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The Clay Sanskrit Library, co-published by NYU Press and the JJC Foundation, has been created to introduce classical Sanskrit literature to a wide international readership. This literature combines great beauty, enormous variety and more than three thousand years of continuous history and development. Twenty-eight leading scholars from eight countries cooperated to produce fresh new translations that combine readability and accuracy. The first twelve titles appeared in February 2005, and by 2009 the library was completed with 56 published volumes. The selection includes drama, poetry and novels, together with the famous epics. The Library is now also available as a 56-volume complete set, as well as in six thematic mini-sets, grouped for readers interested in specific areas of the world of classical Sanskrit literature.
The Clay Sanskrit Library, co-published by NYU Press and the JJC Foundation, has been created to introduce classical Sanskrit literature to a wide international readership. This literature combines great beauty, enormous variety and more than three thousand years of continuous history and development. Twenty-eight leading scholars from eight countries cooperated to produce fresh new translations that combine readability and accuracy. The first twelve titles appeared in February 2005, and by 2009 the library was completed with 56 published volumes. The selection includes drama, poetry and novels, together with the famous epics. The Library is now also available as a 56-volume complete set, as well as in six thematic mini-sets, grouped for readers interested in specific areas of the world of classical Sanskrit literature.
“Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
A bi-lingual Sanskrit/English classic rarely available.
"Numerous more followed, including the third in the CSL selection, the sixteenth-century "Swan Messenger," composed also in Bengal by Rupa Go svamin, a devotee of Krishna. Here romantic and religious love combine in a poem that shines with the intensity of love for the god Krishna."--BOOK JACKET.
One of the three surviving plays by Kali dasa (fifth century), universally acknowledged as the supreme poet in classical Sanskrit, How Urvashi Was Won, like the other two, is a masterpiece of lyricism, subtle characterization, and the working through of a bold theme. How Urvashi Was Won is the story of King Puru ravas and his love for an immortal, the dancer Urvashi, who normally lives in the heaven of the gods but who has come down to earth in order to realize her passion for the alltoo- mortal king. The tragic love of this asymmetrical couple was described already in the ancient "Rig Veda" and later often expanded. Kali dasa has reworked the narrative so as to depict a goddess in the process of becoming fully, and dangerously, human—since only human beings (at their best) are, in Kali dasa’s vision, truly capable of the depths and intricacies of loving. This great work of love, loss, and eventual restoration speaks to the human condition generally in highly nuanced verses, accessible to any modern reader.
Epic: Maha·bhárata The Maha·bhárata tells the tale of the epic battle between the Pándavas and the Káuravas for the thrown. It begins with the famous game of dice between the Pándavas and the Káuravas, which sets the scene for the war that will lie at the center of the Maha·bhárata epic. But even after the war is ostensibly over when the heroic but flawed king of the Káuravas is dishonor­ably defeated in battle by his arch enemy, the extended family is still wracked in conflict leaving survivors, victors and vanquished struggling to comprehend their loss. Perhaps the most enigmatic philosophical text from ancient India, the final book in the set, “The Book of Liberation” is presented as the teachings of Bhishma as he lies dying on the bat­tlefield in the aftermath of war. Included in this set: Maha·bhárata Book II: The Great Hall Translated by Paul Wilmot. 588 pages / 978-0-8147-9406-7 Maha·bhárata Book III: The Forest Volume 4 Translated by William Johnson. 374 pages / 978-0-8147-4278-5 Maha·bhárata Book IV: Viráta Translated by Kathleen Garbutt. 516 pages / 978-0-8147-3183-3 Maha·bhárata Book V: Preparations for War Volume 1 Translated by Kathleen Garbutt. Foreword by Gurcharan Das. 720 pages / 978-0-8147-3191-8 Maha·bhárata Book V: Preparations for War Volume 2 Translated by Kathleen Garbutt. 760 pages / 978-0-8147-3202-1 Maha·bhárata Book VI: Bhishma Translated by Alex Cherniak. Foreword by Ranajit Guha. Volume 1 (Including the “Bhagavad Gita” in Context) 615 pages / 978-0-8147-1696-0 Maha·bhárata Book VI: Bhishma Volume 2 Translated by Alex Cherniak. 550 pages / 978-0-8147-1705-9 Maha·bhárata Book VII: Drona Volume 1 Translated by Vaughan Pilikian. 473 pages / 978-0-8147-6723-8 Maha·bhárata Book VII: Drona Volume 2 Translated by Vaughan Pilikian. 470 pages / 978-0-8147-6776-4 Maha·bhárata Book VIII: Karna Volume 1 Translated by Adam Bowles 604 pages / 978-0-8147-9981-9 Maha·bhárata Book VIII: Karna Volume 2 Translated by Adam Bowles. 684 pages / 978-0-8147-9995-6 Maha·bhárata Book IX: Shalya Volume 1 Translated by Justin Meiland. 371 pages / 978-0-8147-5706-2 Maha·bhárata Book IX: Shalya Volume 2 Translated by Justin Meiland. 470 pages / 978-0-8147-5737-6 Maha·bhárata Books X & XI: “Dead of the Night” and “The Women” Translated by Kate Crosby. 350 pages / 978-0-8147-1727-1 Maha·bhárata Book XII: Peace (Part 2: The Book of Liberation) Volume 3 Translated by Alex Wynne. 540 pages / 978-0-8147-9453-1
The king despairs of his idle sons, so he hires a learned brahmin who promises to make their lessons in statecraft unmissable. The lessons are disguised as short stories, featuring mainly animal protagonists. Many of these narratives have traveled across the world, and are known in the West as Aesop’s fables. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Tells the tale of prince Narávahana-datta, taking him from royal palaces to flying sorcerers' mountain fastnesses via courtesans' bedrooms and merchant ships. Along the way, he accumulates 26 wives.
Originally written in the First Century, A.D. by Asvaghosha. This may be the oldest known story of the complete life of Buddha, having been written in the first century AD. The author was an educated ecclesiastic Buddhist who traveled throughout India collecting stories and traditions relating to the Buddhas life. He was a famous preacher and musician who then wove them into a Sanskrit poem which he performed musically during his travels. The people of India delighted in this magical tale whenever it was performed with the choir of musicians who traveled with him. It holds many facts that other biographies or stories of the Buddha dont have, which makes this work so important. The entire epic is preserved in this rare book, long out of print, which may have otherwise been lost to the western world.