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Commemorating the centennial of the Cripple Creek Labor Wars, 1903-1904, this book recalls the causes and consequences of one of the eras violent labor strikes that spread throughout the Colorado mine fields. This publication contains papers contributed by the presenting authors during the June 5, 2004, symposium at Pikes Peak Library District and is intended to contribute to the scholarship regarding the events that occurred in the Cripple Creek District during the Colorado Labor Wars. Photographs include Western Federation of Miners (WFM) members who were arrested and held by the Colorado State Militia, then deported from the state as a consequence of their union affiliation. A "must read" for those interested in labor history, mining, and a time when the WFM asked, "Is Colorado in America?"
First published in 1905, this book by Emma Florence Langdon is a history of the Cripple Creek strike, a labor dispute in Colorado that began in 1903 and lasted for three years. Langdon provides a detailed account of the strike and its causes, as well as the social and economic conditions that led to the unrest. She also discusses the role of the mine owners, the Colorado National Guard, and the union in the conflict. This edition of the book includes a new introduction by labor historian Mark Leier and is a fascinating account of one of the most significant labor disputes in American history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
For fifty years, A Colorado History has provided a comprehensive and accessible panoramic history of the Centennial State. From the arrival of the Paleo-Indians to contemporary times, this enlarged edition leads readers on an extraordinary exploration of a remarkable place. "A Colorado History has been, since its first appearance in 1965, widely recognized as an exemplary work of its kind." --The Colorado Magazine Experience Colorado with this new, enlarged edition of A Colorado History. For fifty years, the authors of this preeminent resource have led readers on an extraordinary exploration of how the state has changed—and how it has stayed the same. From the arrival of Paleo-Indians in the Mesa Verde region to the fast pace of the twenty-first century, A Colorado History covers the political, economic, cultural, and environmental issues, along with the fascinating events and characters, that have shaped this dynamic state. In print for fifty years, this distinctive examination of the Centennial State is a must-read for history buffs, students, researchers—or anyone—interested in the remarkable place called Colorado.
When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.