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Fifty-six stories, some new, some republished. In Corset, a wife does headstands in the nude to excite her husband, in Au Lapin Gros, a man falls for a woman's big feet, and A Cottage Near Twin Falls is on a boring cocktail party.
Fifty-six stories, some new, some republished. In Corset, a wife does headstands in the nude to excite her husband, in Au Lapin Gros, a man falls for a woman's big feet, and A Cottage Near Twin Falls is on a boring cocktail party.
In Mrs. Bridge, Evan S. Connell, a consummate storyteller, artfully crafts a portrait using the finest of details in everyday events and confrontations. With a surgeon's skill, Connell cuts away the middle-class security blanket of uniformity to expose the arrested development underneath-the entropy of time and relationships lead Mrs. Bridge's three children and husband to recede into a remote silence, and she herself drifts further into doubt and confusion. The raised evening newspaper becomes almost a fire screen to deflect any possible spark of conversation. The novel is compris.
Evan S. Connell's Mr Bridge is a moving and darkly funny portrayal of a man who is outwardly successful but internally stunted by existential doubts, repressed sexual yearnings and deep-seated prejudices. Fans of Jonathan Franzen and Richard Yates will enjoy Connell's pitch-perfect portrayal of marriage and family life, and this new Penguin Classics edition also includes an introduction by Lionel Shriver, author of We Need to Talk About Kevin. Walter Bridge, husband to India and father to three, is a successful lawyer in a Kansas suburb. The daily dramas of his life only serve to illuminate his prejudice, self-doubts and dreary existence - his Christmas gifts to the family are stock certificates, which he immediately takes back to manage on their behalf - yet he is also kind and charitable, loving his wife while never able to tell her so. In Mr Bridge, Evan S. Connell gives us a moving, satirical and poetic portrayal of a man who cannot escape his limitations, and a couple growing old together but unable, ultimately, to connect. The companion novel, Mrs Bridge, telling the story from the other side of the marriage, is published in Penguin Modern Classics with an introduction by Joshua Ferris, author of Then We Came to the End and The Unnamed. 'Mr Bridge is a tour-de-force of contemporary American realism, a beautiful work of fiction' - Life 'With a delicate and subtle irony, Mr Connell shows us, first from her, then from his point of view, the little daily dramas of this ordinary family. It is very, very funny, often moving and sad, and written with an uncompromising realism that one rarely comes across. To me the Bridges were a revelation: I cannot recommend them too highly' - Daily Telegraph
Winner, 2022 Society of Midland Authors award for Biography/Memoir Evan S. Connell (1924–2013) emerged from the American Midwest determined to become a writer. He eventually made his mark with attention-getting fiction and deep explorations into history. His linked novels Mrs. Bridge (1959) and Mr. Bridge (1969) paint a devastating portrait of the lives of a prosperous suburban family not unlike his own that, more than a half century later, continue to haunt readers with their minimalist elegance and muted satire. As an essayist and historian, Connell produced a wide range of work, including a sumptuous body of travel writing, a bestselling epic account of Custer at the Little Bighorn, and a singular series of meditations on history and the human tragedy. This first portrait and appraisal of an under-recognized American writer is based on personal accounts by friends, relatives, writers, and others who knew him; extensive correspondence in library archives; and insightful literary and cultural analysis of Connell’s work and its context. It also illuminates aspects of American publishing, Hollywood, male anxieties, and the power of place.
Son of the Morning Star is the nonfiction account of General Custer from the great American novelist Evan S. Connell. Custer's Last Stand is among the most enduring events in American history--more than one hundred years after the fact, books continue to be written and people continue to argue about even the most basic details surrounding the Little Bighorn. Evan S. Connell, whom Joyce Carol Oates has described as "one of our most interesting and intelligent American writers," wrote what continues to be the most reliable--and compulsively readable--account of the subject. Connell makes good use of his meticulous research and novelist's eye for the story and detail to re-create the heroism, foolishness, and savagery of this crucial chapter in the history of the West.
Although he may be best known for his novels Mr. Bridge and Mrs. Bridge, or perhaps for his brilliant biography of Custer, Son of the Morning Star, Evan S. Connell is an undisputed master of the short story. His restraint, concision, and perfect pitch lend themselves beautifully to the form, and he intuitively senses when to explain and when to let silence stand in speech's stead. Lost in Uttar Pradesh collects new work by Connell along with some of his earlier masterpieces. Memorable characters like the corpulent Mr. Bemis, Katia and her lion, and a wanderer back from Spain ring true not because their stories are filled with monumental events but because they center around seemingly insignificant events that somehow remain in the mind. Through Connell's mastery, the most trivial happening, the voice that speaks only once, resonates far beyond the final page.
Spurned by his wife at home and by superiors at work, a young man sits in his cramped San Francisco apartment during the turbulent 1960s and channels everything around him into a diary that is a perfect record of a world going to pieces.
Praise for Notes from a Bottle Found on the Beach at Carmel: “A unique tour de force.” --The New York Times Book Review “One of the most remarkable books that I have read in a long time.” --Kenneth Rexroth “Mr. Connell’s Notes are what one intelligent, sensitive artist has been able to salvage from all experience as testimony to the rather pathetic integrity of the human species in the face of extinction. The book is no manual or tract, however, although its political meaning is unmistakable, but a work of art, even a work of high art.” --Hayden Carruth