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The so-called old comedy, of which Aristophanes is the only surviving representative, flourished at the time of the Peloponnesian War which shook Greek civilization. There is no good single modern analogue of the old comedy. It is a blend of Shakespeare's 'Midsummer Night's Dream' with Bernard Shaw. It is extravaganza combined with the dramatic criticism of ideas and set off with occasional flights of true poetry. So at least it appears in Aristophanes, who in native genius and spontaneous mastery of expression ranks with the four or five supreme poets of Greece. This is volume two out of two and includes: Lysistrata The Thesmophoriazusæ The Frogs The Ecclesiazusæ Plutus This edition also features more than 2700 notes.
This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
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When reputations are threatened, loners alone have no fear. Hachiman Hikigaya's life has changed little since being forced to join the Service Club. Sure, he now spends his time after school in the company of the icy Yukino Yukinoshita and bubbly airhead Yui Yuigahama, but his warped personality still ensures that he won't wring a moment's enjoyment from his insufferable school life. When someone starts trolling his class with hateful e-mails, though, and the Service Club is enlisted to help solve the case, Hachiman's "unique" perspective as an outsider might finally come in handy...or he could still just be a loser.
The era of Old Comedy (ca. 485–ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes. But the work of many other poets, including Cratinus and Eupolis, the other members, with Aristophanes, of the canonical Old Comic Triad, survives in fragments.