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Karl Abraham was an important and influential early member of Freud's inner circle of trusted colleagues. As such he played a significant part in the establishment of psychoanalysis as a recognised and respected discipline. Regarded by Ernest Jones as one of the best clinical analysts among his contemporaries1 he also elaborated and expanded upon Freud's theories. Exploring first-hand the complex relationship and rivalries that existed not only between Freud and his master pupil, but also the details of their combined and individual relationships with Jung, this substantial and absorbing collection of letters enables the reader to gain valuable insights into these two pioneers of psychoanalysis.'Since psychoanalysis is established as an essential part of the history of ideas for the last century, intellectual historians should relish the fact that an absolutely excellent and full edition of this correspondence has finally come out.'
Karl Abraham was an important and influential early member of Freud’s inner circle of trusted colleagues. As such he played a significant part in the establishment of psychoanalysis as a recognised and respected discipline. Regarded by Ernest Jones as one of the best clinical analysts among his contemporaries1 he also elaborated and expanded upon Freud’s theories. Exploring first-hand the complex relationship and rivalries that existed not only between Freud and his master pupil, but also the details of their combined and individual relationships with Jung, this substantial and absorbing collection of letters enables the reader to gain valuable insights into these two pioneers of psychoanalysis.‘Since psychoanalysis is established as an essential part of the history of ideas for the last century, intellectual historians should relish the fact that an absolutely excellent and full edition of this correspondence has finally come out.’
How did psychoanalysis attain its prominent cultural position? This book reconstructs the early controversies surrounding psychoanalysis and shows that rather than demonstrating its superiority, the Freudians rescripted history. This was not incidental, but formed the core of psychoanalytic theory. The Freud Files reveals how psychoanalysis is vulnerable to its past.
This book provides the reader with rich evidence of the very contemporaneity of Karl Abraham, reminding the reader of his unique clinical contributions to such diverse areas of concentration as the psychoses, depression, and the pre-oedipal.
Sigmund Freud’s relationship with Otto Rank was the most constant, close, and significant of his professional life. Freud considered Rank to be the most brilliant of his disciples. The two collaborated on psychoanalytic writing, practice, and politics; Rank was the managing director of Freud’s publishing house; and after several years helping Freud update his masterpiece, The Interpretation of Dreams, Rank contributed two chapters. His was the only other name ever to be listed on the title page. This complete collection of the known correspondence between the two brings to life their twenty-year collaboration and their painful break. The 250 letters compiled by E. James Lieberman and Robert Kramer humanize and dramatize psychoanalytic thinking, practice, and organization from 1906 through 1925. The letters concern not just the work and trenchant contemporaneous observations of Freud and Rank but also their friendships, supporters, rivals, families, travels, and other personal and professional matters. Most interestingly, the letters trace Rank’s growing independence, the father-son schism over Rank’s “anti-Oedipal” heresy, his surprising reconciliation with Freud, and the moment when they parted ways permanently. A candid picture of how the pioneers of modern psychotherapy behaved with their patients, colleagues, and families—and each other—the correspondence between Freud and Rank demonstrates how psychoanalysis developed in relation to early twentieth-century science, art, philosophy, and politics. A rich primary source on psychiatry, history, and culture, The Letters of Sigmund Freud and Otto Rank is a cogent and powerful narrative of early psychoanalysis and its two most important personalities.
