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In the first half of the twentieth century Bess Streeter Aldrich became one of America's best loved, most widely read, and highly paid writers. Her short works appeared in such major journals as Ladies Home Journal, Harper's Weekly, The American Magazine, Colliers, McCalls, and The Saturday Evening Post. Her most famous novel, A Lantern in Her Hand, has remained a favorite since first published in 1928. Her portrayals of pioneers, farm people, small-town residents, their activities, and their relationship with their surroundings won the admiration of the nation. Honest romance, marital concord, and parental love were her constant themes. She was much more concerned with what kept people together than with what drove them apart. Widowed in 1925 with four children who relied on her for support, Aldrich knew all too well the tensions between motherhood and working for pay. Collected Short Works contains twenty-six works written for publication between 1907 and 1919. Aldrich's admirers now have ready access to works that long ago were relegated to archives and library stacks. Scholars will appreciate how much of herself Aldrich invested in her fiction and how well she appreciated the changes occurring around her. Carol Miles Petersen is the author of a forthcoming biography of Aldrich, to be published by the University of Nebraska Press. She formerly taught at the University of Nebraska-Lincoln.
During the first half of the twentieth century, Bess Streeter Aldrich became one of the most highly paid and widely read American authors of her time. Among the most noteworthy of frontier writers, Aldrich published her short work in such leading magazines as Cosmopolitan, Colliers, Ladies Home Journal, Good Housekeeping, and the Saturday Evening Post. Her most famous novel, A Lantern in Her Hand, has remained a favorite since it was first published in 1928. All of her subsequent novels were also bestsellers. Aldrich’s portrayals of pioneers, farm people, and small town traders—their spirit and enterprise—won the admiration of the nation. Unlike such contemporaries as Sinclair Lewis and Hamlin Garland, Aldrich saw the better side of Main Street. Honesty, hard work, friendship, and family life are constant themes in her writings. This second volume of The Collected Short Works brings together over thirty of Aldrich’s short stories and essays published between 1920 and 1954, the year of her death. With this collection Aldrich’s admirers have ready access to many hard-to-find works. Some of the stories appear here for the first time since their original publication.
Contains twelve short Christmas stories about reunited families, fellowship, and restored faith including 'I Remember,' a story about the author's childhood in Iowa.
Women writers have been traditionally excluded from literary canons and not until recently have scholars begun to rediscover or discover for the first time neglected women writers and their works. This reference includes alphabetically arranged entries on 58 American women authors who wrote between 1900 and 1945. Each entry is written by an expert contributor and discusses a particular author's biography, her major works and themes, and the critical response to her writings. The entries close with extensive primary and secondary bibliographies, and the volume concludes with a list of works for further reading. The period surveyed by this reference is rich and diverse. Modernism and the Harlem Renaissance, two major artistic movements, occurred between 1900 and 1945, and the entries included here demonstrate the significant contributions women made to these movements. The volume as a whole strives to reflect the diversity of American culture and includes entries for African American, Native American, Mexican American, and Chinese American women. It includes well known writers such as Willa Cather and Eudora Welty, along with more neglected ones such as Anita Scott Coleman and Sui Sin Far.
In one consequential volume, Crisscrossing Borders in Literature of the American West presents the cross-section of a fast-changing and greatly expanded field. Through interdisciplinary essays, this volume on the post-national West challenges the idea of a unified national story sustained by strategic exclusions. Contributors analyze the economic and environmental exploitation depicted in working-class Western literature, emphasize the transnational by approaching both the North/South and cross-Atlantic axes grapple with the role of Mormons, and dissect the new masculinity of "Silicon Gunslingers." Each essay successfully and compellingly models a new and fruitful way of engaging the West.
Examines the intersection of male and female spheres in American literature Although they wrote in the same historical milieu as their male counterparts, women writers of the 19th- and early 20th-centuries have generally been "ghettoized" by critics into a separate canonical sphere. These original essays argue in favor of reconciling male and female writers, both historically and in the context of classroom teaching. While some of the essays pair up female and male authors who write in a similar style or with similar concerns, others address social issues shared by both men and women, including class tensions, economic problems, and the Civil War experience. Rather than privileging particular genres or certain well-known writers, the contributors examine writings ranging from novels and poetry to autobiography, utopian fiction, and essays. And they consider familiar figures like Harriet Beecher Stowe, Emily Dickinson, and Ralph Waldo Emerson alongside such lesser-known writers as Melusina Fay Peirce, Susie King Taylor, and Mary Gove Nichols. Each essay revises the binary notions that have been ascribed to males and females, such as public and private, rational and intuitive, political and domestic, violent and passive. Although they do not deny the existence of separate spheres, the contributors show the boundary between them to be much more blurred than has been assumed until now.
"Western writers," says Thomas J. Lyon in his epilogue to Updating the Literary West, "have grown up with the frontier myth but now find themselves in the early stages of creating a new western myth." The editors of the Literary History of the American West (TCU Press, 1987) hoped that the first volume would begin, not conclude, their exploration of the West's literary heritage. Out of this hope comes Updating the Literary West, a comprehensive reference anthology including essays by over one hundred scholars. A selected bibliography is included with each piece. In the ten years since publication of LHAW, western writing has developed a significantly larger presence in the national literary stream. A variety of cultural viewpoints have developed, along with new tactics for literary study. New authors have risen to prominence, and the range of subjects has changed and widened. Updating the Literary West looks at topics ranging from western classics to cowboys and Cadillacs and considers children's literature, ethnicity, environmental writing, gender issues and other topics in which change has been rapid since publication of LHAW. This volume again affirms the West's literary legitimacy--status hard earned by the Western Literary Association--and the lasting place of popular western writing as part of the growing and changing literary--and American--experience. An excellent reference for a wide range of readers and an invaluable resource for scholars and libraries. Selected list of contributors: James Maguire Fred Erisman Susan J. Rosowski Gerald Haslam Tom Pilkington A. Carl Bredahl Richard Slotkin John G. Cawelti Robert F. Gish Ann Ronald Mick McAllister
A strong, loving, patient Midwestern housewife and mother finds herself dangerously near to involvement in a scandal following an innocent college reunion