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This controversial study takes the provocative line that the French monarchy was a complete success. James turns the idea of royal ‘absolutism’ on its head by redefining the French monarchy’s success from 1598 - 1661. The Origins of French Absolutism, 1598-1661 maintains that building blocks were not being laid by the so-called architects of absolutism, but that by satisfying long-established, traditional ambitions, cardinal ministers Richelieu and Mazarin undoubtedly made the confident, ambitious reign of the late century possible.
The introduction of absolutism in France has conventionally been seen as a process of centralization imposed from the top down. The Crown, the chancellor, the principal ministers, and the secretaries of state are all supposed to have worked in concert to break the power of the nobles and governors, abolish local Estates, and even intervene in the selection of municipal councillors. The fiscal and institutional development of the province of Dauphiné, however, suggests a very different absolutist dynamic. While it is clear that the Crown wanted to standardize and, when possible, centralize the institutions of the province, it is equally clear that , from the 1540s on, certain groups anxious for provincial tax reform actively encouraged royal intervention. Daniel Hickey analyses the individuals and groups that directed each stage of the struggle for tax reform: rural villagers, the élite of the ten major cities, lawyers and legal groups, and new and old nobles. Each group expressed itself through the means available to it: peasant revolt, courtroom hearings, local village meetings, or lobbying at court. The social alliances made during the struggle were temporary in nature and often united groups that would normally have been opposed to each other. But they were effective. Hickey identifies two major results of this social movement: the Crown was able to take major steps towards integrating Dauphiné into the kingdom, and the province's fiscal structure underwent a major reform.
Long before the guillotines of the 1789 Revolution brought a grisly political end to the ancien régime, Jay Caplan argues, the culture of absolutism had already perished. In the King's Wake traces the emergence of a post-absolutist culture across a wide range of works and genres: Saint-Simon's memoirs of Louis XIV and the Regency; Voltaire's first tragedy, Oedipe; Watteau's last great painting, L'Enseigne de Gersaint; the plays of Marivaux; and Casanova's History of My Life. While absolutist culture had focused on value directly represented in people (e.g., those of noble blood) and things (e.g., coins made of precious metals), post-absolutist culture instead explored the capacity of signs to stand for something real (e.g., John Law's banknotes or Marivaux's plays in which actions rather than birth signify nobility). Between the image of the Sun King and visions of the godlike Romantic self, Caplan discovers a post-absolutist France wracked by surprisingly modern conflicts over the true sources of value and legitimacy.
This selection of articles is organized around three broad themes: the nature of the governing system in France (’Absolutism’); the political crisis of the mid-17th-century (the ’Fronde’); and the development of royal finance. The author first considers the growth of the French state in its ideological and institutional aspects, then the opposition such developments provoked, much centred on the figure of Cardinal Mazarin. In the last section particular attention is given to fiscal history, including a comparison of mid-18th-century France with the other states of Europe. Professor Bonney would argue that the ’fiscal imperative’, the increased requirements posed by the costs of war, and the long-term consequences of fiscal growth may be seen as one of the decisive factors in the development of the modern state.
The example of Old Regime France provides a source for many of the ideas about capitalism, modernization, and peasant protest that concern social scientists today. Hilton Root challenges traditional assumptions and proposes a new interpretation of the relationship between state and society.
Provides a detailed analysis of the political, social and economic history of the France of Louis XIII.
Introduction. The problem with absolutism ; Beyond mere propaganda ; Approaching absolutism differently: royal glory and royal exemplarity ; The dream of absolutism -- The grammar of absolutism. The dream of a book like no other ; Taking Louis XIV's Mémoires seriously ; Absolutism, explained to a child: "The first and most important part of our entire politics" ; The utility of "These Mémoires" ; The paradoxes of absolutist exemplarity ; Conclusion: "So many ghastly examples" -- Mirrors of absolutism. Introduction: Our body in this space ; An age of mirrors ; A gallery celebrating greatness ; Making the king see what he felt ; A mirror for one ; In lieu of conclusion: Mirrors for a future without a past -- Absolutist absurdities. Exhibit A: The royal historiographer and the unparalleled greatness of Louis XIV ; Exhibit B: Absolutism from the cabinet of fairies to the cabinet of the king ; Conclusion: Seven theses on the dream of absolutism.
The first historical overview of the partnership between science and the state from the Scientific Revolution to World War II.
Mazarin was the model statesman of the early modern period in French history. This book follows his career from pupil of the Jesuits, through legate in Paris and Avignon, to service for Louis XIII and beyond. Mazarin's role in the survival of absolute monarchy during the upheavals of the Fronde and his guidance of the young Louis XIV are given full weight. His crucial part in many diplomatic exchanges, and in particular those which brought an end to the Thirty Years War and the Franco-Spanish War, is examined in detail. His life is placed in the context of a study of the times, highlighting the rapidly changing nature of government.