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This book is a visual and written exploration of the constructed photograph as created in the last decades of the 20th century and the first decades of the 21st century. It documents a collection built by Frazier King, that was exhibited by FotoFest International in the Collector's Eye II Exhibition. An essay by Mr. King's essay reflects on 76 images of a variety of constructed photographs included in the collection. The narrative explores how Mr. King's own work with this type of image has resulted in a collection of constructed photographs and explains the varied nature of this category of image. The reader gets a personal and inside glimpse of the dynamics of photographic reviews such as FotoFest Meeting Place and how artists, collectors and curators interact in this venue and the relationships they form. In addition to an essay by Mr. King this volume includes an essay by Wendy Watriss, co-founder and Senior Artistic Advisor of FotoFest, on the significance of collecting and the role of the collector. The third essay is by Madeline Yale Preston, an independent curator based in London, who addresses the role of the collector as curator and the historical evolution and importance of the constructed photograph.
In this lavishly illustrated volume, Christine Churchill establishes the definition of the new American collectible and shows how -- by using a discerning eye and armed with basic know-how -- talented individuals and seasoned collectors can create their own signature design aesthetic and apply it to their homes and their lives. American vintage style has evolved and changed. Gone are the old-style American antiques: Chippendale highboys stuffed with precious "smalls" in museum-perfect homes. Today, interesting and unique homes showcase character-filled objects; old number signs with bright graphics; weathered finials; funereal vases; mercury glass collections. The Collector's Eye shows that the best rooms are not the result of excessive spending and "decoration" but are a reflection of how the owner's passions and ideas can result in a collection that is both deeply personal and valuable. By examining individual collections that range in aesthetic from folksy arts and crafts to urban modern, Churchill offers a wealth of ideas and information for all budding collectors and enthusiasts. Complete with informative sidebars and detailed caption photos, The Collector's Eye describes the intricacies of these objects, imparts tips on sleuthing for them, offers practical advice on their placement and upkeep, and guides readers on today's hot collectibles and how to go about building their own special collection.
This catalogue features 43 Japanese art pieces including netsuke, ceramics, paintings, sculptures and lacquerwares.
"The Collectors: Being Cases mostly under the Ninth and Tenth Commandments" by Frank Jewett Mather is a collection of seven stories and a ballad all pertaining to art collecting. These stories are as followed, A Ballade of Art Collectors, Campbell Corot, The del Puente Giorgione, The Lombard Runes, Their Cross, The Missing St. Michael, The Lustred Pots, The Balaklava Coronal, and On Art Collecting. These stories discuss the act and history of this luxurious hobby.
When Danesh Shahzan gets called to a crime scene, it’s usually because the police suspect not just foul play but unnatural forces at play. Danesh is an Acolyte in Her Majesty’s Office of the Witchfinder General, a shadowy arm of the British government fighting supernatural threats to the realm. This time, he’s been called in by Detective Inspector Nikola Zubrasky to investigate a murder in Cardiff. The victim had been placed inside a runic circle and their eyes carefully removed from their head. Danesh soon confirms that magical forces are at work. Concerned that there may be more victims to come, he and DI Zubrasky establish a wary collaboration as they each pursue the investigation within the constraints of their respective organisations. Soon Danesh learns that there may be much wider implications to what is taking place and that somehow he has an unexpected connection. He also realises something about himself that he can never admit to the people with whom he works… Think Dirk Gently meets Good Omens!” Visit bit.ly/TheEyeCollectors Cover artwork by Alison Buck