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Shakespeare forged his tremendous art in the crucible of his comic imagination, which throughout his life enveloped and contained his tragic one. His early comedies—with their baroque poetic exuberance, intense theatricality, explosive bursts of humor, and superbly concrete realizations of the dialects of love—capture as in a chrysalis all that he was to become. They provide a complete inventory of the mind of our greatest writer in the middle of his golden youth. This volume contains The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labor's Lost, A Midsummer Night's Dream, and it's companion piece, Romeo and Juliet, which Tony Tanner describes in his introduction as "a tragedy by less than one minute." The texts, authoritatively edited by Sylvan Barnet, are supplemented with textual notes, bibliographies, a detailed chronology of Shakespeare's life and times, and a substantial introduction in which Tanner discusses each play individually and in the context of Shakespeare's oeuvre.
It is an informative resource for film students and scholars and a thoroughly engaging read for film buffs."--BOOK JACKET.
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
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Robert Durling's spirited new prose translation of the Paradiso completes his masterful rendering of the Divine Comedy. Durling's earlier translations of the Inferno and the Purgatorio garnered high praise, and with this superb version of the Paradiso readers can now traverse the entirety of Dante's epic poem of spiritual ascent with the guidance of one of the greatest living Italian-to-English translators. Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facing pages. Readers will be drawn to Durling's precise and vivid prose, which captures Dante's extraordinary range of expression--from the high style of divine revelation to colloquial speech, lyrical interludes, and scornful diatribes against corrupt clergy. This edition boasts several unique features. Durling's introduction explores the chief interpretive issues surrounding the Paradiso, including the nature of its allegories, the status in the poem of Dante's human body, and his relation to the mystical tradition. The notes at the end of each canto provide detailed commentary on historical, theological, and literary allusions, and unravel the obscurity and difficulties of Dante's ambitious style . An unusual feature is the inclusion of the text, translation, and commentary on one of Dante's chief models, the famous cosmological poem by Boethius that ends the third book of his Consolation of Philosophy. A substantial section of Additional Notes discusses myths, symbols, and themes that figure in all three cantiche of Dante's masterpiece. Finally, the volume includes a set of indexes that is unique in American editions, including Proper Names Discussed in the Notes (with thorough subheadings concerning related themes), Passages Cited in the Notes, and Words Discussed in the Notes, as well as an Index of Proper Names in the text and translation. Like the previous volumes, this final volume includes a rich series of illustrations by Robert Turner.
In the Night Realm, vampires, shifters, weirns, and other night things passing for human prowl the streets... but they still have to go to school! Ailis and Na'ya are pretty average students (NOT losers), but when a shadow starts looming and a classmate gets all weird, they are the first to notice. It gets personal, though, when Na'ya's little brother D'esh disappears-It's time to confront the secrets of the forbidden mansion in the Silent Woods! Join the acclaimed author of Awkward, Svetlana Chmakova, for an outing into her favorite fantastical world full of magic and adventure!