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"Carefully balancing cool observation and compassion, Chong writes extraordinary history and gives voice to the Chinese immigrant experience."--ALA Booklist.
An evocative, multi-generational tale of a family haunted by the death of a young concubine. For fans of Dinah Jefferies and Amy Tan. In 1930s Malaya a sixteen-year-old girl, dreaming of marriage to her sweetheart, is sold as a concubine to a rich old man desperate for an heir. Trapped, and bullied by his spiteful wife, Yu Lan plans to escape with her baby son, despite knowing that they will pursue her to the ends of the earth. Four generations later, her great-grandson, Nick, will return to Malaysia, looking for the truth behind the facade of a house cursed by the unhappy past. Nothing can prepare him for what he will find. This exquisitely rich novel brings to life a vanished world – a world of abandoned ghost houses, inquisitive monkeys, smoky temples and a panoply of gods and demons. A world where a poor girl can be sold to fulfil a rich man's dream. But though he can buy her body, he can never capture her soul, nor quench her spirit. WHAT READERS ARE SAYING: 'Compelling, atmospheric and emotional' 'Well-written, compelling... A tale of duty, treachery, misery and superstition' 'Wonderfully drawn characters, searing emotion, powerful intensity and nail-biting drama'.
The Concubine’s Children is the story of a family cleaved in two for the sake of a father’s dream. There’s Chan Sam, who left an "at home" wife in China to earn a living in "Gold Mountain"—North America. There’s May-ying, the wilful, seventeen-year-old concubine he bought, sight unseen, who labored in tea houses of west coast Chinatowns to support the family he would have in Canada, and the one he had in China. It was the concubine’s third daughter, the author’s mother, who unlocked the past for her daughter, whose curiosity about some old photographs ultimately reunited a family divided for most of the last century.
Women in the Ancient Near East offers a lucid account of the daily life of women in Mesopotamia from the third millennium BCE until the beginning of the Hellenistic period. The book systematically presents the lives of women emerging from the available cuneiform material and discusses modern scholarly opinion. Stol’s book is the first full-scale treatment of the history of women in the Ancient Near East.
Yip Mann, an elderly spice farmer, should have known better than to purchase a fifteen-year-old cherry-girl as his concubine, especially one beautiful enough to be seen as Ch'ien Gum - comparable to a thousand pieces of gold. But surely he deserves such a plaything to give him the last of his sons. To Yip Mann's dismay, the wilful concubine dies bearing him a worthless girl-child. After her death he must make use of the girl as best he can: by binding her feet in the forbidden practice of the Golden Lotus, he can sell her for a higher price. But the daughter he names Li-Xia - Beautiful One - has the fighting spirit of her rebellious mother, escaping the crippling bandages: she knows her feet will be her freedom. And when they lead her into the path of a mysterious 'foreign devil', Li-Xia takes the first steps on a new and perilous journey . . .
Set in a remote village in Eastern Nigeria, an area yet to be affected by European values and where society is orderly and predictable, the story concerns a woman "of great beauty and dignity" who inadvertently brings suffering and death to all her lovers. The novel portrays a society still ruled by traditional gods, offering a glimpse into the human relationships that such a society creates.
Until now our understanding of marriage in China has been based primarily on observations made during the twentieth century. The research of ten eminent scholars presented here provides a new vision of marriage in Chinese history, exploring the complex interplay between marriage and the social, political, economic, and gender inequalities that have so characterized Chinese society.
Imagine a wife giving her husband a younger woman as a birthday present! A Concubine for the Family is a fictionalized account based on a true-life event: my Chinese grandmother's selfless gift to my grandfather to ensure a male heir for the family. It is also a story of feminine solidarity and heroism. Full of vivid descriptions, the book tells of dramatic events in an opium den, the traditions of raising silkworms as pets, acupuncture, medicines and techniques used in healing, foot binding, and behavior protocols between husbands and wives, masters and servants, children and parents, as well as the plight of a family fleeing war. It is also the heart-rending saga of a “book-fragrant” family and their harrowing experiences from 1937 until the fall of Hong Kong in 1941. Reviewing the book, the best-selling author Lisa See was moved to write: “You did a terrific job . . . I really enjoyed the story.” And the Kirkus Review wrote: “Purple Jade has broader concerns: There is the unsettling influence of American and European ‘West Ocean Devils,’ internal strife between the Nationalists and Communists, and an impending Japanese invasion . . . the author details Chinese traditions and the fascinating but evanescent world as only someone steeped in the old ways could. An adept stylist and storyteller, the author weaves with simplicity this tale of upper-class China in upheaval . . . An engaging family saga by a talented storyteller.” Using Tang poetry, colloquialisms, terms of endearment, and other vernacular, the books give the reader an immediate and deep understanding of Chinese culture and how it differs from our own. This compelling, heartfelt story of feminine and family solidarity is lovingly drawn. It will find emotional and intellectual resonance with most families in Diaspora.
In the Western imagination, the Middle Eastern harem was a place of sex, debauchery, slavery, miscegenation, power, riches, and sheer abandon. But for the women and children who actually inhabited this realm of the imperial palace, the reality was vastly different. In this collection of translated memoirs, three women who lived in the Ottoman imperial harem in Istanbul between 1876 and 1924 offer a fascinating glimpse "behind the veil" into the lives of Muslim palace women of the late nineteenth and early twentieth centuries. The memoirists are Filizten, concubine to Sultan Murad V; Princess Ayse, daughter of Sultan Abdulhamid II; and Safiye, a schoolteacher who instructed the grandchildren and harem ladies of Sultan Mehmed V. Their recollections of the Ottoman harem reveal the rigid protocol and hierarchy that governed the lives of the imperial family and concubines, as well as the hundreds of slave women and black eunuchs in service to them. The memoirists show that, far from being a place of debauchery, the harem was a family home in which polite and refined behavior prevailed. Douglas Brookes explains the social structure of the nineteenth-century Ottoman palace harem in his introduction. These three memoirs, written across a half century and by women of differing social classes, offer a fuller and richer portrait of the Ottoman imperial harem than has ever before been available in English.
The story of three generations in twentieth-century China that blends the intimacy of memoir and the panoramic sweep of eyewitness history—a bestselling classic in thirty languages with more than ten million copies sold around the world, now with a new introduction from the author. An engrossing record of Mao’s impact on China, an unusual window on the female experience in the modern world, and an inspiring tale of courage and love, Jung Chang describes the extraordinary lives and experiences of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist; and her parents’ experience as members of the Communist elite and their ordeal during the Cultural Revolution. Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.