Download Free The Compton Press Book in PDF and EPUB Free Download. You can read online The Compton Press and write the review.

The Compton Press was, like much of the 1960s, a happening. It began, not with a grand design, but with a passion for letterpress printing. This passion was very infectious, and people were drawn to the mix of compositors, machine-minders, proof readers, editors, and typographers initially based in a converted cowshed and coach house in Compton Chamberlayne, Wiltshire. We stubbornly clung onto our liking for letterpress, and this led to our eventual demise, but for the 12 years that we lasted we printed over 500 editions of books, published over 100, and produced many journals, and uncountable items of jobbing printing.
Compton is a city of myth and misunderstandings. Today, it is known as the city of "hip-hop dreams and gangsta fantasies." Its history, however, is not as well known. Compton was originally part of the Rancho San Pedro Spanish land grant. The area was deeded as a wedding gift, lost in foreclosure, then sold to F.P.F. Temple and F.W. Gibson at a sheriff's sale. Ultimately, it was settled in 1867 by former forty-niners from Stockton. Given its location halfway between the harbor and Los Angeles, the "Hub City" has seen many pivotal events: the dawn of flight at the 1910 international air meet, the 1933 earthquake, floods, white flight, factory shut-downs, decline, and now a new beginning at the start of the 21st century.
“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.
All Things in Common explores the history of a Canadian utopian community, highlighting the roles of family, faith, and business pragmatism in its cohesion and longevity.
Explores this dark aspect of folklore and religion and the role that demons play in the modern world. Includes numerous entries documenting beliefs about demons and demonology from ancient history to the present.
Told through a series of walks beside the sea, this is a story of the most beautiful 742 miles of coastline in England, Wales and Northern Ireland: their rocks, plants and animals, their views, walks and history, and the people who have made their lives within sight of the waves. As he travels along coastal paths, visits beaches and explores coves, Barkham reflects on the long campaign to protect our shoreline from tidal erosion and human damage and weaves together fascinating tales about every aspect of the coast - from ancient conquests and smuggler's routes, to exotic migratory birds and bucket-and-spade holidays - to tell a more profound story about our island nation and the way we are shaped by our shores.
Medieval images of the Virgin Mary for veneration usually showed a mother and child enthroned, bearing signs of regal authority. Yet modern images show her standing alone, without signs of authority or maternity. This work argues that this and other developments in the cult of the Virgin in western Christianity must be understood against the background of our changing relationship with "nature". The book offers a new assessment of the significance of the cult of the Virgin in Christianity. It also includes an original account of the development of the doctrine of the Immaculate Conception. The theorectical perspective is strongly influenced by the Critical Theory of the Frankfurt School, in its critique of domination.
Gesa Stedman's ambitious new study is a comprehensive account of cross-channel cultural exchanges between seventeenth-century France and England, and includes discussion of a wide range of sources and topics. Literary texts, garden design, fashion, music, dance, food, the book market, and the theatre as well as key historical figures feature in the book. Importantly, Stedman concentrates on the connection between actual, material transfer and its symbolic representation in both visual and textual sources, investigating material exchange processes in order to shed light on the connection between actual and symbolic exchange. Individual chapters discuss exchanges instigated by mediators such as Henrietta Maria and Charles II, and textual and visual representations of cultural exchange with France in poetry, restoration comedies, fashion discourse, and in literary devices and characters. Well-written and accessible, Cultural Exchange in Seventeenth-Century France and England provides needed insight into the field of cultural exchange, and will be of interest to both literary scholars and cultural historians.