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Drama. Antonin Artaud is one of the two or three most influential innovators of the twentieth centruy, whose theoried, production ideas along with his writings and plays have broght a new poetic impulse and dynamic intensity to the stage, replacing the naturalistic theatre that preceded his own. In this volume of COLLECTED WORK, we see Artaud's early formulations of his theories on theatre in general, and the genesis of the theatre of cruelty. In particular, the volume contains the famous manifestos of the revolutionary Alfred Jarry Theatre, productions plans, notes and critical articles. Also included is a series of articles on literature and the plastic arts, written during the same period. The variety and humour of such a wide range of work certainly constitutes a fertile source for those seeking a new approach to theatre and its allied arts. Translated and with an introduction by Victor Corti.
The authoritative edition of early psychiatric studies by Jung, which foreshadow much of his later work Psychiatric Studies gathers writings on descriptive and experimental psychiatry that Jung published between 1902 and 1905, early in his career as a psychiatrist. The book opens with a study that foreshadows much of his later work and is indispensable to all serious students of his psychiatric career. This is his medical-degree dissertation, “On the Psychology and Pathology of So-called Occult Phenomena,” a detailed analysis of the case of an adolescent girl who professed to be a medium. This volume also includes papers on cryptomnesia, hysterical parapraxes in reading, manic mood disorder, simulated insanity, and other subjects.
This newly translated volume of the Collected Works of Marie-Louise von Franz, one of the most renowned authorities on fairytales, presents a systematic and wide-ranging approach. Von Franz amplifies a variety of fairytale motifs to show that the magical realm is alien to the profane and mundane realm of ordinary daily life. She was one of Analytical Psychology’s most original thinkers and here she presents a lucid, concise exploration of the archetypal symbols found in fairytales. Fairytales, like myths, provide a cultural and societal backdrop that helps the human imagination narrate the meaning of life’s events. The remarkable similarities in fairytale motifs across different lands and cultures inspired many scholars to search for the original homeland of fairytales. While peregrinations of fairytale motifs occur, the common root of fairytales is more archetypal than geographic. A striking feature of fairytales is that a sense of space, time, and causality is absent. This situates them in a magical realm, a land of the soul, where the most interesting things happen in the center of places like Heaven, mountains, lakes, and wells. At the age of eighteen, Marie-Louise von Franz was invited to meet Carl Gustav Jung at Bolingen Tower. She immediately recognized that there exist two levels of reality, one outer and the other inner. Within months she had enrolled at the University of Zürich and began attending Jung’s lectures at the E.T.H. (Eidgenösiche Technische Hochshule or the Swiss Federal Institute of Technology). Less than a decade after meeting Jung, von Franz had completed her doctorate in classical philology and begun seeing her first analysands. She was a prolific writer, a dedicated teacher and lecturer, and was possessed of a “far-reaching and often non discriminating Eros that accepted everyone seeking help.” (Alfred Ribi, MD in Fountain of the Love of Wisdom, Chiron, 2006)
Among the most influential political and social forces of the twentieth century, modern communism rests firmly on philosophical, political, and economic underpinnings developed by Vladimir Ilyich Ulyanov, later known as Lenin. For anyone who seeks to understand the twentieth century, capitalism, the Russian Revolution, and the role of Communism in the tumultuous political and social movements that have shaped the modern world, the works of Lenin offer unparalleled insight and understanding. Taken together, they represent a balanced cross-section of his revolutionary theories of history, politics, and economics; his tactics for securing and retaining power; and his vision of a new social and economic order. This first volume contains four works ("New Economic Developments in Peasant Life," "On the So-Called Market Question," "What the 'Friends of the People' Are and How They Fight the Social- Democrats," "The Economic Content of Narodism and the Criticism of It in Mr. Struve's Book") written by Lenin in 1893-1894, at the outset of his revolutionary activity, during the first years of the struggle to establish a workers' revolutionary party in Russia.
