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Presents the 1913 edition of African-American writer Paul Dunbar's collected poems and adds sixty poems to it, also providing variants, selected primary and secondary bibliographies, and an index of first lines.
W. D. HOWELLS. What struck me in reading Mr. Dunbar's poetry was what had already struck his friends in Ohio and Indiana, in Kentucky and Illinois. They had felt, as I felt, that however gifted his race had proven itself in music, in oratory, in several of the other arts, here was the first instance of an American negro who had evinced innate distinction in literature. In my criticism of his book I had alleged Dumas in France, and I had forgetfully failed to allege the far greater Pushkin in Russia; but these were both mulattoes, who might have been supposed to derive their qualities from white blood vastly more artistic than ours, and who were the creatures of an environment more favorable to their literary development. So far as I could remember, Paul Dunbar was the only man of pure African blood and of American civilization to feel the negro life aesthetically and express it lyrically.
An illustrated collection of poems by Paul Laurence Dunbar, including A Boy's Summer Song, The Sparrow, and Little Brown Baby.
Dialect poems by one of the nineteenth century's most talented African American lyricists Paul Laurence Dunbar was “the most promising young colored man” in nineteenth-century America, according to Frederick Douglass, and subsequently one of the most controversial. His plantation lyrics, written while he was an elevator boy in Ohio, established Dunbar as the premier writer of dialect poetry and garnered him international recognition. More than a vernacular lyricist, Dunbar was also a master of classical poetic forms, who helped demonstrate to post–Civil War America that literary genius did not reside solely in artists of European descent. William Dean Howells called Dunbar’s dialect poems “evidence of the essential unity of the human race, which does not think or feel black in one and white in another, but humanly in all.” For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Did you know that Paul Laurence Dunbar originated such famous lines as I know why the caged bird sings and We wear the mask that grins and lies. From his childhood in poverty and his early promise as a poet through his struggles to find acceptance as a writer and his tumultuous romance with his wife, to his immense fame and his untimely death, Dunbar's story is one of triumph and tragedy. But his legacy remains in his much-beloved poetr told in both Standard English and in dialect which continues to delight and inspire readers today. More than two dozen of Dunbar's poems are woven throughout this volume, illuminating the phases of his life and serving as examples of dialect, imagery, and tone. Narrating in a voice full of admiration and respect, Sally Derby introduces Paul Laurence Dunbar's life and poetry to readers young and old, aided by Sean Qualls's striking black-and-white illustrations. Discover the breadth and depth of Paul Laurence Dunbar's poetry and learn how it reflects his singular life as a late-nineteenth-century black man.
A brief biography of the poet precedes a collection of his works, most in standard English rather than dialect, with such themes as love, hate, death, nature, and religion.