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Beskrivelser af 28 synthesizere, 5 keyboard kontrolenheder, 4 sequencers og 10 drum machines
Electronic music instruments weren't called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen's development of the Etherphone, now known as the Theremin. From that point, synthesizers have undergone a remarkable evolution from prohibitively large mid-century models confined to university laboratories to the development of musical synthesis software that runs on tablet computers and portable media devices. Throughout its history, the synthesizer has always been at the forefront of technology for the arts. In The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument, veteran music technology journalist, educator, and performer Mark Vail tells the complete story of the synthesizer: the origins of the many forms the instrument takes; crucial advancements in sound generation, musical control, and composition made with instruments that may have become best sellers or gone entirely unnoticed; and the basics and intricacies of acoustics and synthesized sound. Vail also describes how to successfully select, program, and play a synthesizer; what alternative controllers exist for creating electronic music; and how to stay focused and productive when faced with a room full of instruments. This one-stop reference guide on all things synthesizer also offers tips on encouraging creativity, layering sounds, performance, composing and recording for film and television, and much more.
Discusses the fundamental principles of electronic music, supplies clear instructions on how to operate an electronic synthesizer, and surveys the various types of synthesizers and accessory equipment
Here is the fundamental knowledge and information that a beginning or intermediate electronic musician must have to understand and play today's keyboard synthesizers. This basic primer, newly updated from the classic original edition, offers step-by-step explanations and practical advice on what a synthesizer is, the basic concepts and components, and the latest technical developments and applications. Written by Bob Moog, Roger Powell, Steve Porcaro (of Toto), Tom Rhea, and other well-known experts, Synthesizer Basics is the first, and still the best, introduction available today.
How To Make A Noise: a Comprehensive Guide to Synthesizer Programming is perhaps the most widely ready book about synthesizer sound programming. It is a comprehensive, practical guide to sound design and synthesizer programming techniques using: subtractive (analog) synthesis; frequency modulation synthesis (including phase modulation and ring modulation); additive synthesis; wave-sequencing; sample-based synthesis.
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in 'Switched-on Bach', this text conveys the consequences of a technology that would provide the soundtrack for a chapter in cultural history.
In this book, the technical explanation of the nature of analog sound creation is followed by the story of its birth and its subsequent development by various designers, manufacturers and performers. The individual components of analog sound creation are then examined in detail, with step by step examples of sound creation techniques. Then the modern imitative analog instruments are examined, again with detailed instructions for programming and using them, and the book is completed with appendices listing the major instrument lines available, hints on values and purchasing, other sources of information, and a discography of readily available recordings which give good examples of analog sound synthesis. The CD which accompanies the book gives many examples of analog sound creation basics as well as more advanced techniques, and of the abilities of the individual instruments associated with classical and with imitative analog sound synthesis.
The landmark text on frequency synthesizers-now in paperback Frequency Synthesizers: Theory and Design, Third Edition is the newest edition of Vadim Manassewitsch's definitive treatment of the subject. Updated to include the latest achievements in the performance of crystal-controlled oscillators, the design theory of fast-switching-time synthesizers, and an example of their practical applications, the book continues to be a complete guide for everyone who works with synthesizers. Intended to formulate basic design principles and to demonstrate design procedures meeting several stringent requirements simultaneously, its emphasis is on high-speed synthesis and its new applications in radar, spread spectrum communications, automatic test equipment, and nuclear magnetic resources. Manassewitsch describes numerous approaches to ultra-stable signal sources generating spectrally pure signals of high accuracy, and shows how various building blocks such as mixers, oscillators, and frequency multipliers and dividers are used in frequency synthesis. To meet the needs of engineers in this rapidly growing field, Manassewitsch has added several novel frequency synthesis techniques, developed the principles of high-speed synthesis, and described new synthesizers using important design approaches. A summary of the most recent developments in frequency generation and control, the book is firmly based on the realities of current design practices in the United States as well as abroad. With an intermodulation products chart among its figures, a computer program that calculates the frequencies of mixer intermodulation products among its appendices, and a bibliography of more than 190 references, Frequency Synthesizers: Theory and Design continues to be an invaluable aid for engineers, managers, instructors, and students.
Step-by-step instructions on topics such as Using Presets, Performance Controls, Editing Presets, Editing in Performance---over 100 musical examples, diagrams and exercises in programming that will assist the novice or experienced musician in achieving a more musical performance.