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In February 1934 fighting broke out in Linz between government forces and the Social Democratic Party. Within hours Vienna was up in arms and the fighting soon spread to other parts of Austria. A few days later the party was destroyed and Austria seemed to many observers to have joined the ranks of fascist states. The violence of the fighting, particularly the shelling of the vast workers’ housing complex, the Karl-Marx-Hof, and the summary execution of a number of leading figures in the fighting horrified the civilised world. This book, first published in 1980, looks at the importance of Austrian social democracy as one of the pillars of European Marxism and shows how it became a victim of the spread of fascism. The radical right and the peculiarities of Austrian varieties of fascism are given particular attention, and Dollfuss’s own brand of fascistic state is analysed in terms of classic forms of fascism. Particular emphasis is placed on the economic and social problems of the Austrian Republic which led to a deepening of the political crisis and also to the foreign political ramifications of the problem. Although Dollfuss appeared to be determinedly anti-Nazi it was he who finally gave the order to destroy the Social Democratic Party little realising he was destroying himself. Thus, this study illustrates how socialism was strengthened rather than weakened by the fighting in February, and Austrian fascism far from halting German fascism, paved the way for its final triumph.
Fascists presents a new theory of fascism based on intensive analysis of the men and women who became fascists. It covers the six European countries in which fascism became most dominant - Italy, Germany, Austria, Hungary, Romania and Spain. It is the most comprehensive analysis of who fascists actually were, what beliefs they held and what actions they committed. The book suggests that fascism was essentially a product of post World War I conditions in Europe and is unlikely to re-appear in its classic garb in the future. Nonetheless, elements of its ideology remain relevant to modern conditions and are now re-appearing, though mainly in different parts of the world.
The years of Chancellors Dollfuss and Schuschnigg's authoritarian governments (1933/34-1938) have been denounced as "Austrofascism" from the left, or defended as a Christian corporate state ("Stndestaat") from the right. During this period, Austria was in a desperate struggle to maintain its national independence vis--vis Hitler's Germany, a struggle that ultimately failed. In the end, the Nazis invaded and annexed Austria (Anschluss"). Volume 11 of the Contemporary Austrian Studies series stays away from these heated historiographical debates and looks at economic, domestic, and international politics sine ira et studio. Timothy Kirk opens with an assessment of "Austrofascism" in light of recent discourse on interwar European fascism. Three scholars from the Economics University of Vienna analyze the macroeconomic climate of the 1930s: Hansjrg Klausinger the "Vienna School's" theoretical contributions to end the "Great Depression"; Gerhard Senft the economic policies of the Stndestaat; and Peter Berger the financial aid from the League of Nations. Jens Wessels delves into the microeconomic arena and presents case studies of leading Austrian businesses and their performance during the depression. Jim Miller looks at Dollfuss, the agrarian reformer. Alexander Lassner and Erwin Schmidl deal with the context of the international arena and Austria's desperate search for protection against Nazi Anschluss-pressure and military preparedness against foreign aggression. In a comparativist essay Megan Greene compares the policies of Austria's Haider and Italy's Berlusconi and recent EU responses to threats from the Right. The "FORUM" looks at various recent historical commissions in Austria dealing with Holocaust-era assets and their efforts to provide restitution to victims of Nazism. Two review essays, by Evan Burr Bukey and Hermann Freudenberger, survey recent scholarly literature on Austria(ns) during World War II. This addition to the Contemporary Austrian Studies series will be welcomed by political scientists, historians and scholars with a strong interest in European affairs. Gnter Bischof is professor of history and executive director of Center Austria at the University of New Orleans. Anton Pelinka is professor of political science at the University of Innsbruck and a visiting scholar at the University of Michigan in 2001/02. Alexander Lassner completed his Ph.D. at Ohio State University with his dissertation, "Peace at Hitler's Price," on Austria's international position before the "Anschluss."