At the turn of the last century C.G. Jung began his career as a psychiatrist. During the next decade, three men whose names are famous in the annals of medical psychology influenced his professional development: Pierre Janet, under whom he studied at the Sappetriere Hospital in Paris; Eugen Bleuler, his chief at the Burgholzli Mental Hospital in Zurick; and Sigmund Frued, whom Jung met in 1907. It is Bleuler, and to a lesser extent Janet, whose influence is to be found in the descriptive experimental psychiatry composing Volume I of the Collected Works. These papers appeared between 1902 and 1905l most of them are now being published in English for the first time. The volume opens with Jung's dissertation for the medical degree: 'On the Psychology and Pathology of So-Called Occult Phenomena', a study that foreshadows much of his later work, and as such is indispensable to all serious students of his work. It is the detailed analysis of the case of an hysterical adolescent girl who professed to be a medium. The volume also includes papers on cryptomnesia, hysterical parapraxes in reading, manic mood disorder, simulated insanity, and other subjects.
Three edge-of-your-seat psychological thrillers from the creator of the hit BBC crime series Luther and a “master of suspense” (Daily Mirror). The PEN/Ackerley Prize–shortlisted author and creator of Luther starring Idris Elba, British novelist Neil Cross is “an astonishing writer—tautly lyrical, and able at a stroke to fill you with cold, dark fear of the malign forces at large in the world.” In this collection, he combines gritty, nail-biting suspense with a depth of characterization that surpasses most thrillers (Time Out London). Captured: Diagnosed with late-stage brain cancer, Kenny Drummond is determined to make amends while there’s still time. But when he tries to contact an old schoolmate, Callie Barton, he finds she’s disappeared without a trace—and it seems her husband may have something to hide. With a ticking clock and a promise to keep, nothing’s going to stop Kenny from finding out what happened to Callie. “Cross’s clear, precise style makes for a compelling, read-in-one-sitting thriller. Yet there is more to this novel—brooding questions of morality, mortality and responsibility.” —The Word Holloway Falls: The paths of a cult leader, a precognitive man with a secret, and a detective with a troubled past intersect in this “compulsive tale of disappearance, abduction, coincidence, psychotic jealousy, and imaginative daring. . . . The plot is Vertigo on ketamine” (The Guardian). “Neil Cross’s excellent third novel is an ingenious revenge thriller which draws you in with its spare, snappy prose, and then messes with your head.” —Time Out Mr. In-Between: Jon Bennet is the perfect hitman: utterly reliable and completely detached. On the tight leash of the Tattooed Man, Jon kills and maims on order. But after bumping into old friends, he is drawn back into the normal world with its bonds of love and kindness, and finds himself changing back into the person he once was. The Tattooed Man, however, requires total servitude, and his wrath is more fearful than Jon could ever have expected. “[A] thrilling tale of perverse redemption.” —The Literary Review
This is Volume One of a three-volume set, comprising much of Crowley's early material, written mostly between 1898-1902. His earliest works, written between 1887-1897, were almost entirely destroyed by authorities due to their offensive nature. In writing the material that appears in this volume, Crowley toned things down a notch and moved away from the more lurid and graphic sexual themes he had been primarily focused on. He concentrates almost entirely on religion and mythology in this collection. This reflects a time in his life when he was awakening to an important mystical and spiritual level. It can be seen by the reader how Crowley continues to grow and mature into more advanced ideas in the two remaining volumes, as well. It is hard to think of Crowley as a poet, but his style and advanced mystical vocabulary are unique and go beyond that of everyday poets. His plays are also interesting. Crowley once said that the last play, "Tanhauser: The Story of All Time," contained the theory of special relativity, which Einstein clarified more fully and scientifically three years later, in 1905. This volume contains four poems, five plays, four sections of shorter poems, an Epilogue, and an interesting Appendix on Qabalistic Dogma.
