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Studie over de wiskundige kennis van de renaissanceschilder (ca. 1416-1492) en over het belang van de exacte wetenschap in de betreffende kunstperiode.
Includes a biography of the Italian painter, compares his work with that of other artists of his time, discusses his mathematic and geometric theories, and provides a complete catalog of his work
Thousands of travelers visit Tuscany and Umbria each year to follow the Piero della Francesca Trail. John Pope-Hennessy examines each work of Piero della Francesca. Included is Aldous Huxley's essay "The Best Picture, " which inspired Pope-Hennessy to seek out these paintings and frescoes. 56 photos.
As one of the most innovative and enlightened painters of the early Italian Renaissance, Piero della Francesca brought space, luminosity, and unparalleled subtlety to painting. In addition, Piero invented the role of the modern artist by becoming a traveler, a courtier, a geometrician, a patron, and much else besides. In this nuanced account of this great painter’s life and art, Machtelt Brüggen Israëls reconstructs how Piero came of age. Successfully demystifying the persistent notion of Piero’s art as enigmatic, she reveals the simple and stunning intentions behind his work.
Prominent Renaissance scholars reveal new insights into Piero’s life and work based on a study of his exquisite small panel paintings.
The fifteenth century artist Piero della Francesca produced works that are characterised by their serene, disciplined exploration, providing a major, though largely unrecognised contribution to the development of the Italian Renaissance. His fervent interest in the theoretical study of perspective and his contemplative approach are apparent in all of his extant paintings. Highlights of Piero’s work include his masterful depiction of light and atmospheric effects, his attention to naturalistic detail and his pioneering approach to portraiture. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Piero’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Piero della Francesca – over 200 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare and disputed paintings * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Piero’s works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Features two biographies, including Vasari’s seminal ‘Life’ – discover Piero’s world CONTENTS: The Highlights Polyptych of the Misericordia (1445-62) Baptism of Christ (c. 1448-50) Saint Jerome in Penitence (c. 1449-51) Portrait of Sigismondo Pandolfo Malatesta (c. 1451) The History of the True Cross (c. 1455-64) Flagellation of Christ (c. 1460) Polyptych of Saint Augustine (1460-70) Madonna of Parturition (c. 1460) Resurrection (c. 1463) Hercules (c. 1465) Polyptych of Perugia (c. 1470) Brera Madonna (1474) The Duke and Duchess of Urbino (c. 1472) Madonna di Senigallia (c. 1474) Nativity (c. 1475) The Paintings The Complete Paintings Alphabetical List of Paintings The Biographies Life of Piero Della Francesca (1550) by Giorgio Vasari Piero da San Sepolcro (1913) by George Kriehn Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
A guide to one of the greatest artists of all time; compact and up to date. These pages are intended as a compact up-to-date guide for readers wishing to find out more about one of the greatest artistic geniuses of all times, an artist epitomising the highest ideals of the age of Humanism whose complex personality challenges even the experts in this field of studies.
In the tradition of The Swerve and Galileo's Daughter, Piero's Light reveals how art, religion and science came together at the dawn of the modern world in the paintings of one remarkable artist. An innovative painter in the early generation of Renaissance artists, Piero dell Francesca was also an expert on religious topics and a mathematician who wanted to use perspective and geometry to make painting a “true science.” Although only sixteen of Piero’s works survive, few art historians doubt his importance in the Renaissance. A 1992 conference of international experts meeting at the National Gallery of Art deemed Piero, “One of the most highly regarded painters of the early Renaissance, and one of the most respected artists of all time.” In recent years, the quest for Piero has continued among intrepid scholars, and Piero's Light uncovers the life of this remarkable artistic revolutionary and enduring legacy of the Italian Renaissance.