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The first of two volumes of the eagerly anticipated first complete edition of Auden’s poems—including some that have never been published before W. H. Auden (1907–1973) is one of the greatest poets of the twentieth century, and his reputation has only grown since his death. Published on the hundredth anniversary of the year in which he began to write poetry, this is the first of two volumes of the first complete edition of Auden’s poems. Edited, introduced, and annotated by renowned Auden scholar Edward Mendelson, this definitive edition includes all the poems Auden wrote for publication, in their original texts, and all his later revised versions, as well as poems and songs he never published, some of them printed here for the first time. This volume traces the development of Auden’s early career, and contains all the poems, including juvenilia, that he published or submitted for publication, from his first printed work, in 1927, at age twenty, through the poems he wrote during his first months in America, in 1939, when he was thirty-two. The book also includes poems that Auden wrote during his adult career with the expectation that he might publish them, but which he never did; song lyrics that he wrote to be set to music by Benjamin Britten, but which he never put into print; and verses that he wrote for magazines at schools where he was teaching. The main text presents the poems in their original published versions. The notes include the extensive revisions that he made to his poems over the course of his career, and provide explanations of obscure references. The second volume of this edition, Poems, Volume 2: 1940–1973, is also available.
The second of two volumes of the eagerly anticipated first complete edition of Auden’s poems—including some that have never been published before W. H. Auden (1907–1973) is one of the greatest poets of the twentieth century, and his reputation has only grown since his death. Published on the hundredth anniversary of the year in which he began to write poetry, this is the second volume of the first complete edition of Auden’s poems. Edited, introduced, and annotated by renowned Auden scholar Edward Mendelson, this definitive edition includes all the poems Auden wrote for publication, in their original texts, and all his later revised versions, as well as poems and songs he never published, some of them printed here for the first time. This volume follows Auden as a mature artist, containing all the poems that he published or submitted for publication from 1940 until his death in 1973, at age sixty-six. This includes all his poetry collections from this period, from The Double Man (1941) through Epistle to a Godson (1972). The volume also features an edited version of his incomplete, posthumous book Thank You, Fog, as well as his self-designated “posthumous” poems. The main text presents the poems in their original published versions. The notes include the extensive revisions that he made to his poems over the course of his career, and provide explanations of obscure references. The first volume of this edition, Poems, Volume I: 1927–1939, is also available.
To help readers understand Auden's work, the poet and scholar John Fuller examines all of Auden's published poems, plays, and libretti, leaving out only some juvenilia. In unprecedented detail, he reviews the works' publishing history, paraphrases difficult passages, and explains allusions. He points out interesting variants (including material abandoned in drafts), identifies sources, looks at verse forms, and offers critical interpretations. Along the way, he presents a wealth of facts about Auden's works and life that are available in no other publication.
For many years there existed a general feeling that the selection made by Auden himself in 1968 was far from satisfactory. It was too short to provide a full introduction to such a large body of work; perhaps it was too weighted in favour of the later poetry; at the time it was made some famous poems, or portions of poems were still under an embargo imposed by Auden himself which remained in force until his death. This edition contains an introduction which is an examination of the nature of Auden's genius and of his position and stature in 20th-century literature.
Presented in one volume for the very first time, and updated with new archival discoveries, Early Auden, Later Auden reintroduces Edward Mendelson's acclaimed, two-part biography of W. H. Auden (1907–73), one of the greatest literary figures of the twentieth century. This book offers a detailed history and interpretation of Auden’s oeuvre, spanning the duration of his career from juvenilia to his final works in poetry as well as theatre, film, radio, opera, essays, and lectures. Early Auden, Later Auden follows the evolution of the poet’s thought, offering a comparison of Auden’s views at various junctures over a lifetime. With penetrating insight, Mendelson examines Auden’s early ideas, methods, and personal transitions as reflected in poems, manuscripts, and private papers. The book then links changes in Auden’s intellectual, emotional, and religious experience with his shifting public role—showing the depth of his personal struggles with self and with fame, and the means by which these internal conflicts were reflected in his art in later years. Featuring a new preface by the author, Early Auden, Later Auden is an engaging and timeless work that demonstrates Auden’s remarkable range and complexity, paying homage to his enduring legacy.
Auden's celebrated anthology of light verse is packed with surprising finds while also offering a striking rethinking of the poetic canon. Commissioned by Oxford University Press in the 1930s, when Auden's own work was at its boldest, the book caught its original publisher off guard. For it is less a collection of humorous verses than a celebration of the popular voice in English, in which the work of great satirists like Swift and Byron keeps company with ballads, chanteys, ditties, nursery rhymes, street calls, bathroom graffiti, epitaphs, folk songs, vaudeville turns, limericks, and blues. Turning away from the post-Romantic cult of the sentimental lyric, Auden features poetry that is clear, enjoyable, and, no matter its age, absolutely modern. This new edition includes previously censored poems, together with Auden's remarkable introduction and a new preface by his literary executor, Edward Mendelson.