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The Blue-Eyed Enemy is a comprehensive account of the interwoven histories of the three major archipelago-nations of the West Pacific during the years of the Second World War. Theodore Friend examines Japanese colonialism in Indonesia and the Philippines as an example of recurring patterns of domination and repression in that region. He depicts Japanese rule in Greater East Asia as expressive of the folly of the general who exhorted his troops "to annihilate the blue-eyed enemy and their black slaves." At the same time he clearly shows where the return of Western power aimed at new links between conqueror and conquered, or lords and bondsmen. Throughout the work one encounters an infectious sympathy for those afflicted by imperialism and racism from whatever source, at whatever time. The book is based on documentary research in Japan, Indonesia, and the Philippines, as well as in the United States and the Netherlands, and on over one hundred interviews with major actors and key observers of the era. The analysis balances an eclectic use of social science perspectives with a humanistic concreteness, and leads to new understanding of leaders like Sukarno and Hatta, Jose P. Laurel and Benigno Aquino, Sr., and Generals Yamashita and MacArthur. As comparative tropical history, it elucidates the contrasting cultural traditions and political psychologies of Indonesia and the Philippines and explains why 1945 was a year of dramatic contrast: "reoccupation" and revolution for the first country, and "liberation" and restoration for the latter. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
How Arabic influenced the evolution of vernacular literatures and anticolonial thought in Egypt, Indonesia, and Senegal Sacred Language, Vernacular Difference offers a new understanding of Arabic’s global position as the basis for comparing cultural and literary histories in countries separated by vast distances. By tracing controversies over the use of Arabic in three countries with distinct colonial legacies, Egypt, Indonesia, and Senegal, the book presents a new approach to the study of postcolonial literatures, anticolonial nationalisms, and the global circulation of pluralist ideas. Annette Damayanti Lienau presents the largely untold story of how Arabic, often understood in Africa and Asia as a language of Islamic ritual and precolonial commerce, assumed a transregional role as an anticolonial literary medium in the nineteenth and twentieth centuries. By examining how major writers and intellectuals across several generations grappled with the cultural asymmetries imposed by imperial Europe, Lienau shows that Arabic—as a cosmopolitan, interethnic, and interreligious language—complicated debates over questions of indigeneity, religious pluralism, counter-imperial nationalisms, and emerging nation-states. Unearthing parallels from West Africa to Southeast Asia, Sacred Language, Vernacular Difference argues that debates comparing the status of Arabic to other languages challenged not only Eurocentric but Arabocentric forms of ethnolinguistic and racial prejudice in both local and global terms.
Years in the making, Between Declarations and Dreams is National Gallery Singapore’s inaugural exhibition of the art of Southeast Asia from the 19th century to the present. This handsome catalogue tracks the broad time periods and thematic sections of the exhibition with more than 300 artwork images. These are accompanied by essays that provide curatorial insight to a task as monumental and intricate as the positing an art history of a region as diverse as Southeast Asia.
An introductory text that is both an anthology of over 200 poems and a comprehensive exploration of the form. Over 100 poets featured; those most widely represented include Blake, Byron, cummings, Dickinson, Donne, Alan Dugan, Frost, Louise Gluck, George Herbert, Keats, Pope, Pound, Shakespeare, Wordsworth, and Yeats.