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Celebrating the centennial of cartoonist Milton Caniff's birth, IDW Publishing will publish a six-book series, collecting the entirety of Caniff's groundbreaking newspaper adventure strip Terry and the Pirates. The Sunday pages will be reproduced in their original color, alongside the daily black-and-white strips.
Celebrating the centennial of cartoonist Milton Caniff's birth, IDW Publishing will publish a six-book series, collecting the entirety of Caniff's groundbreaking newspaper adventure strip Terry and the Pirates. The Sunday pages will be reproduced in their original color, alongside the daily black-and-white strips.
Celebrating the centennial of cartoonist Milton Caniff's birth, IDW Publishing will publish a six-book series, collecting the entirety of Caniff's groundbreaking newspaper adventure strip Terry and the Pirates. The Sunday pages will be reproduced in their original color, alongside the daily black-and-white strips.
In Volume 4 in The Complete Li'l Abner...You'll Believe a Hillbilly Can Fly! High-octane humor and cockeyed characters -- it's the Cappian way! Sit a spell and you'll meet Available Jones (Is yo' available, Available?), Swami Riva, Big Stanislouse, Joe Btfsplk (the world's greatest jinx!), Dorothy Lamour (yes, that Dorothy Lamour), Lorna Goon, Orville Wolf, Cherry Blossom, the parents of Gat Garson, Sadie Hawkins V, Dinsmore Jerque, J.P. Fangsby, Tiny Mite, and that hog-wallowin' bundle of pulchritude, Moonbeam McSwine! They help make 1941 and 1942 fast, funny, and unforgettable!
Steve Canyon like you've never seen it before — reproduced directly from Milton Caniff's personal set of syndicate proofs! For the first time: the definitive edition of the Steve Canyon newspaper strip by Milton Caniff featuring every Sunday in color and the daily strips in their original, uncropped versions. Caniff quit Terry and the Pirates in 1946 to begin Steve Canyon and it became his biggest-selling work. Forever known as the "Rembrandt of the Comic Strip," Caniff is at the absolute peak of his artistic prowess in these strips. Your passport is stamped for Adventure, Intrigue, and Danger on your expedition to exotic locales with your pilot, the one and only Steve Canyon! The horizons are unlimited after World War II when Steve Canyon assembles a flight crew of veterans for his new air-transport business. Action flies high as Canyon and his men befriend Happy Easter, cross swords with the hirsute Herr Splitz, and match wits with Chief Izm. The Caniff women are also on display, as Canyon meets the steely yet sexy “Copper” Calhoon; the beautiful schemer, Delta; that modern-day Mata Hari, Madame Lynx; Dr. Deen Wilderness, who is as capable as she is lovely; plus Captain Shark, Convoy, and the footloose Fancy. The Library of American Comics launches this highly-awaited reprinting by collecting every daily and full-color Sunday from 1947 to 1948 in a single hardcover volume. There’s excitement, humor, lovely women, and wonderful art in the exciting Caniff style!
The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.
From their heyday in the 1910s to their lingering demise in the 1950s, American film serials delivered excitement in weekly installments for millions of moviegoers, despite minuscule budgets, nearly impossible shooting schedules and the disdain of critics. Early heroines like Pearl White, Helen Holmes and Ruth Roland broke gender barriers and ruled the screen. Through both world wars, such serials as Spy Smasher and Batman were vehicles for propaganda. Smash hits like Flash Gordon and The Lone Ranger demonstrated the enduring mass appeal of the genre. Providing insight into early 20th century American culture, this book analyzes four decades of productions from Pathe, Universal, Mascot and Columbia, and all 66 Republic serials.