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Collects the poetry from the last decade of American Book Awards that best reflects the multicultural interests and accomplishments in American literature
A diverse collection of essayists, poets, and one cartoonist examine life in the rapidly growing city of Columbus, Ohio, challenging the image of the city as one without a cohesive identity.
Presents a decade's worth of work by such writers as James Welch, Kay Boyle, Toni Morrison, Frank Chin, Sandra Cisneros, and Jessica Tarahata Hagedorn
O-H-Oh-No! Fourteen storytellers reveal a gritty side to C-Bus in this collection of crime tales. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all-new stories, each one set in a distinct neighborhood or location within the respective city. With stories by: Lee Martin, Robin Yocum, Kristen Lepionka, Craig McDonald, Chris Bournea, Andrew Welsh-Huggins, Tom Barlow, Mercedes King, Daniel Best, Laura Bickle, Yolonda Tonette Sanders, Julia Keller, Khalid Moalim, and Nancy Zafris. Praise for Columbus Noir “Moments of humanity shine through in many of the tales in this collection, and epic takes on pride and greed make many of the stories in this collection go beyond small miseries into the realm of Shakespearian tragedy. Urgent, beautiful, and not to be missed.” —CrimeReads, included in CrimeReads’ Most Anticipated Crime Books of 2020 “This superior Akashic noir anthology gathers 14 dark snapshots of Ohio’s capital, a very dangerous place indeed, with heavy drug use and murder touching down everywhere, from the German Village neighborhood to the statehouse. One highlight is Craig McDonald’s “Curb Appeal,” one of several invoking the homicidal search for housing. In the editor’s effective “Going Places,” a security man who covers up affairs for the governor gets pulled into a murder plot . . . . Noir fans should be well satisfied.” —Publishers Weekly
Wild Majesty presents an anthology of writings about the Amerindian inhabitants of the Caribbean, from such diverse sources as the first reports of Columbus, French missionary tracts, the diaries of English colonial administrators, and modern ethnographers, travel writers, and film makers. This written and visual material has been carefully selected to illustrate the development of non-Amerindian knowledge of and attitudes toward the society and culture of the so-called "Island Caribs", who once dominated the whole of the Lesser Antilles and continue to act today as a potent symbol of resistance to, and independence from, the modern nation-state. The volume breaks new ground in the anthropological use of literary and historical sources, as well as providing new translations of better-known texts, and original translations of rare printed works and previously unpublished documents from the European archives. This fascinating collection is essential for students of history, cultural studies, and anthropology, and all general readers interested in Columbia, the Caribbean, or exploration.
A comprehensive anthology including historical and critical as well as biographical commentary on each writer's work and on each major period in the literature as a whole. Professor Monegal has organized this gigantic anthology, which reaches from the time of Christopher Columbus to our own decade, on the premise that "Latin American literature is more an idea than an actuality, simply because Latin America itself has never achieved cultural integration." True enough, as the reader of any daily newspaper might guess; but Monegal goes further. His selections demonstrate that it wasn't until the middle of the 19th century, when a late-blooming variety of European Romanticism combined with newly achieved Latin American political independence, that the intention of a Latin American literature was even conceived. Then the letters and journals of Vespucci, Bernal Diaz, and their fellow explorers and conquistadors, with their Renaissance insistence on the fabulous, came to serve as a source for the continental vision of men like Andres Bello, Ruben Dario and Jose Enrique Rodo. Independence movements also produced political divisiveness and a backwater brand of literary realism that prevailed for decades; but in spite of this, the tendency of Latin American literature has been toward the marvelous and the formally experimental, and its most compelling metaphor, from Esteban Echeverria to Jorge Luis Borges and Gabriel Marquez, has been that of discovery.
Far From Their Eyes is a collection of essays, short stories, poems, interviews, and artwork from people with connections to Ohio and to migration. The anthology provokes connections across cultures, borders, languages, and time, for readers who are open to seeing them. Because we are all just people, with equal worth and dreams.
Among the poets new to this edition are such leading names as Americans Robert Pinsky, Louise Erdrich and Louise Glück; Britons James Fenton and Carol Ann Duffy; and Canadians Anne Carson, Robert Bringhurst, and Christian Bök. A number of names who may be new to many readers of poetry are also included among them: Ohioan Debra Allbery, Vancouverite Elise Partridge, and the Cree poet Connie Fife; as with the first edition, the editors have endeavored to include much that is fresh as well as much that is familiar. There are many additions to the selections from poets who appeared in the first edition including selections from the recent work of Leonard Cohen, Les Murray, and Margaret Atwood. As before, the anthology includes work from English-language poets throughout the world from India, Africa, and the Caribbean as well as from Britain, North America, and Australia. Although the selections from the work of poets of earlier eras are largely unchanged from the first edition, there have been some changes; among poems added for this edition are Milton’s L’Allegro and Il Penseroso, Bradstreet’s “Employment,” Dickinson’s “I cannot live without You,” Frost’s “Once by the Pacific,” and Auden’s “Funeral Blues.” As before, the text emphasizes work of the past century; poems from 1900 or later take up more than half of the anthology’s pages. In its first edition The Broadview Anthology of Poetry included biographical information about the poets at the back of the anthology; for the new edition, biographical material appears in a headnote to each poet. Two other features are also new to this edition: the date of first publication is appended after each poem, and line numbering is used throughout. The numbers have been kept unobtrusive, however; as with the first edition, the designers have endeavored to give a clean look to the pages of the anthology. A substantial section on prosody, figures of speech, and so on is included as an appendix.
Abandoning her life when her father succumbs to Huntington's disease, Massachusetts native Irina discovers an unanswered letter from her father to an internationally renowned chess champion and political dissident, who she decides to visit in Russia. A first novel.