Élisabeth Roudinesco offers a bold and modern reinterpretation of the iconic founder of psychoanalysis. Based on new archival sources, this is Freud’s biography for the twenty-first century—a critical appraisal, at once sympathetic and impartial, of a genius greatly admired and yet greatly misunderstood in his own time and in ours. Roudinesco traces Freud’s life from his upbringing as the eldest of eight siblings in a prosperous Jewish-Austrian household to his final days in London, a refugee of the Nazis’ annexation of his homeland. She recreates the milieu of fin de siècle Vienna in the waning days of the Habsburg Empire—an era of extraordinary artistic innovation, given luster by such luminaries as Gustav Klimt, Stefan Zweig, and Gustav Mahler. In the midst of it all, at the modest residence of Berggasse 19, Freud pursued his clinical investigation of nervous disorders, blazing a path into the unplumbed recesses of human consciousness and desire. Yet this revolutionary who was overthrowing cherished notions of human rationality and sexuality was, in his politics and personal habits, in many ways conservative, Roudinesco shows. In his chauvinistic attitudes toward women, and in his stubborn refusal to acknowledge the growing threat of Hitler until it was nearly too late, even the analytically-minded Freud had his blind spots. Alert to his intellectual complexity—the numerous tensions in his character and thought that remained unresolved—Roudinesco ultimately views Freud less as a scientific thinker than as the master interpreter of civilization and culture.
This book discusses redefining psychoanalysis in relation to psychotherapy, modifying psychoanalytic education, and recognizing its continued biases.
What can depictions of psychotherapy on screen teach us about ourselves? In Eavesdropping, a selection of contributions from internationally-based film consultants, practicing psychotherapists and interdisciplinary scholars investigate the curious dynamics that occur when films and television programmes attempt to portray the psychotherapist, and the complexities of psychotherapy, for popular audiences. The book evaluates the potential mismatch between the onscreen psychotherapist, whose raison d’être is to entertain and engage global audiences, and the professional, real-life counterpart, who becomes intimately involved with the dramas of their patients. While several contributors conclude that actual psychotherapy, and the way psychotherapists and their clients grapple with notions of fantasy and reality, would make a rather poor show, Eavesdropping demonstrates the importance of psychotherapy and psychotherapists on-screen in assisting us to wrestle with the discomfort – and humour - of our lives. Offering a unique insight into perceptions of psychotherapy, Eavesdropping will be essential and insightful reading for analytical psychologists, psychoanalysts, academics and students of depth psychology, film and television studies, media studies and literature, as well as filmmakers.
In 1900, hardly anyone in America had heard of Sigmund Freud, but by 1920 nearly everyone had. This is the story of the translators, editors, journalists, publishers, promoters and booksellers who first brought Freud to American readers. They included scientists and scoundrels, reckless risk-takers and buttoned-down businessmen, puritans and libertines, anarchists and capitalists, passionate freedom fighters and racist bigots. "American publishers," Freud wrote to one colleague, "are a dangerous breed." Elsewhere he called them rascals, liars, swindlers, crooks, and pirates. Here are accounts of their drunken parties, political crusades, questionable business practices, criminal prosecutions, shameless marketing, and blatant plagiarism. There's even a suicide and a murder. And lots of sex (it's a book about Freud, after all). Ideas that Freud promoted are woven so tightly into our daily lives today that, like gravity or air, we hardly notice them. This book, based on hundreds of unpublished records, explains how they first took root in American minds more than a century ago.
Ernst L. Freud (1892–1970) was a son of Sigmund Freud and the father of painter Lucian Freud and the late Sir Clement Freud, politician and broadcaster. After his studies in Munich and Vienna, where he and his friend Richard Neutra attended Adolf Loos’s private Bauschule, Freud practiced in Berlin and, after 1933, in London. Even though his work focused on domestic architecture and interiors, Freud was possibly the first architect to design psychoanalytical consulting rooms—including the customary couches—a subject dealt with here for the first time. By interweaving an account of Freud’s professional and personal life in Vienna, Berlin, and London with a critical discussion of selected examples of his domestic architecture, interior designs, and psychoanalytic consulting rooms, the author offers a rich tapestry of Ernst L. Freud’s world. His clients constituted a “Who’s Who” of the Jewish and non-Jewish bourgeoisie in 1920s Berlin and later in London, among them the S. Fischer publisher family, Melanie Klein, Ernest Jones, the Spenders, and Julian Huxley. While moving within a social class known for its cultural and avant-garde activities, Freud refrained from spatial, formal, or technological experiments. Instead, he focused on creating modern homes for his bourgeois clients.