frank and influential as Henry Miller first novel, Tropic of Cancer A story of sexual and spiritual awakening, Tropic of Capricorn shocked readers when it was published in 1939. A mixture of fiction and autobiography, it is the story of Henry V. Miller who works for the Cosmodemonic telegraph company in New York in the 1920s and tries to write the most important work of literature that was ever published. Tropic of Capricorn paints a dazzling picture of the life of the writer and of New York City between the wars: the skyscrapers and the sewers, the lust and the dejection, the smells and the sounds of a city that is perpetually in motion, threatening to swallow everyone and everything. 'Literature begins and ends with the meaning of what Miller has done' Lawrence Durrell 'The only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past' George Orwell 'The greatest American writer' Bob Dylan Henry Miller (1891-1980) is one of the most important American writers of the 20th century. His best-known novels include Tropic of Cancer (1934), Tropic of Capricorn (1939), and the Rosy Crucifixion trilogy (Sexus, 1949, Plexus, 1953, and Nexus, 1959), all published in France and banned in the US and the UK until 1964. He is widely recognised as an irreverent, risk-taking writer who redefined the novel and made the link between the European avant-garde and the American Beat generation.
"Here and Hereafter" by Barry Pain is a thought-scary collection of brief testimonies that delves into the nation-states of the supernatural, exploring topics of life, demise, and the mysteries that lie beyond. Written with a mix of humor, irony, and a hint of the macabre, Pain weaves tales that undertaking conventional perceptions of truth. In this series, the author invitations readers to ponder the unknown, imparting glimpses into the afterlife and supernatural occurrences. Each story is crafted with a keen sense of wit and a subtle exploration of the human situation, upsetting both entertainment and reflection. Pain's narrative fashion showcases his capability to traverse the bounds among the mundane and the mystical, developing an engaging and eclectic assortment of tales that entertain whilst prompting deeper contemplation. "Here and Hereafter" stands as a testomony to Barry Pain's literary versatility, as he navigates among genres, seamlessly mixing factors of delusion and satire to create a group that lingers within the reader's thoughts, inviting them to ponder the mysteries of existence.
Reproduction of the original: Rogues and Vagabonds by George R. Sims
Travelling through time, space and history to 'discover' his beloved city, the narrator of this novel meets a myriad of people - poets and princes, saints and sultans, temptresses and traitors, emperors and eunuchs - who have shaped and endowed Delhi with its very mystique.
Imagining Global Amsterdam gaat over het beeld van Amsterdam in film, literatuur, visuele kunst en in het moderne stedelijke discours, in het bijzonder in de context van de mondialisering. De essays gaan onder andere dieper in op Amsterdam als een lieu de mémoire van de vroeg-moderne wereldhandel. Wat betekent deze herinnering in de hedendaagse cultuur? Waarom verwijzen zo veel contemporaine films en romans naar dit verleden terug? Ook het (inter)nationale imago van Amsterdam als een multicultureel en ultra-tolerant ‘%x;global village’%x; komt aan bod. Waarom is dit beeld zo persistent, en hoe heeft het zich in de loop van de laatste decennia ontwikkeld? Tot slot wordt ingegaan op de vraag hoe mondialiseringsprocessen ingrijpen in de stadscultuur, zoals in het prostitutiegebied op de Wallen en via de erfgoedindustrie. Hoe manifesteert de mondialisering zich in de stad, en welke rol speelt beeldvorming daarbij? Deze bundel vormt een rijk geschakeerd onderzoek naar de relatie tussen Amsterdam, mondialisering en stedelijke beeldvorming. Marco de Waard is als docent literatuurwetenschap verbonden aan het Amsterdam University College.
"A More Obedient Wife blends fact and fiction to tell the story of two women--married to Supreme Court Justices James Iredell and James Wilson--who find themselves swept up in the events of the federal government's turbulent first decade"--P. [4] of cover.
This is a collection of early short stories and an essay which gave the book its name. The latter is fairly short and its main idea is an argument for the virtues of a noir mystery as opposed to a traditional British one. Considering the fact that this comes from a guy who became a classic of the former even before his death and that he picked up some below the average examples of the latter, I agree. The stories themselves left me out cold for the most part. I can actually describe the plot in practically all of them at once. A trouble starts involving a damsel in distress. A tough guy emerges (usually a PI or a good cop) who gets involved, gets knocked out, and shot at. It turns out the damsel in distress is a minor culprit which makes her a femme fatale. Everybody and their brother meet at the main villain place, a big shootout is insured. Everybody dies except for the tough guy with a heard of gold and the femme fatale who emerge unscratched; the latter escapes. The end