Three satires of academia by the beloved British critic, teacher, and novelist—including his “outstanding” comic masterpiece, The History Man (The Guardian). “A satirist of great assurance and accomplishment,” Malcolm Bradbury remains one of the sharpest comic novelists of the twentieth century (The Observer). In Rates of Exchange and Stepping Westward, as “in almost all of Bradbury’s novels, the most frequently recurring theme is that of the slightly naïve, liberal innocent, usually an academic, hilariously abroad in an unfamiliar, and occasionally slightly threatening, context” (The Guardian). In The History Man, the tables are turned, and the professor himself is the threat, resulting in “grim wit, chill comedy and a fictional energy which is as imaginative as the tale is shocking” (A. S. Byatt). Rates of Exchange: University lecturer and seasoned international traveler Angus Petworth is unprepared for the oddities of culture and circumstance that await him on the other side of the iron curtain—in the eastern European nation of Slaka. In two eventful weeks, the professor gives an incendiary interview, is seduced by a femme fatale, and becomes embroiled in a plot of international intrigue. Satirizing everything from critics and diplomats to Marxism and academia, Rates of Exchange is a witty and lighthearted novel of cultural interchange at the height of the Cold War, shortlisted for the Man Booker Prize. “Explosively funny.” —The Daily Telegraph The History Man: Bradbury’s classic skewering of 1970s academia and ideological hypocrisy centers around Professor Howard Kirk, who prides himself on being the most highly evolved teacher on campus. But beneath Kirk’s scholarly bohemianism and studied cool is a ruthless, self-serving Machiavellian streak. Kirk is vain and bigoted, dismissing female students and colleagues while releasing vitriol against those who contradict him, particularly his clever, wayward wife, Barbara, the long-suffering mother of his two children. Someone needs to teach him a lesson . . . “[A] genuinely comic novel.” —The New York Times Stepping Westward: At the height of the swinging sixties, mediocre British writer James Walker accepts an academic post in America for a year he’ll never forget. As Benedict Arnold University’s writer in residence, he finds himself something of a celebrity—his work, though met with shrugs at home, is the subject of vibrant scholarly criticism among American academics. But the buttoned-up professor is about to take a crash course in culture shock taught by spirited advocates of free love and aggressively ambitious colleagues. “Highly entertaining.” —Margaret Drabble, The Sunday Times
A quartet of the British novelist’s finest works of fiction, including “Lowry’s masterpiece,” Under the Volcano (Los Angeles Times). Malcolm Lowry was an author who poured his soul into his prose, including his struggle with his own demons. Of his most famous work, Under the Volcano, Dawn Powell wrote: “You love the author for the pain of his overwhelming understanding.” In the New YorkHerald Tribune, Mark Schorer commented that few novels “convey so feelingly the agony of alienation, the infernal suffering of disintegration.” D. T. Max wrote in the New Yorker: “[Lowry’s] portrait of an unravelling drunk was unnervingly intimate.” Honored by the Modern Library as one of the one hundred best English language novels of the twentieth century, Under the Volcano is widely acknowledged as “Lowry’s masterpiece” (Los Angeles Times). In this novel and the other works of fiction gathered here, the reader follows Lowry as he confronts the abyss, but also shares in his eternal hope for transcendence. Ultramarine: Lowry’s debut novel, and the only book, other than Under the Volcano, published in his lifetime, is the coming-of-age story of Dana Hilliot, who escapes the bourgeois provincialism of his upper-class British upbringing by joining a crew of weathered, world-weary sailors on a freighter bound for South Asia. Part Moby-Dick, part A Portrait of the Artist as a Young Man, Ultramarin draws on Lowry’s own early experience on the sea. Hear Us O Lord from Heaven Thy Dwelling Place: Published posthumously, these seven stories and novellas include “Through the Panama,” in which a burned-out, alcoholic writer on a voyage from Vancouver to Europe tries to make sense of the literature that has kept him afloat, while the pulse of his life grows harder to distinguish, and “The Forest Path to Spring,” about a couple that has been through hell finding new life in the beauty and seclusion of a vast forest. “[These] stories and novellas afford glimpses of the whole toward which Lowry was striving.” —The New York Times Under the Volcano: Former British consul Geoffrey Firmin lives alone with his demons in the shadow of two active volcanoes in South Central Mexico. Drowning in alcoholism, Geoffrey makes one last effort to salvage his crumbling life when his estranged wife, Yvonne, arrives in town on the Day of the Dead, 1938. “One of the towering novels of [the twentieth] century.” —The New York Times October Ferry to Gabriola: Edited by Lowry’s widow and frequent collaborator, and released more than a decade after his untimely death, October Ferry to Gabriola is the story of a married couple striving for renewal, sanity, and transcendence in the deep seclusion of the British Columbian forest. “What awaits [the reader] is worth the effort: a species of ecstatic, lyrical prose that has all but gone out of existence.” —The New York Times
"Artaud remains one of the significant and influential theorists of modern theatre."—Gerald Rabkin, Rutgers University