This study examines the political culture in Austria-Hungary in the latter half of the 19th century. It analyzes the centrifugal forces that arose from growing ethnic nationalism in the empire and that ultimately overpowered the centripetal forces which held the Austrian-Hungarian "state idea" together. The analysis is applied further to provide an historical explanation of analogous developments in post-1989 Europe.
Interwar Vienna was considered a bastion of radical socialist thought, and its reputation as "Red Vienna" has loomed large in both the popular imagination and the historiography of Central Europe. However, as Janek Wasserman shows in this book, a “Black Vienna” existed as well; its members voiced critiques of the postwar democratic order, Jewish inclusion, and Enlightenment values, providing a theoretical foundation for Austrian and Central European fascist movements. Looking at the complex interplay between intellectuals, the public, and the state, he argues that seemingly apolitical Viennese intellectuals, especially conservative ones, dramatically affected the course of Austrian history. While Red Viennese intellectuals mounted an impressive challenge in cultural and intellectual forums throughout the city, radical conservatism carried the day. Black Viennese intellectuals hastened the destruction of the First Republic, facilitating the establishment of the Austrofascist state and paving the way for Anschluss with Nazi Germany. Closely observing the works and actions of Viennese reformers, journalists, philosophers, and scientists, Wasserman traces intellectual, social, and political developments in the Austrian First Republic while highlighting intellectuals' participation in the growing worldwide conflict between socialism, conservatism, and fascism. Vienna was a microcosm of larger developments in Europe—the rise of the radical right and the struggle between competing ideological visions. By focusing on the evolution of Austrian conservatism, Wasserman complicates post–World War II narratives about Austrian anti-fascism and Austrian victimhood.
Part of the "Danish Humanist Texts and Studies" series, this work presents a comparative analysis of the two most important radical right-wing movements in Austria during the inter-war period: Heimwehr and NSDAP. It examines the movements from their emergence until they respectively came in to the power apparatus (Heimwehr) and forbidden (NSDAP).
A group history of the Austrian School of Economics, from the coffeehouses of imperial Vienna to the modern-day Tea Party The Austrian School of Economics--a movement that has had a vast impact on economics, politics, and society, especially among the American right--is poorly understood by supporters and detractors alike. Defining themselves in opposition to the mainstream, economists such as Ludwig von Mises, Friedrich Hayek, and Joseph Schumpeter built the School's international reputation with their work on business cycles and monetary theory. Their focus on individualism--and deep antipathy toward socialism--ultimately won them a devoted audience among the upper echelons of business and government. In this collective biography, Janek Wasserman brings these figures to life, showing that in order to make sense of the Austrians and their continued influence, one must understand the backdrop against which their philosophy was formed--notably, the collapse of the Austro-Hungarian Empire and a half-century of war and exile.
New essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture. 20th-century Austrian literature boasts many outstanding writers: Schnitzler, Musil, Rilke, Kraus, Celan, Canetti, Bernhard, Jelinek. These and others feature in broader accounts of German literature, but it is desirable to see how the Austrian literary scene -- and Austrian society itself -- shaped their writing. This volume thus surveys Austrian writers of drama, prose fiction, and lyric poetry; relates them to the distinctive history of modern Austria, a democratic republic that was overtaken by civil war and authoritarian rule, absorbed into Nazi Germany, and re-established as a neutral state; and examines their response to controversial events such as the collusion with Nazism, the Waldheim affair, and the rise of Haider and the extreme right. In addition to confronting controversy in the relations between literature, history, and politics, the volume examines popular culture in line with current trends. Contributors: Judith Beniston, Janet Stewart, Andrew Barker, Murray Hall, Anthony Bushell, Dagmar Lorenz, Juliane Vogel, Jonathan Long, Joseph McVeigh, Allyson Fiddler. Katrin Kohl is Lecturer in German and a Fellow of Jesus College, and Ritchie Robertson is Taylor Professor of German Language and Literature and a Fellow of The Queen's College, both at the University of Oxford.
Chronicles the lives of Kurt von Schuschnigg, son of the former Austrian Chancellor, and his family during the time of the Anschluss and how their faith helped them survive these difficult times.
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div