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Originally contracted by wealthy Italian city states to protect their assets during a time of ceaseless warring, many condottieri of the Italian peninsula became famous for their wealth, venality and amorality during the 14th and 15th centuries. Some even came to rule cities themselves. Lavishly illustrated with contemporary depictions and original artwork, this title examines the complex military organization, recruitment, training and weaponry of the Condottieri. With insight into their origins and motivations, the author, Dr David Murphy, brings together the social, political and military history of these powerful and unscrupulous men who managed to influence Italian society and warfare for over two centuries.
Originally contracted by wealthy Italian city states to protect their assets during a time of ceaseless warring, many condottieri of the Italian peninsula became famous for their wealth, venality and amorality during the 14th and 15th centuries. Some even came to rule cities themselves. Lavishly illustrated with contemporary depictions and original artwork, this title examines the complex military organization, recruitment, training and weaponry of the Condottieri. With insight into their origins and motivations, the author, Dr David Murphy, brings together the social, political and military history of these powerful and unscrupulous men who managed to influence Italian society and warfare for over two centuries.
This collection of eighteen essays focuses on various phases of warfare around the medieval Mediterranean. Topics of these essays range from crusading activity to the increasing use of mercenaries to the spread of gunpowder weaponry.
Michael MallettÕs classic study of Renaissance warfare in Italy is as relevant today as it was when it was first published a generation ago. His lucid account of the age of the condottieri - the mercenary captains of fortune - and of the soldiers who fought under them is set in the wider context of the Italian society of the time and of the warring city-states who employed them. A fascinating picture emerges of the mercenaries themselves, of their commanders and their campaigns, but also of the way in which war was organized and practiced in the Renaissance world. The book concentrates on the fifteenth century, a confused period of turbulence and transition when standing armies were formed in Italy and more modern types of military organization took hold across Europe. But it also looks back to the middle ages and the fourteenth century, and forward to the Italian wars of the sixteenth century when foreign armies disputed the European balance of power on Italian soil. Michael MallettÕs pioneering study, which embodies much scholarly research into this neglected, often misunderstood subject, is essential reading for any one who is keen to understand the history of warfare in the late medieval period and the Renaissance.
This book offers a substantial reconsideration of early modern warfare and its relationship to the power of the state.
The aim of this study is to display the role of the patrons in the commissions of Italian Renaissance art and architecture, but also to describe their usage of art and architecture for visual communication. For this purpose four condottiere princes from the 15th century have been chosen to exemplify these phenomena.