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The world has been remade in winter and twilight, and life in Victorian England will never be the same again. These three short stories show us a frozen apocalypse and two very different paths to salvation. While communities grow embittered with each passing year, struggling to keep themselves alive, the enigmatic Afflicted hunt down what survivors are left for purposes unknown. From the radical steampunk pioneers The Catastrophone Orchestra and Margaret Killjoy comes a foray into and out of madness.
An expert jewel cutter finds her life in danger when seven rare and price sapphires disappear.
Utilising a wide range of early sources, this title identifies the roots of the concept of Christian martyrdom, as lloking at how it has been expressed in events such as the shootings at Columbine High School in 1999.
In a residential neighbourhood of Portland, Oregon, an unknown young woman uncovers a shocking crime scene by inexplicably sensing the evil within its walls. To the police, she is a mystery. She can't even tell them her own name. They christen her Jane Doe. Suffering terrifying hallucinations, Jane is assigned to Nathan Fox, a forensic psychiatrist struggling with his own demons. Together they must piece together the jigsaw that is Jane's identity. Then a sequence of brutal killings terrorizes the city and Fox learns Jane is the only cryptic link between the unrelated victims. To solve the murders, Fox must discard his black and white preconceptions, look beyond the spectrum of normal human experience and confront the dark truth of her past.and his own.
FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE “[Han Kang writes in] intense poetic prose that . . . exposes the fragility of human life.”—from the Nobel Prize citation SHORTLISTED FOR THE BOOKER PRIZE • A “formally daring, emotionally devastating, and deeply political” (The New York Times Book Review) exploration of personal grief through the prism of the color white, from the internationally bestselling author of The Vegetarian “Stunningly beautiful writing . . . delicate and gorgeous . . . one of the smartest reflections on what it means to remember those we’ve lost.”—NPR While on a writer’s residency, a nameless narrator focuses on the color white to creatively channel her inner pain. Through lyrical, interconnected stories, she grapples with the tragedy that has haunted her family, attempting to make sense of her older sister’s death using the color white. From trying to imagine her mother’s first time producing breast milk to watching the snow fall and meditating on the impermanence of life, she weaves a poignant, heartfelt story of the omnipresence of grief and the ways we perceive the world around us. In captivating, starkly beautiful language, The White Book offers a multilayered exploration of color and its absence, of the tenacity and fragility of the human spirit, and of our attempts to graft new life from the ashes of destruction.
"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.
'Breathtakingly original, and a captivating sense of place' Val McDermid, bestselling author of Still Life 'Compelling and original, this glints with freshness' Daily Mail 'A brilliantly inventive and twisty tale' Claire McGowan, bestselling author of The Push 'A good detective story . . . intriguing' Guardian 'A distinctive, intriguing, immersive debut' Mari Hannah, multi-award winning author of Without a Trace The Murder In the Gare do Oriente, a body sits, slumped, in a stationary train. A high-profile man appears to have died by throwing himself repeatedly against the glass. But according to witnesses, he may not have done this of his own accord. The City Lisbon 2021. A small percentage of the population are diagnosed as Gifted. Along with the power comes stigma and suspicion. The Detective In a prejudiced city, Gifted Inspector Isabel Reis is hiding her own secrets while putting her life on the line to stop an ingenious killer. A violent and mysterious crime. Suspected Gifted involvement. A city baying for blood. And a killer who has only just begun . . . 'A bold, compelling police drama a step beyond the ordinary with writing to match' Helen Fields, bestselling author of The Shadow Man 'This is crime fiction with a twist . . . This was a gripping and highly invented thrill ride. I can't wait for more' Nadine Matheson, author of The Jigsaw Man 'An amazing genre-bending debut' David Jackson, bestselling author of The Resident
This version of 'Shadows from the Walls of Death' is a tribute to Robert Clark Kedzie, who produced the originals of which there are now only two left in existence. They are located at the University of Michigan and Michigan State University. The originals are approximately 22 x 30 inches containing a title page and an 8 page preface followed by 86 samples cut from rolls of arsenic impregnated wallpaper. The book is sealed in a protective container and each individual page is encapsulated. This particular edition does not actually contain any arsenic. Further to that the content of this volume including both text and images are for entertainment purposes.
R. Andrew Chesnut offers a fascinating portrayal of Santa Muerte, a skeleton saint whose cult has attracted millions of devotees over the past decade. Although condemned by mainstream churches, this folk saint's supernatural powers appeal to millions of Latin Americans and immigrants in the U.S. Devotees believe the Bony Lady (as she is affectionately called) to be the fastest and most effective miracle worker, and as such, her statuettes and paraphernalia now outsell those of the Virgin of Guadalupe and Saint Jude, two other giants of Mexican religiosity. In particular, Chesnut shows Santa Muerte has become the patron saint of drug traffickers, playing an important role as protector of peddlers of crystal meth and marijuana; DEA agents and Mexican police often find her altars in the safe houses of drug smugglers. Yet Saint Death plays other important roles: she is a supernatural healer, love doctor, money-maker, lawyer, and angel of death. She has become without doubt one of the most popular and powerful saints on both the Mexican and American religious landscapes.
About the history of the color black, its various meanings and representations.