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“Family history begins with missing persons,” Alison Light writes in Common People. We wonder about those we’ve lost, and those we never knew, about the long skein that led to us, and to here, and to now. So we start exploring. Most of us, however, give up a few generations back. We run into a gap, get embarrassed by a ne’er-do-well, or simply find our ancestors are less glamorous than we’d hoped. That didn’t stop Alison Light: in the last weeks of her father’s life, she embarked on an attempt to trace the history of her family as far back as she could reasonably go. The result is a clear-eyed, fascinating, frequently moving account of the lives of everyday people, of the tough decisions and hard work, the good luck and bad breaks, that chart the course of a life. Light’s forebears—servants, sailors, farm workers—were among the poorest, traveling the country looking for work; they left few lasting marks on the world. But through her painstaking work in archives, and her ability to make the people and struggles of the past come alive, Light reminds us that “every life, even glimpsed through the chinks of the census, has its surprises and secrets.” What she did for the servants of Bloomsbury in her celebrated Mrs. Woolf and the Servants Light does here for her own ancestors, and, by extension, everyone’s: draws their experiences from the shadows of the past and helps us understand their lives, estranged from us by time yet inextricably interwoven with our own. Family history, in her hands, becomes a new kind of public history.
Working-class stories are not always tales of the underprivileged and dispossessed. Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humour, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser. Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class. Features original pieces from Damian Barr, Malorie Blackman, Lisa Blower, Jill Dawson, Louise Doughty, Stuart Maconie, Chris McCrudden, Lisa McInerney, Paul McVeigh, Daljit Nagra, Dave O’Brien, Cathy Rentzenbrink, Anita Sethi, Tony Walsh, Alex Wheatle and more.
According to this innovative study, the conservation movement that eventually took hold throughout America had its roots among the communitarian ethic of New England countryfolk, rather than urban intellectuals or politicians. Judd tells us that ordinary people, struggling to define and redefine the morality of land and resource use, contributed immensely to America's conservation legacy. 3 maps. 24 photos.
“The best single-volume history of the Revolution I have read.” —Howard Zinn Upon its initial publication, Ray Raphael’s magisterial A People’s History of the American Revolution was hailed by NPR’s Fresh Air as “relentlessly aggressive and unsentimental.” With impeccable skill, Raphael presented a wide array of fascinating scholarship within a single volume, employing a bottom-up approach that has served as a revelation. A People’s History of the American Revolution draws upon diaries, personal letters, and other Revolutionary-era treasures, weaving a thrilling “you are there” narrative—“a tapestry that uses individual experiences to illustrate the larger stories”. Raphael shifts the focus away from George Washington and Thomas Jefferson to the slaves they owned, the Indians they displaced, and the men and boys who did the fighting (Los Angeles Times Book Review). This “remarkable perspective on a familiar part of American history” helps us appreciate more fully the incredible diversity of the American Revolution (Kirkus Reviews). “Through letters, diaries, and other accounts, Raphael shows these individuals—white women and men of the farming and laboring classes, free and enslaved African Americans, Native Americans, loyalists, and religious pacifists—acting for or against the Revolution and enduring a war that compounded the difficulties of everyday life.” —Library Journal “A tour de force . . . Ray Raphael has probably altered the way in which future historians will see events.” —The Sunday Times
NOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • “A stunning novel about the transformative power of relationships” (People) from the author of Conversations with Friends, “a master of the literary page-turner” (J. Courtney Sullivan). “[A] novel that demands to be read compulsively, in one sitting.”—The Washington Post ONE OF ENTERTAINMENT WEEKLY’S TEN BEST NOVELS OF THE DECADE TEN BEST BOOKS OF THE YEAR: People, Slate, The New York Public Library, Harvard Crimson Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other. Normal People is the story of mutual fascination, friendship, and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t. WINNER: The British Book Award, The Costa Book Award, The An Post Irish Novel of the Year, Sunday Times Young Writer of the Year Award BEST BOOKS OF THE YEAR: The New York Times, The New York Times Book Review, Oprah Daily, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town & Country
From the award-winning author of Ghost River. In this unforgettable new collection, Tony Birch introduces a cast of characters from all walks of life. These remarkable and surprising stories capture common people caught up in the everyday business of living and the struggle to survive. From two single mothers on the most unlikely night shift to a homeless man unexpectedly faced with the miracle of a new life, Birch's stories are set in gritty urban refuges and battling regional communities. His deftly drawn characters find unexpected signs of hope in a world where beauty can be found on every street corner - a message on a T-shirt, a friend in a stray dog or a star in the night sky. Common People shines a light on human nature and how the ordinary kindness of strangers can have extraordinary results. With characteristic insight and restraint, Tony Birch reinforces his reputation as a master storyteller. Stories include: 'The Ghost Train', 'Harmless', 'Colours', 'Joe Roberts', 'The White Girl', 'Party Lights', 'Paper Moon', 'Painted Glass', 'Frank Slim', 'Liam', 'Raven and Sons', 'The Good Howard', 'Sissy', 'Death Star', 'Worship'.
Inspiring selections offer a compelling look at the most high-impact moments in the biblical narrative, featuring stories about Mary, Peter, Matthew, Job, and other biblical characters.
In this book Ronald Suleski introduces a new category of source material, chaoben 抄本, for understanding the lives of China's semi-literate masses before 1950. It links the documents now flooding the antiques markets in China, with the hopes and fears of China's people at the end of the pre-modern era.
Political myths surround the figure of the people and help to explain its influence; should the people itself be regarded as fictional? This original and accessible study sheds a fresh light on debates about popular sovereignty, and will be an important resource for students and scholars of political theory.